As dramatized on BBC Radio 4
Winner of the Miles Franklin Award
'Magnificent' - The New York Times

Cloudstreet is Tim Winton's great family drama, a twenty-year story of life and love, full of boisterous energy, joy and heartbreak. His visceral evocation of the Australian landscape is nowhere more extraordinary than in this classic.

No. 1 Cloudstreet: a broken-down house on the wrong side of the tracks, a place teeming with memories, with shudders and shadows and spirits. From separate catastrophes, two families – the Pickles and Lambs – flee to the city and find themselves thrown together, forced to start their lives afresh. As they roister and rankle, the place that began as a roof over their heads becomes a home for their hearts.

With an introduction by Philip Hensher

The new novel from the Booker shortlisted author of The Northern Clemency An order is issued. A population may not meet, or touch or speak to each other. They stay inside, and the reality of a few streets in a capital city emerges. An underground river is discovered; an urban grove of pomeloes emerges. The imagination reaches out, and makes sense of the world. By the sea, two men walk into a future of uncertain violence. There is time now to see the human dramas within a hundred yards (an abduction, a quiet breakdown, an outbreak of violence, a young mind beginning to stretch itself); to wait for the weather to change; to understand that what lies underneath this part of the city are seasonally wet pastures and woodlands. Written in four parts, To Battersea Park explores the strata and sediment of a single place and time. It shows what brings us together, through love, through the clashes of what we want to do and what the world wants to do with us. Set in a large crowded city where we are forbidden to approach strangers, this is about what we share: humanity, imagination, and the love that emerges from many acts of telling.

A Small Revolution in Germany is about growing up, or refusing to accept what growing up means; it’s about the small dishonest pacts that people make with their own futures; and it’s about the rare and joyous refusal to be disillusioned. Everyone remembers what it’s like to be seventeen. The conversations you have; the ideas that burst on you; the kiss that transforms you. And then you grow up, and make a deal with adulthood. A Small Revolution in Germany is about that rapturous moment when ideas, and ideals, and passion crash over one boy’s head. And what happens in the decades afterwards? When you see the overwhelming truth when you are seventeen, why should you ever abandon that truth?   Spike is brought into a small, clever group of friends, bursting with a passion for ideas, and the wish to change the world. They smash up political meetings; they paint slogans on walls; they long for armed revolution; they argue, exuberantly, until dawn. In the years to follow, they all change their minds, and go into the world. They become writers, politicians, public figures. One of them becomes famous when she dies. They all change their minds, and make sensible compromises. Only Spike stays exactly as he is, going on with the burning desire for change, in the safe embrace of unconditional love. Alone from the old group, he is the only one who has achieved nothing, and who has never deviated from the impractical shining path of revolution he saw as a teenager. Thirty years on, photographs of the teenage group look like a bunch of celebrated individuals, with only one unknown face in it – Spike.

Shortlisted for the Booker Prize. It is 1912, and at Cambridge University the modern age is knocking at the gate. Fred Fairly, a Junior Fellow at the college of St Angelicus, where for centuries no female, not even a pussy cat, has been allowed to set foot, lectures in physics. Science, he is certain, will explain everything. Until into Fred's orderly life come Daisy. Fred is smitten. Why have I met her? he wonders. How can I tell if she's quite what she seems? Fred is a scientist. To him the truth should be everything. But even scientists make mistakes.

With The Mulberry Empire, Philip Hensher, in his fourth book, has now happened upon a subject that suits his many talents perfectly. It’s a seemingly straightforward historical novel that recounts an episode in the Great Game in central Asia – the courtship, betrayal and invasion of Afghanistan in the 1830s by the emissaries of Her Majesty’s Empire, which is followed by the bloody and summary expulsion of the Brits from Kabul following an Afghani insurrection (shades of the Soviet Union’s final imperial fling in the very same country in the 1980s).

The novel has at its heart the encounter between West and East as embodied in the likeable, complex relationship between Alexander Burnes, leader of the initial British expeditionary party, and the wily, cultured Afghani ruler, the Amir Dost Mohammed Khan.

