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First published in 1968. By selective study of certain of the
comedies, tragedies and sonnets, Philip Edwards views Shakespeare's
work as a whole and explains why his art developed as it did. The
work which the author sees Shakespeare striving to create is the
perfect fusion of comedy and tragedy and he suggests that we are
watching the progress of a mind as acutely conscious as anyone
today of the disorder and lack of meaning in the world.
Nevertheless, it remains faithful to the possibility that within
the imaginable forms of drama there exists that play which will
satisfy the basic human need for reassurance, order and control.
First published in 1968.
By selective study of certain of the comedies, tragedies and
sonnets, Philip Edwards views Shakespeare's work as a whole and
explains why his art developed as it did. The work which the author
sees Shakespeare striving to create is the perfect fusion of comedy
and tragedy and he suggests that we are watching the progress of a
mind as acutely conscious as anyone today of the disorder and lack
of meaning in the world. Nevertheless, it remains faithful to the
possibility that within the imaginable forms of drama there exists
that play which will satisfy the basic human need for reassurance,
order and control.
First published in 1997, this volume challenges the belief that
possessive individualists need states to restrain them from
trespassing on the natural rights of others or from harming
themselves and questions whether anarchy can be sustained to
accommodate the long-term self-interests of possessive
individualists. Issues discussed include Hobbes' response to the
Foole, Libertarian Anarchism and the inevitability of a minimal
state in anarchist society, along with tactics to avoid large
wealth differentials.
First published in 1997, this volume challenges the belief that
possessive individualists need states to restrain them from
trespassing on the natural rights of others or from harming
themselves and questions whether anarchy can be sustained to
accommodate the long-term self-interests of possessive
individualists. Issues discussed include Hobbes' response to the
Foole, Libertarian Anarchism and the inevitability of a minimal
state in anarchist society, along with tactics to avoid large
wealth differentials.
This collection of fifteen original essays and one original poem
explores the theme of "place" in the life, works, and afterlife of
Edgar A. Poe (1809-1849). Poe and Place argues that "place" is an
important critical category through which to understand this
classic American author in new and interesting ways. The
geographical "places" examined include the cities in which Poe
lived and worked, specific locales included in his fictional works,
imaginary places featured in his writings, physical and imaginary
places and spaces from which he departed and those to which he
sought to return, places he claimed to have gone, and places that
have embraced him as their own. The geo-critical and geo-spatial
perspectives in the collection offer fresh readings of Poe and
provide readers new vantage points from which to approach Poe's
life, literary works, aesthetic concerns, and cultural afterlife.
This collection of fifteen original essays and one original poem
explores the theme of "place" in the life, works, and afterlife of
Edgar A. Poe (1809-1849). Poe and Place argues that "place" is an
important critical category through which to understand this
classic American author in new and interesting ways. The
geographical "places" examined include the cities in which Poe
lived and worked, specific locales included in his fictional works,
imaginary places featured in his writings, physical and imaginary
places and spaces from which he departed and those to which he
sought to return, places he claimed to have gone, and places that
have embraced him as their own. The geo-critical and geo-spatial
perspectives in the collection offer fresh readings of Poe and
provide readers new vantage points from which to approach Poe's
life, literary works, aesthetic concerns, and cultural afterlife.
Greek Cinema and Migration provides a response to urgent calls to
comprehend the cultural impact of immigration in Greece, and to
determine the capacity of contemporary Greek cinema to challenge
the logic of Fortress Europe. Placing contemporary Greek cinema
within the context of European film production and transnational
cinema, the book explores the fascination of Greek filmmakers with
migration, mobility, borders and identity, between 1991 and 2016.
With case studies of films such as The Suspended Step of the Stork
(1991), The Way to the West (2003), Man at Sea (2011) and many
more, this ground-breaking book provides an in-depth understanding
of contemporary Greek cinema and its direct correlation to the
country's ongoing struggles to implement European modernity.
Greek Cinema and Migration provides a response to urgent calls to
comprehend the cultural impact of immigration in Greece, and to
determine the capacity of contemporary Greek cinema to challenge
the logic of Fortress Europe. Placing contemporary Greek cinema
within the context of European film production and transnational
cinema, the book explores the fascination of Greek filmmakers with
migration, mobility, borders and identity, between 1991 and 2016.
With case studies of films such as The Suspended Step of the Stork
(1991), The Way to the West (2003), Man at Sea (2011) and many
more, this ground-breaking book provides an in-depth understanding
of contemporary Greek cinema and its direct correlation to the
country's ongoing struggles to implement European modernity.
Vernacular Traditions of Boethius's "De consolatione philosophiae"
provides an overview of the widespread reception and influence of
Boethius's masterpiece in England and Germany, as well as in the
Netherlands, Italy, Poland, Catalonia, and Byzantium. As this work
demonstrates, Boethius is not only a significant Roman author but
also a significant translator and adaptor of works written
originally in Greek, placing him firmly as an important figure at
the moment of transition from antiquity to the Middle Ages. As the
two introductory articles in this collection affirm, Boethius is
recognized as "the last of the Romans" and the "first of the
Scholastics." Attested by the articles and the edition in this
volume, Boethius's modern influence is global in its importance,
not only through the dissemination of his theological and scholalry
works, but through the many vernacularizations of his final
testament to the world, his Consolatio.
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