'An outstanding mystery thriller... Noir fans won't want to miss it' - Publishers Weekly (Starred) 'A riveting, brutal journey into the high stakes world of legacy art and inherited wealth' - Denise Mina, author of the Garnethill trilogy and The Long Drop The Goldenacre - a masterpiece by the painter and architect Charles Rennie Mackintosh - has been given to the people of Scotland. The beautiful canvas, the last work by the artistic genius, enthrals the art world, but behind it lies a dark and violent mystery. Thomas Tallis, an art expert with a trouble past, is trying to uncover the truth about the painting's complex history, while dogged newspaper reporter Shona Sandison is investigating a series of shocking murders in Edinburgh. Both investigators soon become engulfed in the machinations of money, crime and identity in a literary thriller set amid the seen and unseen forces at work in modern Scotland.

The 'water controversy' concerns one of the central discoveries of modern science, that water is not an element but rather a compound. The allocation of priority in this discovery was contentious in the 1780s and has occupied a number of 20th century historians. The matter is tied up with the larger issues of the so-called chemical revolution of the late eighteenth century. A case can be made for James Watt or Henry Cavendish or Antoine Lavoisier as having priority in the discovery depending upon precisely what the discovery is taken to consist of, however, neither the protagonists themselves in the 1780s nor modern historians qualify as those most fervently interested in the affair. In fact, the controversy attracted most attention in early Victorian Britain some fifty to seventy years after the actual work of Watt, Cavendish and Lavoisier. The central historical question to which the book addresses itself is why the priority claims of long dead natural philosophers so preoccupied a wide range of people in the later period. The answer to the question lies in understanding the enormous symbolic importance of James Watt and Henry Cavendish in nineteenth-century science and society. More than credit for a particular discovery was at stake here. When we examine the various agenda of the participants in the Victorian phase of the water controversy we find it driven by filial loyalty and nationalism but also, most importantly, by ideological struggles about the nature of science and its relation to technological invention and innovation in British society. At a more general, theoretical, level, this study also provides important insights into conceptions of the nature of discovery as they are debated by modern historians, philosophers and sociologists of science.

Media Law for Producers is a comprehensive handbook that explains, in lay terms, the myriad legal issues that the producer will face on a regular basis - contracts, permits, defamation, patents, releases and insurance, libel, royalties and residuals, as well as protecting the finished production. This revised and expanded edition includes such Internet-related topics as Internet music law, online registration, and online privacy. Other new topics covered include: * Implied and express contracts in the project/idea submission process * Assignment/transfer of copyright * Music clip licensing * Use of other people's trademarks in media production * Parody as a defense to copyright infringement Clear explanations examine the how and why of different types of production contracts, and checklists provide a quick means for producers to determine when their productions might be at greatest risk to legal challenges. Media Law for Producers also examines the substantial changes in copyright term resulting from recent copyright legislation. Legal problems can be very costly to media producers. Lawyers and court fees, coupled with the loss of work time, can lead to bankruptcy. Media Law for Producers cuts through the legalese and illustrates legal issues to help producers recognize the legal questions that can arise during production.

The 'water controversy' concerns one of the central discoveries of modern science, that water is not an element but rather a compound. The allocation of priority in this discovery was contentious in the 1780s and has occupied a number of 20th century historians. The matter is tied up with the larger issues of the so-called chemical revolution of the late eighteenth century. A case can be made for James Watt or Henry Cavendish or Antoine Lavoisier as having priority in the discovery depending upon precisely what the discovery is taken to consist of, however, neither the protagonists themselves in the 1780s nor modern historians qualify as those most fervently interested in the affair. In fact, the controversy attracted most attention in early Victorian Britain some fifty to seventy years after the actual work of Watt, Cavendish and Lavoisier. The central historical question to which the book addresses itself is why the priority claims of long dead natural philosophers so preoccupied a wide range of people in the later period. The answer to the question lies in understanding the enormous symbolic importance of James Watt and Henry Cavendish in nineteenth-century science and society. More than credit for a particular discovery was at stake here. When we examine the various agenda of the participants in the Victorian phase of the water controversy we find it driven by filial loyalty and nationalism but also, most importantly, by ideological struggles about the nature of science and its relation to technological invention and innovation in British society. At a more general, theoretical, level, this study also provides important insights into conceptions of the nature of discovery as they are debated by modern historians, philosophers and sociologists of science.