The new novel from the Booker Prize-shortlisted author of 'The Northern Clemency'. Hanmouth: a quiet, picturesque English seaside town. But behind closed, Georgian front doors and the within the artisan cheese shop, its residents live lives that are anything but. When an 8-year-old girl goes missing from the estate on the fringes of the town, Hanmouth becomes the centre of national attention. Under the scrutiny of the investigation the extraordinary individual lives of the community are laid bare: the passions of a quiet international aid worker; a recently widowed old woman's late discovery of sexual gratification; and a memorable party, held by the Bears. Through the apparent civility and spiralling paranoia a small town, Philip Hensher brings us another brilliantly funny and perfectly observed slice of contemporary English life.

'Sometimes - not often - a book comes along that feels like Christmas. Philip Hensher's timely, but timeless, selection of the best short stories from the past 20 years is that kind of book. His introduction is as enriching as anything that has been published this year' Sunday Times A spectacular treasury of the best British short stories published in the last twenty years We are living in a particularly rich period for British short stories. Despite the relative lack of places in which they can be published, the challenge the medium represents has attracted a host of remarkable, subversive, entertaining and innovative writers. Philip Hensher, following the success of his definitive Penguin Book of British Short Stories, has scoured a vast trove of material and chosen thirty great stories for this new volume of works written between 1997 and the present day. Includes short stories by A.L. Kennedy, Tessa Hadley, Kazuo Ishiguro, Jackie Kay, Graham Swift, Jane Gardam, Ali Smith, Neil Gaiman, Martin Amis, China Mieville, Peter Hobbs, Thomas Morris, David Rose, David Szalay, Irvine Welsh, Lucy Caldwell, Rose Tremain, Helen Oyeyemi, Leone Ross, Helen Simpson, Zadie Smith, Will Self, Gerard Woodward, James Kelman, Lucy Wood, Hilary Mantel, Eley Williams, Sarah Hall, Mark Haddon and Helen Dunmore.

Winner of Australia's prestigious Miles Franklin Award, Cloudstreet is Tim Winton's great family drama, a twenty-year story of life and love, full of boisterous energy, joy and heartbreak. His visceral evocation of the Australian landscape is nowhere more extraordinary than in this classic. With an introduction by Philip Hensher. Will you look at us by the river! The whole restless mob of us on spread blankets in the dreamy briny sunshine skylarking and chiacking about for one day, one clear, clean, sweet day in a good world in the midst of our living. No. 1 Cloudstreet: a broken-down house on the wrong side of the tracks, a place teeming with memories, with shudders and shadows and spirits. From separate catastrophes, two families - the Pickles and Lambs - flee to the city and find themselves thrown together, forced to start their lives afresh. As they roister and rankle, the place that began as a roof over their heads becomes a home for their hearts.

'Political intrigue, sexual chicanery, disappointment and betrayal [are] woven by Hensher into humane, elegant and alarmingly clever fiction…Dazzling.'
Jane Shilling, 'Sunday Telegraph'

'At the centre of 'Kitchen Venom' is John, a distinguished widower with a hump, two daughters and an important job in the House of Commons. He also has a fondness for visiting rent boys in the afternoons and a passion for secrecy…Sharp and funny, a beautifully polished performance.'
James Lakeman, 'TLS'

'Philip Hensher provoked controversy when he first published this, his second novel, about a clerk in the House of Commons who uses rent boys…The really shocking aspect of this book, however, is not the exposure of the Commons mores, but the sense of betrayal that pervades a seemingly normal middle-class family. What begins as a delicate social comedy becomes a tragic dissertation on sibling rivalry and a murder story to boot.'
Daniel Britten, 'Daily Telegraph'

'Remarkable…A stunningly intelligent, assured and compelling novel.'
Nicholas Wroe, 'Independent'

''Kitchen Venom' has a fierce originality; its atmosphere of loss and longing is quite unlike anything else.'
Jason Cowley, 'Observer'

