In 1994, the Rwandan government orchestrated a campaign of extermination, in which everyone in the Hutu majority was called upon to murder everyone in the Tutsi minority. Close to a million people were slaughtered in a hundred days, and the rest of the world did nothing to stop it. A year later, journalist Philip Gourevitch went to Rwanda to investigate the most unambiguous genocide since Hitler’s war against the Jews.

Hailed by the Guardian as one of the hundred greatest non-fiction books of all time, and now celebrated as part of the Picador Collection, We Wish To Inform You That Tomorrow We Will Be Killed With Our Families is an unforgettable anatomy of Rwanda’s decimation. As riveting as it is moving, it is a profound reckoning with humanity’s betrayal and its perseverance.

Winner of the National Book Critics Circle Award for Nonfiction.

In April 1994, the Rwandan government called upon everyone in the Hutu majority to kill each member of the Tutsi minority, and over the next three months 800,000 Tutsis perished in the most unambiguous case of genocide since Hitler's war against the Jews. Philip Gourevitch's haunting work is an anatomy of the war in Rwanda, a vivid history of the tragedy's background, and an unforgettable account of its aftermath. One of the most acclaimed books of the year, this account will endure as a chilling document of our time.

From William Faulkner's famous reply, 'The writer's only responsibility is to his art,' to James Salter's confession 'What is the ultimate impulse to write? Because all this is going to vanish', the Paris Review has elicited many of the most arresting, illuminating, and revealing discussions of life and craft from the greatest writers of our age. Under its original editor, George Plimpton, the Paris Review is credited with inventing the modern literary interview, and more than half a century later the magazine remains the master of the form. By turns intimate, instructive, gossipy, curmudgeonly, elegant, hilarious, cunning, and consoling, the Paris Review interviews have come to be celebrated as classic literary works in their own right. Now, from the treasure trove of the archives, Paris Review editor Philip Gourevitch has selected twenty of the most essential interviews for the first of a four volume set. The authors are: Dorothy Parker, Truman Capote, Ernest Hemingway, T. S. Eliot, Saul Bellow, Jorge Luis Borges, Kurt Vonnegut, James M. Cain, Rebecca West, Elizabeth Bishop, Robert Stone, Robert Gottlieb, Richard Price, Billy Wilder, Jack Gilbert and Joan Didion.

Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely-crafted literature. The magazine has spoken with most of the world's leading novelists, poets and playwrights, and the interviews themselves have come to be recognised as classic words of literature in their own right. The series as a whole is indispensable for all writers and readers. This new volume in the series builds on the success and acclaim of the first two editions. The interviews: Ralph Ellison (1955) Georges Simenon (1955) Isak Dineson (1956) Evelyn Waugh (1963) William Carlos Williams (1964) Harold Pinter (1966) John Cheever (1976) Joyce Carol Oates (1978) Jean Rhys (1979) Raymond Carver (1983) Chinua Achebe (1994) Ted Hughes (1995) Jan Morris (1997) Martin Amis (1998) Salman Rushdie (2005) Norman Mailer (2007)

First published nearly a quarter-century ago and one of the very few short-story collections to win the PEN/Faulkner Award, this is American fiction at its most vital--each narrative a masterpiece of sustained power and seemingly effortless literary grace. Two New York attorneys newly flush with wealth embark on a dissolute tour of Italy; an ambitious young screenwriter unexpectedly discovers the true meaning of art and glory; a rider, far off in the fields, is involved in an horrific accident--night is falling, and she must face her destiny alone. These stories confirm James Salter as one of the finest writers of our time.

Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age. Here is the fourth collection of brilliant interviews to be gathered together, 'a bible both for readers and writers, the insider gossip for those who are truly passionate about their prose.' (Observer) This new edition is introduced by Salman Rushdie and includes interviews with: William Styron Marianne Moore Ezra Pound E.B. White P.G. Wodehouse John Ashbery Philip Roth Maya Angelou Orhan Pamuk V.S. Naipaul Stephen Sondheim Haruki Murakami David Grossman Marilynne Robinson

A second volume of fascinating interviews from one of the world's best loved literary magazines Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely-crafted literature. From Faulkner's determination that a great novel takes 'ninety-nine percent talent . . . ninety-nine percent discipline . . . ninety-nine percent work', to Gabriel Marquez's observation that 'in the first paragraph you solve most of the problems with your book', The Paris Review has elicited revelatory and revealing thoughts from our most accomplished novelists, poets and playwrights. With an introduction by Orhan Pamuk, this volume brings together another rich, varied crop of literary voices, comprising: Graham Greene, James Thurber, William Faulkner, Robert Lowell, Isaac Bashevis Singer, Eudora Welty, John Gardner, Gabriel Garcia Marquez, Philip Larkin, James Baldwin, William Gaddis, Harold Bloom, Toni Morrison, Alice Munro, Peter Carey and Stephen King. 'A colossal literary event' as Gary Shteyngart put it, The Paris Review Interviews vol. 2 is a treasury of wisdom from the world's literary masters.

The first full reckoning of what actually happened at Abu Ghraib prison-"one of the most devastating of the many books on Iraq" ("The New York Times Book Review")
A relentlesly surprising and perceptive account of the front lines of the war on terror, "Standard Operating Procedure" is a war story that takes its place among the classics. Acclaimed author Philip Gourevitch presents the story behind a defining moment in the war, and a defining moment in our understanding of ourselves- the infamous Abu Ghraib photographs of prisoner abuse. Drawing on Academy Award-winning filmmaker Errol Morris's astonishing interviews with the Americans who took and appeared in the pictures, "Standard Operating Procedure" is an utterly original book that stands to endure as essential reading long after the current war in Iraq passes from the headlines.

