The Bird explores the fascinating world of eighteenth- and nineteenth-century ornithological illustration. This was a period of scientific, artistic and geographic discovery, when people began to fully appreciate the immense variety of form and colour within the natural world. This book celebrates this beauty through the lavish illustrations produced at that time. Each chapter focuses on a category of birds, from shorebirds to birds of prey. Feature sections on key ornithological artists such as John James Audubon, Elizabeth Gould and Edward Lear demonstrated how technology, travel and ambition shaped these amazing images, and how their work transformed our understanding of the wonderful world of birds.

This interdisciplinary collection of essays advances the study of anagnorisis («recognition), a quintessential concept in Aristotelian poetics. This book explores narrative structure and epistemology by examining how anagnorisis works in narrative fiction, music, and film. Contributors hail from the fields of cinema; opera; religion; medieval and modern English, German, and French literatures; comparative literature; and Indian (Sanskrit) and Islamic (Arabic) literatures, both classical and modern.

According to Aristotle, a well-crafted recognition scene is one of the basic constituents of a successful narrative. It is the point when hidden facts and identities come to light--in the classic instance, a son discovers in horror that his wife is his mother and his children are his siblings. Aristotle coined the term 'anagnorisis' for the concept. In this book Philip F. Kennedy shows how 'recognition' is key to an understanding of how one reads values and meaning into, or out of, a story. He analyses texts and motifs fundamental to the Arabic literary tradition in five case studies: the Qur'an; the biography of Muhammad; Joseph in classical and medieval re-tellings; the 'deliverance from adversity' genre and picaresque narratives.

The first study to analyse the recognition scene in the Arabic narrative traditionAccording to Aristotle, a well-crafted recognition scene is one of the basic constituents of a successful narrative. It is the point when hidden facts and identities come to light in the classic instance, a son discovers in horror that his wife is his mother and his children are his siblings. Aristotle coined the term 'anagnorisis' for the concept. In this book Philip F. Kennedy shows how 'recognition' is key to an understanding of how one reads values and meaning into, or out of, a story. He analyses texts and motifs fundamental to the Arabic literary tradition in five case studies: the Qur'an; the biography of Muhammad; Joseph in classical and medieval re-tellings; the 'deliverance from adversity' genre and picaresque narratives.Key FeaturesOffers new vistas for reading, understanding and interpreting Arabic literature as well as the culture in which it was producedProvides a comparative perspective, appealing to students of narrative literature across linguistic, regional and cultural traditionsHighlights the importance of intertextuality, showing the various ways in which literature and other genres of writing must be read together as manifestations of one complex cultural narrativeDemonstrates the fruitfulness of interdisciplinarity in literary studies

The Christian faith has the allegiance of one third of the human race. It has succeeded in influencing civilization to such a degree that we now take its existence almost for granted. Yet it might all have been so different. Christianity began with the words and deeds of an obscure village carpenter's son who died a shameful criminal's death at the hands of the Roman occupiers of his country: itself an insignificant outpost of the powerful ruling Empire. The feverish land of biblical Palestine, awash with apocalyptic expectations of deliverance from its foreign overlords, was hardly short of seers and prophets who claimed to be sent visions from God. Yet the followers of this man thought he was different: so different, in fact, that some years after his death and asserted resurrection they scandalously insisted not only that he was sent by God, but that he "was" God. How a provincial sect, with its seemingly outrageous ideas, became first the sanctioned religion of the Roman Empire and then, over the course of 2000 years, the creed of billions of people, is the improbable story that this book tells. It is a story of freethinkers, friars, fanatics, and firebrands; and of the lay people (not just the clerical or the powerful) who have made up the great mass of Christians over the centuries. Many introductions to Christianity are written by Christians, for Christians. This elegant textbook, by contrast, shows that the history of the religion, while often glorious, is not one of unimpeded progress, but something still more remarkable, flawed and human.

Philip Kennedy, here, offers the first book that any student - with or without religious convictions - can profitably use to get quickly to grips with the essentials of the Christian religion: its history and its key thinkers, its successes and its failures. Most existing undergraduate textbooks of theology begin from essentially traditional positions on the Bible, doctrine, authority, interpretation, and God. What makes Philip Kennedy's book both singularly important and uniquely different is that it has a completely new starting-point. The author contends that traditional Christian theology must extensively overhaul many of its theses because of a multitude of modern social, historical and intellectual revolutions. Offering a grand historical sweep of the genesis of the modern age, and writing with panache and a magisterial grasp of the relevant debates, conflicts and controversies, "A Modern Introduction to Theology" moves a tired and increasingly incoherent discipline in genuinely fresh and exciting directions, and will be welcomed by students and readers of the subject.