M8 F11. A bathhouse steam room. Period Ancient Greek Athens is in the grip of a futile, destructive war with Sparta and its men are fighting abroad, taken away from their wives and families for long periods at a time. The women of Athens have had enough. At dawn, in a men's bathhouse, leading society woman Lysistrata gathers an assembly of Athenian and Spartan women to discuss negotiating a peace treaty. Their tactics are simple: they will refuse their men sex until peace is declared. Germaine Greer and Phil Willmott's wonderful adaptation of Aristophanes' play "treads expertly between the tremendous and the tacky" ("Observer"). With Carry On characters, a cartoon-style set, raunchy dialogue and bawdy action performed to a soundtrack of Marilyn Monroe and Julie London, the serious subject of war remains prominent amid the humour in this battle of the sexes. "Fast, broad, silly and profound." ("Independent on Sunday").

Clamber aboard the mighty Argo to join heroic Prince Jason, plucky Princess Medea, Hercules and all the gang for a lively re-telling of the greatest adventure story ever told! Our heroes must overcome monsters, tricksters and tempests if they are to capture the Golden Fleece, defeat Jason's evil uncle and win back the kingdom. Seen in 2009 at the Scoop, as part of the More London Free Festival, this 80-minute free adaptation of the old story is a light-hearted romp into which can be inserted your own choice of songs and dances. Humour and easy puppetry overcome the difficulties of a fire-breathing bull, a dragon and an army of skeletons!

A dark sequel to Peter Pan, this new story reunites J. M. Barrie's characters, now in their early twenties, when a young officer falls asleep with a copy of the children's classic in his pocket and imagines himself as Peter embarking on one final "awfully big adventure" - The First World War. Blending a contemporary music theatre style with music hall influences, Lost Boy premiered at the Finborough Theatre before transferring for an extended run at the Charing Cross Theatre in the West End. Phil Willmott's past musicals include The Dick Barton Trilogy, Around the World in Eighty Days, Once Upon a Time at the Adelphi and Princess Caraboo (also composed with Mark Collins) all published by Samuel French.

Phil Willmott's dazzling musical centres on the iconic Adelphi Hotel in Liverpool which saw the great and the glamorous pass through its doors from its heyday in the 1920s to 1940s. Cleverly juxtaposing the past and the present, we follow the love story of four young staff members - Nick and Jo in the present, Young Alice and Thompson in the past - brought to life with the vibrant and poignant reminiscences of Older Alice. 1930s Hollywood stars, cowboy Roy Rogers and tango supremo Carlos Gardel, mingle with Russian acrobats, American G.I.s, aristocratic guests and hotel employees. This is a full-scale musical for a large company with great opportunity for ensemble work and a variety of principal roles for all ages. Its flexible settings means it can be staged elaborately or simply as facilities permit.

Freely adapted from the novel by Jules Verne, set in 1883, delightfully tells the story of Phileas Fogg's and his servant, Passepartout's, whistle-stop journey, as they try to satisfy a wager that they can circumnavigate the world in eighty days. With bandits, nasty villains around every corner and transport problems that force them to continue via hot air balloon then by a performing elephant, will they make the deadline?Large flexible cast

Princess Caraboo tells the extraordinary true story of a beautiful young woman who tricked her way from vagrancy to wealth and power in Regency England by pretending to be a shipwrecked Princess. Maintaining the deception becomes imperative as the stakes get higher and higher, and what begins as a desperate ploy by a petty criminal to evade the law escalates into a national scandal threatening to ruin anyone whose compassion, lust or ambition has blinded them to the truth. As Princess Caraboo becomes the superstar of her day she discovers the price to be paid for living a lie and the cost of drawing the man she loves into her deceit. All of us, at one time or another, has told a lie; to make life run smoother, to land the perfect job, to win and keep the ones we love. This entertaining, glamorous and empowering story invites us all to consider the impact of life's embellishments in defining who we really are and who we would like to be.

Original by Aristophanes Adapted by Germaine Greer With additional dialogue from Phil Willmott. Aristophanes' classic play retold in a bang up to the minute way. The world's leading feminist raconteur, polemicist and wit plunders the archetypal story of female resistance... This new version of the ancient tale gives the battle of the sexes an outing full of fun, farce and innuendo.

Hilarious, fast-moving tribute to Hollywood.

Dick Barton, hero of the BBC's 1940's radio serial is back in this, the third of Phil Wilmott's critically acclaimed and hugely successful series of musical comedies. This show works independently of its predecessors or as the final part of a hilarious trilogy. A ruthless Latin love lothario has set his sights on the women of London. No gal is safe from the swarthy continental's sultry seductions as he cha-cha-chas his wicked way into the boudoirs and jewellery boxes of Belgravia. Thank heavens that square-jawed British hero, Barton, is on hand to save the dignity and diamonds of our dowagers and debutantes - but will the fancy footwork of this foreign fiend defeat him? At the Warehouse Theatre, Croydon from December 2001.

Inspired by real-life female adventurers, Phil Willmott has changed the gender of several of the central characters without compromising the spirit of Stevenson's classic novel. The play can be simply staged, is suitable for performance by kids and adults and can be adapted to suit a large company or a small team playing several roles.