A chilling collection of Henry James's finest ghost stories, now in a wonderful Clothbound Classics edition In 'The Turn of the Screw', one of the most famous ghost stories of all time, a governess becomes obsessed with the belief that malevolent forces are stalking the children in her care. But are the children really in danger - and if so, from whom? The novella is accompanied here by several more of the very best of Henry James' short stories, including 'The Jolly Corner' and 'The Third Person', all of which explore human psychology through ghostly visitations and the uncanny.

‘Let him feel that he is one of us; once fill his mind with the idea that he has been a thief, and he’s ours, – ours for his life!’

The story of the orphan Oliver, who runs away from the workhouse only to be taken in by a den of thieves, shocked readers when it was first published. Dickens’s tale of childhood innocence beset by evil depicts the dark criminal underworld of a London peopled by vivid and memorable characters – the arch-villain Fagin, the artful Dodger, the menacing Bill Sikes and the prostitute Nancy. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, in Oliver Twist Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery.

This is the first critical edition to use the Bentley’s Miscellany serial text of 1837–9, showing Oliver Twist as it appeared to its earliest readers. It includes Dickens’s 1841 introduction and 1850 preface, the original illustrations and a glossary of contemporary slang.

Regarded by many as Henry James's finest work, and a lucid tragedy exploring the distance between money and happiness, The Portrait of a Lady contains an introduction by Philip Horne in Penguin Classics. When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to enjoy the freedom that her fortune has opened up and to determine her own fate, does not hesitate to turn down two eligible suitors. Then she finds herself irresistibly drawn to Gilbert Osmond. Charming and cultivated, Osmond sees Isabel as a rich prize waiting to be taken. Beneath his veneer of civilized behaviour, Isabel discovers cruelty and a stifling darkness. In this portrait of a 'young woman affronting her destiny', Henry James created one of his most magnificent heroines, and a story of intense poignancy. This edition of The Portrait of a Lady, based on the earliest published copy of the novel, is the version read first and loved by most readers in James's lifetime. It also contains a chronology, further reading, notes and an introduction by Philip Horne. Henry James (1843-1916) son of a prominent theologian, and brother to the philosopher William James, was one of the most celebrated novelists of the fin-de-siecle. In addition to many short stories, plays, books of criticism, biography and autobiography, and much travel writing, he wrote some twenty novels. His novella Daisy Miller (1878) established him as a literary figure on both sides of the Atlantic, and his other novels in Penguin Classics include Washington Square (1880), The Portrait of a Lady (1881), The Awkward Age (1899), The Wings of the Dove (1902), The Ambassadors (1903) and The Golden Bowl (1904). If you enjoyed The Portrait of a Lady, you might like Edith Wharton's The Age of Innocence, also available in Penguin Classics. 'Matchless, a grave description of one of life's great traumas, the passage from innocence to experience' Anita Brookner

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. The story of the orphan Oliver, who runs away from the workhouse only to be taken in by a den of thieves, shocked readers when it was first published. Dickens's tale of childhood innocence beset by evil depicts the dark criminal underworld of a London peopled by vivid and memorable characters - the arch-villain Fagin, the artful Dodger, the menacing Bill Sikes and the prostitute Nancy. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery.

At the height of his powers Henry James turned from the creation of new fiction to the `writing over' of his past works for the definitive New York Edition of his novels and tales. His anxious scrutiny of what he had written across his long career - up to thirty-six years before - led sometimes to rejection, but more often to a renewed imaginative intimacy with the creations of his old self through the intensive revision of his texts. In the first major study of the subject Philip Horne examines the revision of particular works, shedding new light on interpretative controversies (as with The Portrait of a Lady and Daisy Miller). He attends to questions of principle raised by the paradoxical processes of the reviser. Using much new material, this book tells the painful but impressive story of James's lifelong struggle for perfection, and illuminates his genius as a framer of sentences and a master of dramatic nuance. James's engagement with revision is connected with every other aspect of his achievement; it displays vividly and accurately his close experience of the life of writing.

When twelve year old Jack Paris feels the small jaws of a creature that shouldn't exist clamp down on his leg, life as he knows it in small-town northeast Texas comes to a sudden end. Miss Edna, his foster mom, is forced to take him and his friend Sally to a world she secretly forsook two hundred years before to save his life. There Jack discovers that an evil wizard needs him for unknown purposes and will stop at nothing to capture him. The wizard pursues Jack and Sally through forests and under mountains on the other world, and even across Kansas back on Earth. With all their hope placed in Miss Edna, she suddenly disappears, leaving Jack and Sally to carry on without her. It soon becomes clear, however, that the events of the present are tied to Miss Edna's past, and the children begin a desperate effort to find her before all hope is lost. When Jack finally realizes why the wizard needs him, he learns that to live and love, you sometimes have to be willing to die. The Lodestone is the first book in a new series, Edalwin's Legacy. It is written for young readers who love the fantastical, and for those still young at heart.

This collection of Henry James's letters-more than half of which have never been published-offers a vivid picture of his life of passionate creation and the complex world in which he lived. Through his exchanges with writers such as William Dean Howells, Henry Adams, Robert Louis Stevenson, H. G. Wells, and Edith Wharton, as well as presidents, prime ministers, bishops, painters, and great ladies and actresses, we gain a fascinating glimpse of James's views on sex, politics, and friendship as well as his novels and the art of writing. These letters constitute a landmark of James scholarship and the real and best biography of this most complex and compelling artist.

An unsettling new collection of Henry James's best short stories exploring ghosts and the uncanny 'There had been a moment when I believed I recognised, faint and far, the cry of a child; there had been another when I found myself just consciously starting as at the passage, before my door, of a light footstep' 'I see ghosts everywhere', wrote Henry James, who retained a fascination with the supernatural and sensational throughout his writing career. This new collection brings together eight of James's tales exploring the uncanny, including his infamous ghost story, 'The Turn of the Screw', a work saturated with evil, in which a fraught governess becomes convinced that malicious spirits are menacing the children in her care. The other masterly works here include 'The Jolly Corner', 'Owen Wingrave' and further tales of visitations, premonitions, madness, grief and family secrets, where the living are just as mysterious and unknowable as the dead. With an introduction and notes by Susie Boyt General Editor Philip Horne