Looking at encounters that can puncture or jolt us, this volume uses art as a lens through which to register and understand exceptional experiences. The volume also includes the fieldworker’s experience of unexpected events that can lead to key understandings, as well as revelatory moments that happen during artistic creation and while looking at art. By exploring exceptional experiences through art, the volume asks probing questions for anthropology. In recognizing that art is all-encompassing – including, as it does, narrative, performance, dance and images – Exceptional Experiences situates itself within a number of conversations on methodological and conceptual issues in anthropology and beyond.

What drives people to take to the streets in protest? What is their connection to other activists and how does that change over time? How do seemingly spontaneous activist movements emerge, endure, and evolve, especially when they lack a leader and concrete agenda? How does one analyze a changing political movement immersed in contingency? Impulse to Act addresses these questions incisively, examining a wide range of activist movements from the December 2008 protests in Greece to the recent chto delat in Russia. Contributors in the first section of this volume highlight the affective dimensions of political movements, charting the various ways in which participants coalesce around and belong to collectives of resistance. The potent agency of movements is highlighted in the second section, where scholars show how the emerging actions and critiques of protesters help disrupt authoritative political structures. Responding to the demands of the field today, the novel approaches to protest movements in Impulse to Act offer new ways to reengage with the traditional cornerstones of political anthropology.

What drives people to take to the streets in protest? What is their connection to other activists and how does that change over time? How do seemingly spontaneous activist movements emerge, endure, and evolve, especially when they lack a leader and concrete agenda? How does one analyze a changing political movement immersed in contingency? Impulse to Act addresses these questions incisively, examining a wide range of activist movements from the December 2008 protests in Greece to the recent chto delat in Russia. Contributors in the first section of this volume highlight the affective dimensions of political movements, charting the various ways in which participants coalesce around and belong to collectives of resistance. The potent agency of movements is highlighted in the second section, where scholars show how the emerging actions and critiques of protesters help disrupt authoritative political structures. Responding to the demands of the field today, the novel approaches to protest movements in Impulse to Act offer new ways to reengage with the traditional cornerstones of political anthropology.

This book offers a brief introduction to the anthropological study of Russia. Moving beyond the conceptual iron curtain that has divided past study of Russia into "East" and "West," it situates Russia in a global context and provides readers with all of the necessary analytical tools for understanding the complex cultural and social configurations of the contemporary Russian Federation. Based on extensive fieldwork in Russia, it offers unique insights into a number of cultural configurations-including socialism, violence, mythology, colonialism, nationalism, gender, memory, democracy, media, and art. Through the use of interesting case studies and ethnographic "snapshots," the author has produced a lively and engaging overview of Russia's cultural meaning and significance.

Koriak have been described as a nomadic people, migrating with the reindeer through rugged terrain. Their autonomy and mobility are salient cultural features that ethnographers and state administrators have found equally fascinating and menacing.

Tundra Passages describes how this indigenous people in the Russian Far East have experienced, interpreted, and struggled with the changing conditions of life on the periphery of post-Soviet Russia.

Rethmann portrays the lives of Koriak women in the locales of Tymlat and Ossora in northern Kamchatka, within a wider framework of sexuality, state power, and marginalization, which she sees as central to the Koriak experience of everyday life. Using gender as a lens through which to examine wider issues of history, disempowerment, and marginalization, she explores the interpretations and strategies employed by Koriak women and men to ameliorate the austere effects of political and socioeconomic disorder. Rethmann's innovative work combines historical and ethnographic descriptions of Koriak life, narration, and practices of gender and history.

With the demise of the Soviet Union, scholars have begun an active discussion of the political processes that affect marginalized and indigenous peoples in Russia. This work contributes to this discussion by revealing the tensions and potentially contradictory strategies of indigenous people within a world shaken by change, uncertainty, and disorder.

In recent years, globalization has challenged concepts such as local
culture and cultural autonomy. And the rampant commodification of
cultural products that has accompanied the global turn has called into
question the way we define culture itself. Have these developments
transformed the relationship between culture and autonomy? Have
traditional notions of cultural autonomy been recast?

"Cultural Autonomy" showcases the work of scholars from
multiple fields of interest who are exploring new ways of understanding
the critical issue of globalization and culture. By defining culture
broadly -- as a set of ideas or practices that range from literary
criticism and the work of public intellectuals such as Edward Said to
Greenpeace, Zapatismo, and skateboarding -- they trace how issues
of cultural autonomy have played out in various areas, including the
human rights and environmental movements and among indigenous peoples.
Although the contributors focus on the marginalized issue of autonomy,
they offer a balanced perspective -- one that reveals that
globalization has not only limited but also created new forms of
cultural autonomy.

A theoretically sophisticated collection, "Cultural
Autonomy" redefines and carves out new terrain for debate
about autonomy and culture in an age of globalization.

Globalization has challenged concepts such as local culture and cultural autonomy. And the rampant commodification of cultural products has challenged the way we define culture itself. Have these developments transformed the relationship between culture and autonomy? Have traditional notions of cultural autonomy been recast? This book showcases the work of scholars who employ a broad definition of culture to trace how issues of cultural autonomy have played out in various arenas, including literary criticism, indigenous societies, the Slow Food movement, and skateboarding culture. Although they focus on the marginalized issue of autonomy, they reveal that globalization has both limited as well as created new forms of cultural autonomy.