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This book examines the work and art of Bill Douglas, thirty years
after his death. Douglas made only a small body of work during his
lifetime: The Bill Douglas Trilogy, based on his deprived childhood
in Scotland; and Comrades, his epic on the Tolpuddle Martyrs; but
he is acknowledged by many as one of Britain's greatest filmmakers.
His films inspire a depth of passion in those that have seen them,
and interest in his work has intensified over the years, both
within the UK and overseas. This is the first work to examine
Douglas's life and career through archive material recently made
available to researchers. Editors Amelia Watts and Phil Wickham
have carefully selected a range of voices-both scholars and
practitioners-to reappraise Douglas's career from a variety of
angles. The book raises important questions about Douglas's status
as an artist, and reflects on his struggles within the film
industry of the 1970s and 1980s in order to consider the attendant
difficulties of working within a collaborative and commercial
medium such as cinema. The volume also explores the wider legacy of
this film artist, through the collection on moving image history he
assembled with Peter Jewell, which became the foundation of the
Bill Douglas Cinema Museum. It will appeal to film students and
scholars, and the small but committed group of general readers who
are interested in Douglas's work. The book has a foreword by the
renowned filmmaker Mark Cousins, who, like many other contemporary
directors, is a great enthusiast for Douglas's work.
Co-founder of the Outcry Worship Tour, Ryan Romeo, empowers you to
live well in the present as you dream well about the future in this
practical guide to doing the impossible. When it comes to pursuing
our dreams, Ryan Romeo is convinced of two things. First, God knows
where you come from. He knows about your past. He knows about the
seemingly impossible situation you may find yourself in. And yet,
he is even more committed to seeing your dream come to life than
you are. The other thing Ryan has learned is this: Your daily
habits bring about the reality of your calling. What you do today
matters even when it doesn't feel like it. Especially when it
doesn't feel like it. How you treat your current job, your current
boss, and those around you matters. How you serve your leader's
vision or your church's vision? That matters too. So as you pursue
your calling, don't forget to keep your head in the clouds. Never
let the worries, the fears, the "what-ifs?" in your heart dampen
God's unique call on your life. At the same time, you need to keep
your feet on the ground - to stay engaged and connected right where
you are, so you don't miss out on the foundation God wants to
build. How do you do that? That's what Head in the Clouds, Feet on
the Ground is all about. Looking at examples from his own life and
from others who have followed big dreams, Ryan shares three
practical and powerful ways to: Lay the groundwork that will
strengthen the dreamer (you!) for the task ahead. Overthrow the
dream killers that try to sideline you. Take the first steps! It's
time to become a steward of your dream. Are you ready? Stand firm.
And then look up.
"Understanding TV Texts" examines the debates that define
television and looks at how they can be applied to the study of
particular programs. For example, how do we respond to what we
watch and what affects those responses? In this book, production
and consumption contexts are examined, but also the meanings in the
texts themselves. How is technology and social change transforming
our experience of television? These questions are explored through
a range of case studies--both fact and fiction, contemporary and
historical, British and American.
Sets out the debates that define television and examines how they
can be applied to the study of particular programmes. By asking how
production, consumption, technology and social change are changing
our experience of TV, students are encouraged to consider and
develop their own responses. Uses a range of examples from British
and American TV.
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