Trained by his father, a market gardener, Philip Miller (1691-1771) rose to become Britain's most eminent horticulturalist in the eighteenth century. Following a period as a nurseryman in Southwark, he was appointed the head gardener of the Chelsea Physic Garden by the Society of Apothecaries in 1722, upon the recommendation of Sir Hans Sloane. Under Miller's supervision, the diversity of plants at Chelsea outstripped that of all other European botanic gardens. His talent was equally reflected in his writings. Miller's most famous work, The Gardener's Dictionary, ran to eight editions during his lifetime, as did his celebrated abridgement, reissued here in its 1771 sixth edition. Ranging widely in coverage from agriculture to winemaking, as well as incorporating traditional gardening topics, the work reflects the progress of contemporary plant science and the breadth of knowledge acquired by one of its foremost practitioners.

This 1996 collection examines the discovery of plants and peoples of the Pacific in the eighteenth century by European scientists and travellers. The contributors conceptualise the process of discovery, which involved active cultural solutions to problems of representation, rather than mere collection and passive depiction. These solutions both reflected and created visions of empire. Studies of the voyages of Banks and Cook investigate their mobilisation of resources. Other essays examine the economic and theological roots of Linnaeus's natural history, and the importance of the sexual system of classification in ideas of human nature and social order. Visions of Empire also tackles the cultural roots of botanical representations and the interpretations of encounters with other peoples. Its interdisciplinary approach maps out a more sophisticated understanding of representations of nature and society.

Media Law for Producers is a comprehensive handbook that explains, in lay terms, the myriad legal issues that the producer will face on a regular basis - contracts, permits, defamation, patents, releases and insurance, libel, royalties and residuals, as well as protecting the finished production. This revised and expanded edition includes such Internet-related topics as Internet music law, online registration, and online privacy. Other new topics covered include:
- Implied and express contracts in the project/idea submission process
- Assignment/transfer of copyright
- Music clip licensing
- Use of other people's trademarks in media production
- Parody as a defense to copyright infringement

Clear explanations examine the how and why of different types of production contracts, and checklists provide a quick means for producers to determine when their productions might be at greatest risk to legal challenges. Media Law for Producers also examines the substantial changes in copyright term resulting from recent copyright legislation.
Legal problems can be very costly to media producers. Lawyers and court fees, coupled with the loss of work time, can lead to bankruptcy. Media Law for Producers cuts through the legalese and illustrates legal issues to help producers recognize the legal questions that can arise during production.
*A useful, practical guide for the active producer
*Completely revised and updated to include a new chapter on Interactive Media
*Contains new sample contracts and forms

Revisiting the Corruption of the New Testament is the inaugural volume of The Text and Canon of the New Testament series, edited by Daniel B. Wallace. This first volume focuses on issues in textual criticism; in particular, to what degree did the scribes, who copied their exemplars by hand, corrupt the autographs? All but one of the chapters deals specifically with New Testament textual criticism. The other addresses textual issues related to an early apocryphal work, the Gospel of Thomas. The book begins with the full transcription of Wallace's presentation at the Fourth Annual Greer-Heard Forum, in which he and Bart Ehrman debated over the reliability of the New Testament manuscripts. Adam Messer looks at the patristic evidence of "nor the Son" in Matthew 24:36 in a quest to determine whether the excision of these words was influenced by orthodox Fathers. Philip Miller wrestles with whether the least orthodox reading should be a valid principle for determining the autographic text. Matthew Morgan focuses attention on the only two Greek manuscripts that have a potentially Sabellian reading in John 1:1c. Timothy Ricchuiti tackles the textual history of the Gospel of Thomas, examining the Coptic text and the three Greek fragments, using internal evidence in order to determine the earliest stratum of Thomas. Brian Wright thoroughly examines the textual reliability of the passages in which Jesus appears to be called God, concluding that the textual proof of the designation theos as applied to Jesus in the NT merely confirms what other grounds have already established. Revisiting the Corruption of the New Testament will be a valuable resource for those working in textual criticism, early Christianity, New Testament apocrypha, and patristics.

