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In Nietzsche and the Shadow of God (Nietzsche et l'ombre de Dieu),
his study of Nietzsche's integral philosophical corpus, Franck
revisits the fundamental concepts of Nietzsche's thought, from the
death of God and the will to power, to the body as the seat of
thinking and valuing, and finally to his conception of a
post-Christian justice. The work engages Heidegger's interpretation
of Nietzsche's destruction of the Platonic-Christian worldview,
showing how Heidegger's hermeneutic overlooked Nietzsche's powerful
confrontation with revelation and justice by working through the
Christian body, as set forth in the Epistles of Saint Paul and
reread both by Martin Luther and by German Idealism. Franck shows
systematically how Nietzsche "transvalued" the metaphysical tenets
of the Christian body of believers. In so doing, he provides an
unparalleled demonstration of the coherence of Nietzsche's project
and the ways in which the revaluation of values, amor fati, and the
trials of eternal recurrence reshape the living self toward a
creative existence beyond original sin-indeed, beyond an ethics of
"good" versus "evil." Bergo and Farah's clear translation
introduces this work to an English-speaking audience for the first
time.
In Nietzsche and the Shadow of God (Nietzsche et l'ombre de Dieu),
his study of Nietzsche's integral philosophical corpus, Franck
revisits the fundamental concepts of Nietzsche's thought, from the
death of God and the will to power, to the body as the seat of
thinking and valuing, and finally to his conception of a
post-Christian justice. The work engages Heidegger's interpretation
of Nietzsche's destruction of the Platonic-Christian worldview,
showing how Heidegger's hermeneutic overlooked Nietzsche's powerful
confrontation with revelation and justice by working through the
Christian body, as set forth in the Epistles of Saint Paul and
reread both by Martin Luther and by German Idealism. Franck shows
systematically how Nietzsche "transvalued" the metaphysical tenets
of the Christian body of believers. In so doing, he provides an
unparalleled demonstration of the coherence of Nietzsche's project
and the ways in which the revaluation of values, amor fati, and the
trials of eternal recurrence reshape the living self toward a
creative existence beyond original sin-indeed, beyond an ethics of
"good" versus "evil." Bergo and Farah's clear translation
introduces this work to an English-speaking audience for the first
time
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