In Moments Before the Flood, Carl De Keyzer portrayed a Europe on the cusp of drowning, flooded due to climate change. In Higher Ground, the flood has already passed. His images show people that have fled to the high mountains, depicting a fictional world of tomorrow. A large portion of the work is irony, but it bears an uncomfortably close semblance to scientific predictions of the future. In 2006, when Keyzer first began working on Moments Before the Flood, there were a lot of doubts about the extent of global warming. Since then however, the effects of this inconvenient truth have increased by an alarming degree. Where it was once presumed that the sea level would rise 37 cm by 2050, now scientists estimate that there will be a 3-to-4-metre raise. Higher Ground explores what the world might look like if this happens, encouraging the reader to think about the impact of climate change. The images were taken in Austria, Switzerland, Germany, France and Spain. French top author Philippe Claudel wrote a new fictional story especially for this book.

Forced into a brutal concentration camp during a great war, Brodeck returns to his village at the war's end and takes up his old job of writing reports for a governmental bureau. One day a stranger comes to live in the village. His odd manner and habits arouse suspicions: His speech is formal, he takes long, solitary walks, and although he is unfailingly friendly and polite, he reveals nothing about himself. When the stranger produces drawings of the village and its inhabitants that are both unflattering and insightful, the villagers murder him. The authorities who witnessed the killing tell Brodeck to write a report that is essentially a whitewash of the incident.
As Brodeck writes the official account, he sets down his version of the truth in a separate, parallel narrative. In measured, evocative prose, he weaves into the story of the stranger his own painful history and the dark secrets the villagers have vigilantly keep hidden.
Set in an unnamed time and place, "Brodeck" blends the familiar and unfamiliar, myth and history into a work of extraordinary power and resonance. Readers of J. M. Coetzee's "Disgrace," Bernhard Schlink's "The Reade, r" and Kafka will be captivated by "Brodeck."

A bestseller in France and winner of the Prix Renaudot, Grey Souls is a mesmerising and atmospheric tale of three mysterious deaths in an oddly isolated French village during World War I. The placid daily life of a small town near the front seems impervious to the nearby pounding of artillery fire and the parade of wounded strangers passing through its streets. But the illusion of calm is soon shattered by the deaths of three innocents - the charming new schoolmistress who captures every male heart only to kill herself; an angelic ten-year-old girl who is found strangled; and a local policeman's cherished wife, who dies alone in labour while her husband is hunting the murderer. Twenty years later, the policeman still struggles to make sense of these tragedies, a struggle that both torments and sustains him. But excavating the town's secret history will bring neither peace to him nor justice to the wicked.

Traumatized by memories of his war-ravaged country, and with his son and daughter-in-law dead, Monsieur Linh travels to a foreign land to bring the child in his arms to safety. The other refugees in the detention centre are unsure how to help the old man; his caseworkers are compassionate, but overworked. Monsieur Linh struggles beneath the weight of his sorrow, and becomes increasingly bewildered and isolated in this unfamiliar, fast-moving town. And then he encounters Monsieur Bark. They do not speak each other's language, but Monsieur Bark is sympathetic to the foreigner's need to care for the child. Recently widowed and equally alone, he is eager to talk, and Monsieur Linh knows how to listen. The two men share their solitude, and find friendship in an unlikely dialogue between two very different cultures. Monsieur Linh and His Child is a remarkable novel with an extraordinary twist, a subtle portrait of friendship and a dialogue between two cultures.

From the author of Grey Souls and Brodeck's Report: a chilling island fable of murder, exploitation and complicity "A parable about modern migration that is also the kind of detective story Mikhail Bulgakov might have written: visionary and darkly humourous" Lucy Hughes-Hallet, New Statesman BOOKS OF THE YEAR "A timely and elegant examination of the migrant situation in the Mediterranean from the point of view of a remote, volcanic island" The New European BOOKS OF THE YEAR The Dog Islands are a small, isolated cluster of islands in the Mediterranean - so called because together, when viewed from above, they form the shape of a dog, twisting and baring its teeth against a brilliant blue sea. One of the only inhabited islands (the one that takes the place of one of the dog's teeth) is dominated by a gently smoking volcano, fringed by black volcanic beaches and under the iron rule of the heads of community who are loath to let any outside influence disrupt the quiet way of life on the island. Then one morning, an old woman comes across three bodies that have washed up with the tide: three young black men, who have apparently drowned in their attempt to cross the sea. The initial reaction of the island community is that this tragedy must be covered up, lest any association with the drownings damages the island's tourism industry . . . But the island's deliberate isolation from the realities of the world cannot last for long, and when a visiting detective arrives on the island and starts asking awkward questions, it becomes clear that the deaths of these three men indicate something far more sinister and deeply rotten lying at the heart of this godforsaken fragment of sea-bound land. Translated from the French by Euan Cameron EUAN CAMERON is a literary translator from the French and a former publisher. His previous translations include works by Patrick Modiano, Didier Decoin and Paul Morand, as well as biographies of Marcel Proust and Irene Nemirovsky. His debut novel, Madeleine, was published in 2019. With the support of the Creative Europe Programme of the European Union

