'Beowulf', one of the earliest poems in the English language, recounts a tale of heroism played out against the backdrop of Scandinavia in the 5th to 6th centuries AD. And yet, this Old English verse narrative set in Scandinavia is - a little surprisingly, perhaps - populated with names of German descent. This insight into the personal names of 'Beowulf' acts the starting point for Philip A. Shaw's innovative and nuanced study. As Shaw reveals, the origins of these personal names provide important evidence for the origins of Beowulf as it enables us to situate the poem fully in its continental contexts. As such, this book is not only a much-needed reassessment of 'Beowulf''s beginnings, but also sheds new light on the links between 'Beowulf' and other continental narrative traditions, such as the Scandinavian sagas and Continental German heroics. In doing so, Names and Naming in 'Beowulf' takes readers beyond the continuing debate over the dating of the poem and provides a compelling new model for the poem's origins.

Essays on the writing and textual culture of Europe in the middle ages. Medieval Europe was characterized by a sophisticated market for the production, exchange and sale of written texts. This volume brings together papers on a range of topics, centred on manuscript studies and textual criticism, which explore these issues from a pan-European perspective. They examine the prolonged and varied processes through which Europe's different parts entered into modern reading, writing and communicative practices, drawing on a range ofapproaches and perspectives; they consider material culture, multilingualism in texts and books, book history, readers, audience and scribes across the Middle Ages. Dr Aidan Conti teaches in the Department of Linguistic, Literary and Aesthetic Studies, University of Bergen; Dr Orietta Da Rold teaches in the Faculty of English, University of Cambridge; Dr Philip Shaw teaches at the School of English, University of Leicester. Contributors: Rolf H. Bremmer Jr, Stewart Brookes, Aidan Conti, Orietta Da Rold, Helen Fulton, Marilena Maniaci, Debora Matos, Annina Seiler, Peter A. Stokes, Nadia Togni, Svetlana Tsonkova, Matilda Watson, George Younge.

Groundbreaking collection of articles - drawing upon recent advances in both discovery techniques and classification systems - centred upon the study of early Anglo-Saxon coinage and its iconography. Recent years have seen increasing interest being taken by both scholars and enthusiasts in the remarkable iconography of early Anglo-Saxon coinage. During this period there was a remarkable diversity of intentionally ambiguous imagery conflating the various traditions then extant in England, and indeed the sheer quantity of types produced in post-Roman Britain prior to the establishment of a clear political hierarchy has often been regarded as a daunting hurdle for scholarly research. Although this wealth of material has long been available, recent advances in both discovery techniques and classification systems have seen a renewal of interest in these largely neglected artefacts.This volume draws upon these advances to establish a new benchmark for the study of coin typologies. Going beyond the traditional studies of moneyers, mint marks and monarchs, these essays draw upon the imagery present upon the coins themselves to offer new insights into Anglo-Saxon art and society.

‘Beowulf’, one of the earliest poems in the English language, recounts a tale of heroism played out against the backdrop of Scandinavia in the 5th to 6th centuries AD. And yet, this Old English verse narrative set in Scandinavia is – a little surprisingly, perhaps – populated with names of German descent. This insight into the personal names of ‘Beowulf’ acts the starting point for Philip A. Shaw’s innovative and nuanced study. As Shaw reveals, the origins of these personal names provide important evidence for the origins of Beowulf as it enables us to situate the poem fully in its continental contexts. As such, this book is not only a much-needed reassessment of ‘Beowulf’'s beginnings, but also sheds new light on the links between ‘Beowulf’ and other continental narrative traditions, such as the Scandinavian sagas and Continental German heroics. In doing so, Names and Naming in ‘Beowulf’ takes readers beyond the continuing debate over the dating of the poem and provides a compelling new model for the poem’s origins.

This book considers evidence for Germanic goddesses in England and on the Continent, and argues, on the basis of linguistic and onomastic evidence, that modern scholarship has tended to focus too heavily on the notion of divine functions or spheres of activity, such as fertility or warfare, rather than considering the extent to which goddesses are rooted in localities and social structures. Such local religious manifestations are, it is suggested, more important to Germanic paganisms than is often supposed, and should caution us against assumptions of pan-Germanic traditional beliefs. Linguistic and onomastic evidence is not always well integrated into discussions of historical developments in the early Middle Ages, and this book provides both an introduction to the models and methods employed throughout, and a model for further research into the linguistic evidence for traditional beliefs among the Germanic-speaking communities of early medieval Europe.