Explore William Kentridge's remarkable performance piece, The Head & The Load, and discover how music, dance, writing, and fine art are combined to tell the haunting story of Africans during WWI. For over thirty years, William Kentridge has been combining fine arts, performance, theatre, and opera to create dreamlike, political, and humanist works. His installations , films, and drawings often deal with the political situation in South Africa, apartheid, and the consequences of colonialism. This book gives an in-depth examination of his performance piece The Head & The Load, which explores the role of Africa during World War I. Throughout the war, more than one million Africans carried provisions and military equipment in hazardous conditions for British, French, and German troops at minimal or no pay. William Kentridge tells the story of these African porters who ensured the success of the victors, but remain in the shadows. This history, rarely studied today, unfolds in a staged tableau combining music, dance, acting, screenings, and mechanized sculptures. The book includes photos and text from the performance, essays, and artworks created specifically by Kentridge to complement the play. Accompanied by an international cast of singers, actors, and dancers, and with music composed by Philip Miller, The Head & The Load is a powerful and multifaceted work that reconsiders colonial history and its repercussions in today's world.

NLP pronounced en el pea. Let's just get the name thing out of the way NLP stands for neuro linguistic programming - yes, I know it's weird and yes, I know it's funny (peculiar, not ha ha) - but, that's the name. How come? NEURO Concerns the brain and the things that go on in your mind. Also the rest of the neurological system, including the five senses. LINGUISTIC This relates to language, both spoken and non-spoken (sometimes called body language). PROGRAMMINGThe concepts and ideas of NLP can be of great benefit to people in all areas of their lives; be it at work, with family and friends or in other activities. The problem has been how to get this across and explain those ideas and show how they can be easily learnt and applied. Traditionally the world of NLP training and literature has been full of technical sounding expressions, just think of the name - neuro linguistic programming. It takes a lot of persistence and effort to get through all this to access the real benefits that NLP can bring to people. The Really Good Fun Cartoon Book of NLP seeks to cut through all this by using simple (non jargon) language and amusing illustrations to get across the principles of NLP and how people can think about using them in their everyday lives. Knowing when and how to dip into the NLP life skills toolbox is really useful as is the idea that it's all just a learning experience. This book will help you get even more from life - to become an even more interesting and interested person, but only if that's what you want.

This volume, representing a compilation of authoritative reviews on a multitude of uses of statistics in epidemiology and medical statistics written by internationally renowned experts, is addressed to statisticians working in biomedical and epidemiological fields who use statistical and quantitative methods in their work. While the use of statistics in these fields has a long and rich history, explosive growth of science in general and clinical and epidemiological sciences in particular have gone through a see of change, spawning the development of new methods and innovative adaptations of standard methods. Since the literature is highly scattered, the Editors have undertaken this humble exercise to document a representative collection of topics of broad interest to diverse users. The volume spans a cross section of standard topics oriented toward users in the current evolving field, as well as special topics in much need which have more recent origins. This volume was prepared especially keeping the applied statisticians in mind, emphasizing applications-oriented methods and techniques, including references to appropriate software when relevant.
- Contributors are internationally renowned experts in their respective areas
- Addresses emerging statistical challenges in epidemiological, biomedical, and pharmaceutical research
- Methods for assessing Biomarkers, analysis of competing risks
- Clinical trials including sequential and group sequential, crossover designs, cluster randomized, and adaptive designs
- Structural equations modelling and longitudinal data analysis