SHORTLISTED FOR THE MAN BOOKER PRIZE 2008. An epic chronicle of the last twenty years of British life from the Booker shortlisted and Granta Best of Young British novelist, Philip Hensher. Beginning in 1974 and ending with the fading of Thatcher's government in 1996, 'The Northern Clemency' is Philip Hensher's epic portrait of an entire era, a novel concerned with the lives of ordinary people and history on the move. Set in Sheffield, it charts the relationship between two families: Malcolm and Katherine Glover and their three children; and their neighbours, the Sellers family, newly arrived from London so that Bernie can pursue his job with the Electricity Board. The day the Sellers move in there is a crisis across the road: Malcolm Glover has left home, convinced his wife is having an affair. The consequences of this rupture will spread throughout the lives of both couples and their children, in particular ten-year-old Tim Glover, who never quite recovers from a moment of his mother's public cruelty and the amused taunting of fifteen-year-old Sandra Sellers, childhood crises that will come to a head twenty years later. In the background, England is changing: from a manufacturing- and industrial-based economy into a new world of shops, restaurants and service industries, a shift particularly marked in the North with the miners' strike of 1984, which has a dramatic impact on both families. Inspired by the expansive scale and webs of relationships of the great nineteenth-century Russian novels, 'The Northern Clemency' shows Philip Hensher to be one of our greatest chroniclers of English life.

Winner of the Royal Society of Literature Ondaatje Prize, this is the new novel from the author of 'King of the Badgers' and the Man Booker-shortlisted 'The Northern Clemency'. "I was a baby during the war. We stayed inside for months. All my aunts took turns in feeding me. I couldn't be heard to cry. You see, there were soldiers in the streets. They would have known what a crying baby meant. So I had to be kept silent. No, not everyone came out of the war alive." One family's life, and a nation - Bangladesh - are uniquely created through conversation, sacrifice, songs, bonds, blood, bravery and jokes. Narrated by a young boy born into a savage civil war, 'Scenes from Early Life' is a heartbreaking, funny and gripping novel by one of our finest writers.

The most ambitious and daring novel novel yet from Booker Prize-shortlisted Philip Hensher. 'A novel that's almost fizzy to the touch ... A performance of extraordinary flair and majesty from a writer who seems capable of anything' Guardian 'The Emperor Waltz' is a single novel with three narrative strands: fourth-century Rome, 1920s Germany, and 1980s London. In each place, a small coterie is closely connected and separated from the larger world. In each story, the larger world regards the small coterie and its passionately-held beliefs and secrets with suspicion and hostility. It is the story of eccentricity, its struggle, its triumph, its influence - but also its defeat.

When mild-mannered and unremarkable academic Roland Mitchell stumbles upon a letter written by Victorian poet Randolph Ash to a mysterious woman with whom he seems to be infatuated, he is determined to uncover the truth. Winner of the 1990 Booker Prize, Possession defies categorization. Rich in symmetry and symbolism, brimming over with myth, poetry and fairy tale, Byatt's masterpiece is part literary detective story, part academic satire and part historical novel. At its heart, however, is a compelling romance that draws the reader into the mirrored worlds of two couples, past and present, and explores the nature of obsession, possession and love.

This is the first anthology capacious enough to celebrate the full diversity and energy of its writers, subjects and tones. The most famous authors are here, and many others, including some magnificent stories never republished since their first appearance in magazines and periodicals. The Penguin Book of the British Short Story has a permanent authority, and will be reached for year in and year out. This volume takes the story from the 1920s to the present day.