"Standard Operating Procedure" is the story of the infamous Abu Ghraib photographs of prisoner abuse, as seen through the eyes and told through the voices of the soldiers who took them and appeared in them. It is the story of how those soldiers were at once the instruments and victims of a great injustice.

Drawing on more than two hundred hours of Errol Morris' startlingly frank and intimate interviews with the soldier-photographers who gave us what have become iconic images of the Iraq War.

'A compelling meditation on a descent into cruelty. ' " Daily Telegraph"

'An extraordinary book . . . Although Gourevitch lets the soldiers speak for themselves, his few analytical forays are invaluable.' " Guardian"

"I have all the copies of "The Paris Re"view" "and like the interviews very much. They will make a good book when collected and that will be very good for the "Review.""--Ernest Hemingway"
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Since "The Paris Review "was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely crafted literature. From Salman Rushdie's daring rhetorical question "why shouldn't literature provoke?" to Joyce Carol Oates's thrilling comments about her own prolific output, "The Paris Review "has elicited revelatory and revealing thoughts from our most accomplished novelists, poets, and playwrights. How did Geroges Simenon manage to write about six books a year, what was it like for Jan Morris to write as both a man and a woman, what influences moved Ralph Ellison to write "Invisible Man"? In the pages of "The Paris Review," writers give more than simple answers, they offer uncommon candor, depth, and wit in interviews that have become the gold standard of the literary Q&A. With an introduction by Margaret Atwood, this volume brings together another rich, varied crop of literary voices, including Martin Amis, Norman Mailer, Raymond Carver, John Cheever, Harold Pinter, and more. "A colossal literary event," as Gary Shteyngart put it, "The Paris Review Interviews, III," is an indespensible teasure of wisdom from the world's literary masters.

Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely crafted literature. From William Faulkner's determination that a great novel takes ninety-nine percent talent . . . ninety-nine percent discipline . . . ninety-nine percent work, to Gabriel Garcia Marquez's observation that in the first paragraph, you solve most of the problems with your book, The Paris Review has elicited revelatory and revealing thoughts from our most accomplished novelists, poets, and playwrights. With an introduction by Orhan Pamuk, this volume brings together another rich, varied crop of literary voices, including Toni Morrison, Isaac Bashevis Singer, Graham Greene, James Baldwin, Stephen King, Philip Larkin, Eudora Welty, and more. A colossal literary event, as Gary Shteyngart put it, The Paris Review Interviews, II, is an indispensable treasury of wisdom from the world's literary masters.

A Picador Paperback Original
How do great writers do it? From James M. Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book--"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm"--"The Paris Review" has elicited some of the most revelatory and revealing thoughts from the literary masters of our age. For more than half a century, the magazine has spoken with most of our leading novelists, poets, and playwrights, and the interviews themselves have come to be recognized as classic works of literature, an essential and definitive record of the writing life. They have won the coveted George Polk Award and have been a contender for the Pulitzer Prize. Now, "Paris Review" editor Philip Gourevitch introduces an entirely original selection of sixteen of the most celebrated interviews. Often startling, always engaging, these encounters contain an immense scope of intelligence, personality, experience, and wit from the likes of Elizabeth Bishop, Ernest Hemingway, Truman Capote, Rebecca West, and Billy Wilder. This is an indispensable book for all writers and readers.

From a prize-winning author and, in Elmore Leonard’s words, “a knockout writer,” comes a masterfully written and gripping tale of a determined investigator who reopens an unresolved case of double homicide in New York nearly thirty years after the brutal event. Philip Gourevitch vividly evokes the almost vanished gangland of New York in the sixties, and carries us deep into the lives and minds, the passions and perplexities, of two extraordinary men who embody opposing but quintessentially American codes of being—the lawman Andy Rosenzweig and the outlaw Frankie Koehler. With A Cold Case, Gourevitch masterfully transforms a criminal investigation into a searchingliterary reckoning with the urges that drive one man to murder and another to hunt murderers.

Standard Operating Procedure is an utterly original collaboration by the writer Philip Gourevitch (We Wish to Inform You that Tomorrow We Will Be Killed With Our Families) and the film-maker Errol Morris (The Thin Blue Line, The Fog of War). They have produced the first full reckoning of what actually happened at Abu Ghraib. Standard Operating Procedure reveals the stories of the American soldiers who took and appeared in the haunting digital snapshots from Abu Ghraib prison that shocked the world - and simultaneously illuminates and alters forever our understanding of those images and the events they depict. Drawing on more than two hundred hours of Errol Morris's startlingly frank and intimate interviews with Americans who served at Abu Ghraib and with some of their Iraqi prisoners, as well as on his own research, Philip Gourevitch has written a relentlessly surprising account of Iraq's occupation from the inside-out - rendering vivid portraits of guards and prisoners ensnared in an appalling breakdown of command authority and moral order. Gourevitch and Morris have crafted a nonfiction morality play that stands to endure as essential reading long after the current war in Iraq passes from the headlines. By taking us deep into the voices and characters of the men and women who lived the horror of Abu Ghraib, the authors force us, whatever our politics, to re-examine the pat explanations in which we have been offered - or sought - refuge, and to see afresh this watershed episode. Instead of a 'few bad apples', we are confronted with disturbingly ordinary young American men and women who have been dropped into something out of Dante's Inferno. This is a book that makes you think, and makes you see - an essential contribution from two of our finest nonfiction artists working at the peak of their powers.