Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

THE SATYRICON OF
Gaius Petronius, Arbiter to Nero

Petronius' bawdy masterpiece is considered by some to be an early form of the novel. Petronius had the notable job of advising Roman emperor Nero on style and fashion. After an unfortunate falling-out with Nero, Petronius was forced to commit suicide. Belated revenge came in the form of his will, which when read aloud in the Roman Forum, viciously mocked the mostly-mad emperor.

"The Satyricon" is a "satire," intended to provoke laughter as well as disgust or censure. It has given our modern society much of the picture it has of Roman life beyond ancient monuments and Imperial inscriptions. A thinly-veiled exaggeration of reality, "The Satyricon" makes the days of doomed Herculaneum and Pompeii real -- and paints unforgettable pictures of Roman excess, including Trimalchio's famous feast.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Satyrica (Satyricon liber), a comic-picaresque fiction in prose and verse traditionally attributed to the Neronian Petronius (d. AD 66) but possibly of Flavian or Trajanic date, survives only as fragments of a much larger whole. It takes the form of a first-person narrative by the endearing ne’er-do-well Encolpius, a brilliant storyteller, parodist, and mimic who recalls episodes from his past life as a wandering bohemian, living by his wits on the margins of society in Greek southern Italy and encountering a vividly realized array of characters from the early imperial demimonde, including the wealthy freedman Trimalchio, one of the most unforgettable characters in all of Latin literature. Paired with the Satyrica, and likewise in prose and verse, is the Apocolocyntosis (Pumpkinification), a short satirical pamphlet lampooning the death, apotheosis, and attempt to enter heaven of the emperor Claudius (reigned 41–54). If the work of Lucius Annaeus Seneca (4 BC–AD 65), better known for his austere Stoic moralism, its sarcastic wit and rollicking humor were no doubt inspired by bitterness over his exile at Claudius’ hands in 41–49. For this Loeb edition the Latin texts have been freshly edited and translated, with ample introductions and explanatory notes.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Documenting the colourful escapades of the former gladiator Encolpius and his less than faithful lover Giton, the "Satyricon" plunges the reader into the lives of ordinary Roman citizens, vividly revealing the Empire's seamy underbelly. A host of unforgettable characters are satirically presented, such as Trimalchio, the pretentious parvenu host, in a memorable banquet scene, the lascivious priestess Quartilla and the narrator's unreliable, roguish friend Ascyltus. Sometimes referred to as the first novel - although surviving only in fragments - this bawdy, picaresque and surprisingly modern narrative is considered one of the founding masterpieces of Western literature.

'I blush to say what happened next.' A satirical portrait of a drunken, orgiastic Roman banquet, hosted by the grossly ostentatious Trimalchio. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Titus Petronius Arbiter (1st century BCE-c.66 CE). Petronius's The Satyricon is also available in Penguin Classics.

This new Satyricon features not only a lively, new, annotated translation of the text, but fresh and accessible commentaries that discuss Petronius' masterpiece in terms of such topics as the identity of the author, the transmission of his manuscript, literary influences on the Satyricon , and the distinctive literary form of this workaas well as such features of Roman life as oratory, sexual practices, households, dinner parties, religion, and philosophy. It offers, in short, a remarkably informative and engaging account of major aspects of Imperial Roman culture as seen through the prism of our first extant novel.