INTRODUCED BY PHILIP HENSHER 'Elizabeth Taylor is finally being recognised as an important British author: an author of great subtlety, great compassion and great depth. As a reader, I have found huge pleasure in returning to Taylor's novels and short stories many times over. As a writer I've returned to her too - in awe of her achievements, and trying to work out how she does it' SARAH WATERS A brilliant novel about the damage caused by relentless 'niceness'. Uncritical, encouraging, 'the soul of kindness', Flora's help is the cruelest hindrance to those who love her most. 'Here I am!' Flora called to Richard as she went downstairs. For a second, Meg felt disloyalty. It occurred to her of a sudden that Flora was always saying that, and that it was in the tone of one giving a lovely present. Elegant, blonde and beautiful, Flora has everything under control: her perfect home, her husband Richard, her friend Meg, adoring Kit, and the writer Patrick. Flora entrances everyone, dangling visions of happiness and success before their spellbound eyes. All are bewitched by this golden tyrant. Except, that is, for the clear-eyed painter, Liz, who can see that Flora's kindness is the sweetest poison of them all.

School is 'wet and weedy', according to Nigel Molesworth, the 'goriller of 3B', 'curse of St Custard's' and superb chronicler of fifties English life. Nothing escapes his disaffected eye and he has little time for such things as botany walks and cissy poetry with an assortment of swots, snekes and oiks. Instead he is very good at missing lessons, charming masters and putting down little brothers, in fact he is exceptional at most things except spelling. Wildly funny and full of sharp observations on life, the Molesworth tetralogy is magnificently complemented by the illustrations of Ronald Searle.

'A bold anthology ... alive with provocations and insights' John Carey, Sunday Times 'The Boy-scouts mistook my signal, and have killed the postman. I've had very little practice in this sort of thing, you see' The British short story tradition is probably the richest, most varied and historically extensive in the world. This new anthology celebrates the full diversity and energy of its writers, subjects and tones, from the story's origins with Defoe, Swift and Fielding, to the 'golden age' of the fin de siecle and Edwardian period, ending with the First World War. Including the most famous authors as well as some magnificent, little-known stories never republished since their first appearance in magazines and periodicals, these stories are by turns topical and playful, ghostly and theatrical, rumbustious and sublime. Edited with an introduction by Philip Hensher

'Excellent, entertaining and ingenious ... from Oscar Wilde to Arthur Conan Doyle, this fine anthology celebrates one of the richest moments in Britain's literary history' Sunday Times The quarter century between 1890 and the outbreak of the First World War saw an extraordinary boom in the popularity and quality of short stories in Britain, fuelled by a large, eager new magazine readership. The great writers of the age produced some of their finest work, and literary genres - the ghost story, science fiction - took shape. This richly varied, endlessly entertaining anthology brings together authors from Katherine Mansfield to Rudyard Kipling, James Joyce to Saki, H. G. Wells to Rebecca West. It celebrates a teeming, innovative world of literary achievement. Edited with an introduction by Philip Hensher

'It's the book you should give someone who thinks they don't like novels ... Here is surely a future prizewinner that is easy to read and impossible to forget' Melissa Katsoulis, The Times The things history will do at the bidding of love On a warm Sunday afternoon, Nazia and Sharif are preparing for a family barbecue. They are in the house in Sheffield that will do for the rest of their lives. In the garden next door is a retired doctor, whose four children have long since left home. When the shadow of death passes over Nazia and Sharif's party, Doctor Spinster's actions are going to bring the two families together, for decades to come. The Friendly Ones is about two families. In it, people with very different histories can fit together, and redeem each other. One is a large and loosely connected family who have come to England from the subcontinent in fits and starts, brought to England by education, and economic possibilities. Or driven away from their native country by war, murder, crime and brutal oppression - things their new neighbours know nothing about. At the heart of their story is betrayal and public shame. The secret wound that overshadows the Spinsters, their neighbours next door, is of a different kind: Leo, the eldest son, running away from Oxford University aged eighteen. How do you put these things right, in England, now? Spanning decades and with a big and beautifully drawn cast of characters all making their different ways towards lives that make sense, The Friendly Ones, Philip Hensher's moving and timely new novel, shows what a nation is made of; how the legacies of our history can be mastered by the decision to know something about people who are not like us.

Berlin, in the words of Philip Hensher, editor of this anthology, 'has always been a city of desperate modernity', both in terms of urban architecture - largely a creation of the progressive 19th century, laid waste by World War II, temporary home of the infamous Wall - and in ways of living and behaving. As early as the 1920s it was the gay capital of Europe; the Communist East/free West barrier presented unique problems for a divided population; and in the 1990s, in the aftermath of reunification, the cheap, run-down city became a vibrant centre for creative artists. 'The sense of making it up as you go along is never far away in Berlin.'

