A definitive biography of the great French essayist and thinker One of the most important writers and thinkers of the Renaissance, Michel de Montaigne (1533-92) helped invent a literary genre that seemed more modern than anything that had come before. But did he do it, as he suggests in his Essays, by retreating to his chateau and stoically detaching himself from his violent times? Philippe Desan overturns this long standing myth by showing that Montaigne was constantly connected to and concerned with realizing his political ambitions-and that the literary and philosophical character of the Essays largely depends on them. Desan shows how Montaigne conceived of each edition of the Essays as an indispensable prerequisite to the next stage of his public career. It was only after his political failure that Montaigne took refuge in literature, and even then it was his political experience that enabled him to find the right tone for his genre. The most comprehensive and authoritative biography of Montaigne yet written, this sweeping narrative offers a fascinating new picture of his life and work.

One of the most important writers and thinkers of the Renaissance, Michel de Montaigne (1533-92) helped invent a literary genre that seemed more modern than anything that had come before. But did he do it, as he suggests in his Essays, by retreating to his chateau, turning his back on the world, and stoically detaching himself from his violent times? In this definitive biography, Philippe Desan, one of the world's leading authorities on Montaigne, overturns this longstanding myth by showing that Montaigne was constantly concerned with realizing his political ambitions--and that the literary and philosophical character of the Essays largely depends on them. The most comprehensive and authoritative biography of Montaigne yet written, this sweeping narrative offers a fascinating new picture of his life and work. As Desan shows, Montaigne always considered himself a political figure and he conceived of each edition of the Essays as an indispensable prerequisite to the next stage of his public career. He lived through eight civil wars, successfully lobbied to be raised to the nobility, and served as mayor of Bordeaux, special ambassador, and negotiator between Henry III and Henry of Navarre. It was only toward the very end of Montaigne's life, after his political failure, that he took refuge in literature. But, even then, it was his political experience that enabled him to find the right tone for his genre. In this essential biography, we discover a new Montaigne--caught up in the events of his time, making no separation between private and public life, and guided by strategy first in his words and silences. Neither candid nor transparent, but also not yielding to the cynicism of his age, this Montaigne lends a new depth to the Montaigne of literary legend.

The uniqueness and importance of Humanism in Crisis arises from the way in which a significant historical event-the end of the French Renaissance-is examined from several different perspectives in order to provide a thorough investigation of its causes and consequences. Although historians, philosophers, sociologists, and literary critics view the French Renaissance differently, they all seem to agree on the notion that something happened between 1580 and 1630-between Montaigne and Descartes-that transformed every aspect of society and that undermined the foundation of humanism in France, dividing the French Renaissance from the "Grand siecle" that followed it. The causes of this decline, however, are as obscure as a precise determination of when the French Renaissance "died." In Humanism in Crisis, fourteen internationally known scholars examine such topics as education, philosophy, scientific method, historical relativism, cosmography, literary genres, everyday life, medicine, and mythology and detect a series of crises that acted to bring about the decline of humanism and the end of the French Renaissance. The diversity of approaches allows a comprehensive vision of society to be presented. Moreover, several essays provide answers to questions asked in others, thus creating a sense of unity by relating individual contributions to each other.

Friedrich considers the "Montaigne of the Essays" on of the first 'moralists' in the French sense of the term, recording with anthropological fervor and in fresh, informal language the full spectrum of human thought and commerce as he saw it. Philippe Desan, who introduces this fine translation, commends Friedrich's holistic interpretation of "Montaigne"'s unstructured creation, so often reduced by critics to its smallest fragments. Friedrich, says Desan, evokes 'an epoch, distilled from accounts given by the best witness of the Renaissance'.

In 1580, Michel de Montaigne (1533-1592) published a book unique by its title and its content: Essays"R. A literary genre was born. At first sight, the Essays resemble a patchwork of personal reflections, but they engage with questions that animate the human mind, and tend toward a single goal: to live better in the present and to prepare for death. For this reason, Montaigne's thought and writings have been a subject of enduring interest across disciplines. This "Handbook brings together essays by prominent scholars that examine Montaigne's literary, philosophical, and political contributions, and assess his legacy and relevance today in a global perspective. The chapters of this Handbook offer a sweeping study of Montaigne across different disciplines and in a global perspective. One section covers the historical Montaigne, situating his thought in his own time and space, notably the Wars of Religion in France. The political, historical and religious context of Montaigne's Essays requires a rigorous presentation to inform the modern reader of the issues and problems that confronted Montaigne and his contemporaries in his own time. In addition to this contextual approach to Montaigne, the Handbook also establishes a connection between Montaigne's writings and issues and problems directly relevant to our modern times, that is to say, our age of global ideology. Montaigne's considerations, or essays, offer a point of departure for the modern reader's own assessments. The Essays analyze what can be broadly defined as human nature, the endless process by which the individual tries to impose opinions upon others through the production of laws, policies or philosophies. Montaigne's motto - "What do I know?" - is a simple question yet one of perennial significance. One could argue that reading Montaigne today teaches us that the angle defines the world we see, or, as Montaigne wrote: "What matters is not merely that we see the thing, but how we see it."

The "Cahiers Parisiens/Parisian Notebooks" publish selected papers in English and French drawn from international conferences held at the University of Chicago Center in Paris. This fourth volume contains papers presented during the academic year 2006-07. Proceedings of the following conferences are part of this volume: "Marx in the 21st Century," "Cervantes and France," "Dictionnaires Monolingues et Bilingues: Langue, Culture, Litterature," "Modernites de Perrault," "La Souverainete entre les Anciens et les Modernes," "Machiavelisme/Anti-Machiavelisme: Figures Francaises," and "La Biographie des Ecrivains a la Renaissance."

"The sociology of literature, in the first of many paradoxes, elicits negations before assertions," write the editors of this volume. "It is not an established field or academic discipline. . . . Yet none of these limitations affect the vitality and rigor of the larger enterprise."
Convinced that literature and society are essentially related to each other, the contributors to this collection attempt to define the various sociological practices of literature and to give expression to this enterprise and the commitments of its partisans. In various ways, the essays assembled here seek to integrate text, institution, and individual (both author and critic) as necessary parts of the analysis of literature. Diverse, sometimes contradictory approaches to literature (Marxism, publishing history, new historicism, and others) are utilized as the contributors explore such topics as text, author-function, and appropriation; the reality of representation; the sociology of exchange; the uses of "serious" fiction; poetry and politics; publishing history; and the literary field.

"The sociology of literature, in the first of many paradoxes, elicits negations before assertions," write the editors of this volume. "It is not an established field or academic discipline. . . . Yet none of these limitations affect the vitality and rigor of the larger enterprise."
Convinced that literature and society are essentially related to each other, the contributors to this collection attempt to define the various sociological practices of literature and to give expression to this enterprise and the commitments of its partisans. In various ways, the essays assembled here seek to integrate text, institution, and individual (both author and critic) as necessary parts of the analysis of literature. Diverse, sometimes contradictory approaches to literature (Marxism, publishing history, new historicism, and others) are utilized as the contributors explore such topics as text, author-function, and appropriation; the reality of representation; the sociology of exchange; the uses of "serious" fiction; poetry and politics; publishing history; and the literary field.