From the author of Grey Souls and Brodeck's Report: a chilling island fable of murder, exploitation and complicity "A parable about modern migration that is also the kind of detective story Mikhail Bulgakov might have written: visionary and darkly humourous" Lucy Hughes-Hallet, New Statesman BOOKS OF THE YEAR "A timely and elegant examination of the migrant situation in the Mediterranean from the point of view of a remote, volcanic island" The New European BOOKS OF THE YEAR The Dog Islands are a small, isolated cluster of islands in the Mediterranean - so called because together, when viewed from above, they form the shape of a dog, twisting and baring its teeth against a brilliant blue sea. One of the only inhabited islands (the one that takes the place of one of the dog's teeth) is dominated by a gently smoking volcano, fringed by black volcanic beaches and under the iron rule of the heads of community who are loath to let any outside influence disrupt the quiet way of life on the island. Then one morning, an old woman comes across three bodies that have washed up with the tide: three young black men, who have apparently drowned in their attempt to cross the sea. The initial reaction of the island community is that this tragedy must be covered up, lest any association with the drownings damages the island's tourism industry . . . But the island's deliberate isolation from the realities of the world cannot last for long, and when a visiting detective arrives on the island and starts asking awkward questions, it becomes clear that the deaths of these three men indicate something far more sinister and deeply rotten lying at the heart of this godforsaken fragment of sea-bound land. Translated from the French by Euan Cameron EUAN CAMERON is a literary translator from the French and a former publisher. His previous translations include works by Patrick Modiano, Didier Decoin and Paul Morand, as well as biographies of Marcel Proust and Irène Némirovsky. His debut novel, Madeleine, was published in 2019. With the support of the Creative Europe Programme of the European Union

A deserting soldier treks through the torn-up countryside and abandoned villages, trying to distance himself from the atrocities of war. An elderly man sits beneath lime trees, remembering his first sexual encounter one summer night with a female stranger who whispered another man's name. A young woman takes up a job in a care home, spending monotonous days scrubbing floors and yearning to dance at the local nightclub. The artist Franz Marc lives on in an imagined life as a patient at an asylum, before falling victim to Hitler's policy of Gnadentod. Finally, a young Jewish girl, the life she once knew destroyed, holds her memories close as she finds refuge in wreckage of her homeland. And throughout there is the shadowy presence of Viktor - one man or many? A looming figure in Germany's own reckoning with its past. Through these five interconnected stories, Philippe Claudel reflects on Germany's complex history and the experiences of its people, dismantling the idea of "a nation" or "a people" and exploring the malleability of memory.

The Investigator is despatched to a provincial town to find out the truth behind a disturbing spate of suicides amongst employees of The Firm. But from the moment he steps off the train, he finds himself in a world that is alien, unrecognisable, and diabolically complex. From the hostile weather and the fickle hospitality at Hotel Hope to the town's bewildering inhabitants, everything seems to be against him to the point where he wonders whether he is trapped in a recurring nightmare, or has passed into the realm of death itself. Cold, hungry and humiliated, and always one step behind, he nevertheless remains determined to find the only man he can hold to account - The Firm's legendary but elusive founder. The Investigation is an enthralling fable in which our own world is turned on its head, and where the only answers are more questions. Philippe Claudel - author of Brodeck's Report and Monsieur Linh and His Child - is one of Europe's most daring and versatile novelists.

Winner of the Independent Foreign Fiction Prize 2010 A murder investigation in post-war France becomes an exploration of the legacy of German occupation. From his village in post-war France, Brodeck makes his solitary journeys into the mountains to collect data on the natural environment. Day by day he also reconstructs his own life, all but lost in the years he spent in a camp during the war. No-one had expected to see him again. One day, a flamboyant stranger rides into the village, upsetting the fragile balance of everyday life. Soon he is named the Anderer, "the other", and tensions rise until, one night, the newcomer is murdered. Brodeck is instructed to write an account of the events leading to his death, but his report delivers much more than the bare facts: it becomes the story of a community coming to terms with the legacy of enemy occupation. In a powerful narrative of exceptional fascination, Brodeck's Report explores the very limits of humanity.

From the sizzling sharpness of freshly cut garlic to the cool tang of a father's aftershave; the heady intoxication of a fumbled first kiss to the anodyne void of disinfectant and death, this is a decadently original olfactory memoir. In sixty-three elusive episodes we roam freely across the countryside of Lorraine, North-East France, from kitchen to farm to a lover's bed. Recognising the bittersweet nostalgia of a scent that slips away on the summer breeze, Claudel demonstrates again his impeccable grasp of the personal and the universal, interweaved with a rare, self-deprecating charm. This is an evocative patchwork at once earthy and ethereal, erotic and heart-breaking. Claudel permits us a glimpse of moments that have driven him to delight or despair, creating through the fading aromas of the past fragments of humour, insight and quite intangible beauty.

From the sizzling sharpness of freshly cut garlic to the cool tang of a father's aftershave; the heady intoxication of a fumbled first kiss to the anodyne void of disinfectant and death, this is a decadently original olfactory memoir. In sixty-three elusive episodes we roam freely across the countryside of Lorraine, North-East France, from kitchen to farm to a lover's bed. Recognising the bittersweet nostalgia of a scent that slips away on the summer breeze, Claudel demonstrates again his impeccable grasp of the personal and the universal, interweaved with a rare self-deprecating charm. This is an evocative patchwork at once earthy and ethereal, erotic and heart-breaking. Claudel permits us a glimpse of moments that have driven him to delight or despair, creating through the fading aromas of the past fragments of humour, insight and quite intangible beauty.

Philippe Claudel directs this psychological thriller with an underlying love story. Lucie (Kristin Scott Thomas) believes that her neurosurgeon husband of thirty years, Paul (Daniel Auteuil), is having an affair. When Paul starts receiving gifts and flowers Lucie begins to suspect Lou (Leila Bekhti), a young Moroccan waitress from their local cafe, is the other woman. As the conflict between husband and wife drives Paul further away from Lucie and closer to Lou, he gradually spends more and more time with a woman he knows little about. Is Lou really all she says she is?