The stories in this volume are the product of this series of multiple rebirths from the viewpoint of both insiders and outsiders. From pre- 1914 there are contributions from Theodor Fontane and Robert Walser; from the Weimar Republic, Alexander Döblin, Vladimir Nabokov, Erich Kästner, Ernst Haffner, Irmgeud Keun and Christopher Isherwood; from the Third Reich, Thomas Wolfe, Hans Fallada and Heinz Rein; from the Cold War era, Peter Schneider, Thomas Brussig, Len Deighton, Christa Wolf and Ian McEwan; from post-reunification, Günter Grass, Wladimir Kaminer, Chloe Aridjis, Uwe Timm, Kevin Barry, Jean-Philippe Toussaint and Jenny Erpenbeck.

Known for both its industrial roots and arboreal abundance, Sheffield has always been a city of two halves. From elegant parks and gardens to brutalist high-rise estates and the hinterland nightclubs of 'Centertainment', it is a city caught between the forges of the past and the melting pot of the present. Bringing together new short stories from some of the city's most celebrated writers, The Book of Sheffield traces the contours of this complex landscape from both sides of the economic dividing line. From the aspirations of young creatives, ultimately driven to leave, to the more immediate demands of refugees, scrap metal collectors, and student radicals, these stories offer ten different look-out points from which to gaze down on the ever-changing face of the 'Steel City'.

"Beautifully packed with detail . . . Does for Bangladesh what Rushdie did for India." --"The Sunday Times
"From the Man Booker-short-listed author of "The Northern Clemency," a family and a nation--Bangladesh--are forged through storytelling, conversation, jokes, feuds, blood, songs, bravery, and sacrifice.
In late 1970 a boy named Saadi is born into a large, defiantly Bengali family in eastern Pakistan. Months later the country splits in two in what will become one of the most ferocious twentieth-century civil wars. Saadi tells the story of his childhood and of the ingenious ways his family survived the violence and conflicts: from his aunts stuffing him with sweets to stop marauding soldiers from hearing him cry, to street games based on American television shows; from the basement compartment his grandfather built to hide his treasured books, pictures, and music until after the war, to the daily gossip about each and every one of the relatives, servants, and neighbors. "Scenes from Early Life "is a beautifully detailed novel of profound empathy--an attempt to capture the collective memory of a family and a country.
At once heartbreaking and surprisingly funny, "Scenes from Early Life "is based on the life of Philip Hensher's husband, and as such it is at once a memoir, a novel, and a history. As this remarkable writer brings the past to life, we come to feel, vividly and viscerally, that Saadi's family--and its struggles and triumphs--are our own.

The loop of an "l," the chewed-on pen, letters tiny or expansive: what we've lost in the error of typing and texting
When Philip Hensher realized that he didn't know what a close friend's handwriting looked like, he felt that something essential was missing from their friendship. It dawned on him that having abandoned pen and paper for keyboards, we have lost one of the ways by which we come to recognize and know another person: handwriting.
"The Missing Ink "tells the story of this endangered art. Hensher introduces us to the nineteenth-century handwriting evangelists who traveled across America to convert the masses to the moral worth of copperplate script; he examines the role handwriting plays in the novels of Charles Dickens; he investigates the claims made by the practitioners of graphology that penmanship can reveal personality.
But this is also a celebration of the physical act of writing: the treasured fountain pens, chewable ballpoints, and personal embellishments that we stand to lose. Hensher pays tribute to the warmth and personality of the handwritten love note, postcards sent home, and daily diary entries. With the teaching of handwriting now required in only five states and many expert typists barely able to hold a pen, the future of handwriting is in jeopardy. Or is it? Hugely entertaining, witty, and thought-provoking, "The Missing Ink "will inspire readers to pick up a pen and write.