A NEW STATESMAN BOOK OF THE YEAR AN OBSERVER BEST ART BOOK OF 2021 SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2022 'This is a wonderful book. A lyrical journey into the natural and unnatural world' Patti Smith 'Everything Philip Hoare writes is bewitching' Olivia Laing An illuminating exploration of the intersection between life, art and the sea from the award-winning author of Leviathan. Albrecht Durer changed the way we saw nature through art. From his prints in 1498 of the plague ridden Apocalypse - the first works mass produced by any artist - to his hyper-real images of animals and plants, his art was a revelation: it showed us who we are but it also foresaw our future. It is a vision that remains startlingly powerful and seductive, even now. In Albert & the Whale, Philip Hoare sets out to discover why Durer's art endures. He encounters medieval alchemists and modernist poets, eccentric emperors and queer soul rebels, ambassadorial whales and enigmatic pop artists. He witnesses the miraculous birth of Durer's fantastical rhinoceros and his hermaphroditic hare, and he traces the fate of the star-crossed leviathan that the artist pursued. And as the author swims from Europe to America and beyond, these prophetic artists and downed angels provoke awkward questions. What is natural or unnatural? Is art a fatal contract? Or does it in fact have the power to save us?

Look Again is a new series of short books from Tate Publishing, opening up the conversation about British art over the last 500 years, and exploring what art has to tell us about our lives today. Written by leading voices from the worlds of literature, art and culture, each book sheds new light on some of the most well-known, best-loved and thought-provoking artworks in the national collection, and asks us to look again. Author Philip Hoare takes us on an exploration of the sea and the way it has provided a deep source of inspiration for artists featured in the Tate collection, from William Blake to Maggi Hambling. Artists have always seen the sea as a mirror of their anxieties and desires; an endless resource for their creativity and their dreams. Under our human sway, the sea has shifted in meaning, from creation myth to economic wealth, from mystic wonder to modern exploitation. Look Again: The Sea dives into the breadth of historical and contemporary works in Britain's national collection of art, as well as the beloved literature they have inspired. By reframing them within a social and political perspective rather than a chronological or art-historical one, prize-winning author Philip Hoare shows how art has continually borne witness to the power and allure of the sea.

A startling book, his most personal to date, from Philip Hoare, co-curator of the Moby-Dick Big Read and winner of the 2009 Samuel Johnson Prize for 'Leviathan'. The sea surrounds us. It gives us life, provides us with the air we breathe and the food we eat. It is ceaseless change and constant presence. It covers two-thirds of our planet. Yet caught up in our everyday lives, we barely notice it. In 'The Sea Inside', Philip Hoare sets out to rediscover the sea, its islands, birds and beasts. He begins on the south coast where he grew up, a place of almost monastic escape. From there he travels to the other side of the world - the Azores, Sri Lanka, New Zealand - in search of encounters with animals and people. Navigating between human and natural history, he asks what these stories mean for us now. Along the way we meet an amazing cast; from scientists to tattooed warriors; from ravens to whales and bizarre creatures that may, or may not, be extinct. Part memoir, part fantastical travelogue, 'The Sea Inside' takes us on an astounding journey of discovery.

The story of a man’s obsession with whales, which takes him on a personal, historical and biographical journey – from his childhood to his fascination with Moby-Dick and his excursions whale-watching. All his life, Philip Hoare has been obsessed by whales, from the gigantic skeletons in London’s Natural History Museum to adult encounters with the wild animals themselves. Whales have a mythical quality – they seem to elide with dark fantasies of sea-serpents and antediluvian monsters that swim in our collective unconscious. In ‘Leviathan’, Philip Hoare seeks to locate and identify this obsession. What impelled Melville to write ‘Moby-Dick’? After his book in 1851, no one saw whales in quite the same way again. This book is an investigation into what we know little about – dark, shadowy creatures who swim below the depths, only to surface in a spray of spume. More than the story of the whale, it is also the story of our own obsessions.

From his childhood fascination with the gigantic Natural History Museum model of a blue whale, to his abiding love of "Moby-Dick," to his adult encounters with the living animals in the Atlantic Ocean, the acclaimed writer Philip Hoare has been obsessed with whales. "The Whale" is his unforgettable and moving attempt to explain why these strange and beautiful animals exert such a powerful hold on our imagination.

The story of Netley in Southampton - its hospital, its people and the secret history of the 20th-century. Now with a new afterword uncovering astonishing evidence of Netley's links with Porton Down & experiments with LSD in the 1950s. It was the biggest hospital ever built. Stretching for a quarter of a mile along the banks of Southampton Water, the Royal Victoria Military Hospital at Netley was an expression of Victorian imperialism in a million red bricks, a sprawling behemoth so vast that when the Americans took it over in World War II, GIs drove their jeeps down its corridors. Born out of the bloody mess of the Crimean War, it would see the first women serving in the military, trained by Florence Nightingale; the first vaccine for typhoid; and the first purpos- built military asylum. Here Wilfred Owen would be brought along with countless other shell-shocked victims of World War I - captured on film, their tremulous ghosts still haunted the asylum a generation later. In Spike Island, Philip Hoare has written a biography of a building. In the process he deals with his own past, and his own relationship to its history.