Join everybody's favorite beer-swilling, chain-smoking, kangaroo-worrying lunatic as she 'bumps' her way through another utterly bizarre escapade. And this time she's pregnant...yes, pregnant! How will our manic heroine cope with looming motherhood? The threat of rampaging hormones, the spectre of varicose veins? What will the baby look like, if it's Booga's? And what exactly does this all have to do with the followers of the Blood God Baal? Add to that the small matter of impending Armageddon (thanks to a meteorite headed straight for Earth!) and it's no wonder this book was once billed as the final slice of Tank Girl's lunatic adventures.

A comprehensive exploration of the profound influence of Marxist ideas on the development of Cultural Studies in Britain, this volume covers a century of Marxist writing, balancing synoptic accounts of the various schools of Marxist thought with detailed analyses of the most important writers. Arguing that a recognisably Marxist tradition of cultural analysis began in the last two decades of the nineteenth century and continues unbroken to the present day, British Marxism and Cultural Studies traces the links between contemporary developments in the field and the extended tradition of which they form a part. With discussion of figures such as Jack Lindsay, C.L.R. James, Julian Stallabrass and Mike Wayne, as well as the cultural thinking of the New Left, Gramscian, Althusserian and Political Economy schools, this book shows that the history of British cultural Marxism is broader and richer than many people realise. As such, it will be of interest to scholars and students of sociology, cultural studies, intellectual history and the history of the Left.

Scholars in Media Studies increasingly take the view that our understanding of the history of the discipline is deeply inadequate. It is now widely recognised that a large number of important media analysts have simply been omitted from the standard histories. This book aims to fill in some of the gaps by examining the work of eleven neglected writers, each of whom has made a seminal contribution to the analysis of the media but whose work rarely appears in student textbooks, anthologies and readers. In keeping with the interdisciplinary ambitions of contemporary Media Studies, the selected thinkers are drawn from a wide range of historical periods and intellectual backgrounds. There are chapters on sociologists, creative writers, cultural theorists, art critics, journalists and even ancient Greek philosophers. The aims of the book are by no means purely antiquarian. The contributors believe that a revival of interest in the work of their chosen writers can go a long way towards revitalising Media Studies, especially by (1) drawing attention to a variety of theoretical and methodological approaches which have yet to be adequately exploited, (2) suggesting new areas of research, and (3) transforming our understanding of the historical development of Media Studies.

A comprehensive exploration of the profound influence of Marxist ideas on the development of Cultural Studies in Britain, this volume covers a century of Marxist writing, balancing synoptic accounts of the various schools of Marxist thought with detailed analyses of the most important writers. Arguing that a recognisably Marxist tradition of cultural analysis began in the last two decades of the nineteenth century and continues unbroken to the present day, British Marxism and Cultural Studies traces the links between contemporary developments in the field and the extended tradition of which they form a part. With discussion of figures such as Jack Lindsay, C.L.R. James, Julian Stallabrass and Mike Wayne, as well as the cultural thinking of the New Left, Gramscian, Althusserian and Political Economy schools, this book shows that the history of British cultural Marxism is broader and richer than many people realise. As such, it will be of interest to scholars and students of sociology, cultural studies, intellectual history and the history of the Left.

This book examines the many important literary critics and theorists associated with the Communist Party of Great Britain in the 1930s.
It provides a systematic and critical account of the communist understanding of the politics of literature and assesses the ways in which Party theorists were influenced by the world communist movement. In particular, it shows that British communists were never content simply to restate Soviet ideas about literature, but always developed them in ways that were innovative and sometimes unorthodox.

After the collapse of the Soviet Union it was widely believed that Marxists would be all but extinct by the year 2000. Humanity, wrote Francis Fukuyama, had come to the "end of history". All thoughts of finding an alternative to capitalism could be forgotten. Such thinking was wide of the mark. So why did so many people retain a faith in Marxism after the disappearance of 'actually existing socialism'? Set largely in Wales but ranging widely across the recent history of the British left, Philip Bounds's memoir evokes an age in which Marxism faltered, came close to dying but made a dramatic recovery. It sheds new light on many of the most important political and cultural events of the 1980s and 1990s. Howard Moss of Swansea University has described it as 'a book full of lively and interesting characters who come alive on its pages via the eminently readable, nay gripping, style in which it is written.' ('The joke in the department was that a bunch of daffodils had turned black and died when he bought them for a colleague as a retirement present.')