Die Keiser van China droom van 'n nuwe Keiserlike Tuin van Tuine. Een man kry dit reg om die Keiser se droom waar te maak en 'n asemrowende tuin te ontwerp. Maar selfs die drome van keisers skiet soms te kort. Toe die Keiser 'n nagtegaal hoor sing, weet hy dat sy tuin nie volmaak is nie. Die nagtegaal is gewillig, maar nie willoos nie. Sy musiek is uniek, maar kan nie vasgevang word nie.

Warning: This story is narrated by a gorilla. He is plucked from the jungle. He learns to chat and passes the ultimate test: a cocktail party. Eventually he is moved to an amusement park, where he acts in a play about the history of civilisation. But as the gorilla becomes increasingly aware of human frailties, he must choose between his instincts and his training, between principles and self-preservation. ----- Why Peirene chose to publish this book: 'This is Peirene's first book narrated by an ape. Animal fables are usually not my thing. It needed Belgian deadpan humour to convince me otherwise. Mixing Huxley's Brave New World with Orwell's Animal Farm, the fast-paced plot leaves behind images that play in your mind long after you have closed the book.' Meike Ziervogel, Publisher

"Vandekeybus brought into focus a whole new genre of modern dance...Combat rolls, breakneck sprints and savagely wrestled duets became the defining vocabulary of a new generation." The Guardian. In 2016, Wim Vandekeybus' company Ultima Vez celebrates its 30th birthday. Never before has his oeuvre been recorded in a book. Until now. This extraordinary book is a visual trip through the most powerful images from his repertoire, a quest for the ideas and themes that inspire him. It aso contains unpublished texts, notes and scripts from his shows and films. A number of compagnons de route, such as David Byrne, Mauro Pawlowski, and Peter Verhelst, offer a personal textual contribution. Choreographer, filmmaker and photographer Wim Vandekeybus and his company Ultima Vez are at the top of the dance industry in Belgium - and around the world. After a cooperation with Jan Fabre, Vandekeybus founded his very own company Ultima Vez in 1986. His first performance, What the Body Does Not Remember (1987), was an international success and was awarded a Bessie Award (New York Dance and Performance Award), a prize awarded for pioneering work.