Providing an essential grounding for readers of all levels, from students to professionals, this carefully structured text takes the reader through every aspect of typography, from the history of language and writing systems to the invention of movable type and the evolution of the digital systems of today. It provides an overview of the bewildering variety of typefaces available and is a practical guide to using type as a meaningful element of design in all media. In this revised edition, Chapter 3 ('Form') has been considerably extended with illustrations of 'part-alphabets' for 60 typefaces and detailed explanations of their visual features. There are also updated sections in Chapters 4 and 6 ('Manufacture & Design' and 'Conventions') and in Chapter 5 ('Structure') there is new material on the use of grids and design for the Web.

- Includes 2 extensive timecharts, one on type designers, one on the evolution of writing and printing--reference at a glance

- Newly revised and expanded

- Hundreds of remarkable photographs
and illustrations

From the history of language and writing systems, to the development of letterforms and movable type, to the evolution of today's digital systems, Type and Typography offers an overview of the typefaces available today and a practical guide to using type as a meaningful element of design in all mediums. Newly expanded with fifty additional pages of text and eighty-five new illustrations, this second edition reflects the exciting developments in typography since the first edition was published in 2002.

At the height of the Victorian period, a passion for the Gothic style swept England and spread far beyond. Gothic architecture, associated with the social and cultural ideals of the Middle Ages, was seen as a means of remaking the modern world. In this lucid exposition, Chris Brooks unravels the layers of meaning that Gothic held for its many reinventors, from the political uses of Gothic history in the seventeenth century to Barry and Pugin's Houses of Parliament in the mid-nineteenth. Yet the Gothic revival is not just manifest in buildings continually recreated; it has taken the form of poetry and fiction, of painting and sculpture, of movies and video games, of Gothic music and Gothic punk. This is the first book to deal comprehensively with the whole scope of the Gothic Revival.