'A la lumiere d'hiver' (1977) is a central work in the writing of the Swiss French poet Philippe Jaccottet (1925-2021). Written in middle age, it forms a bridge between the poet's intricate early lyrics and his more expansive and meditative later work. Starting from a direct confrontation with the raw facts of mortality, its three poem-sequences strip away further layers of illusion until a glimmer of meaning starts to appear in the 'winter light' of the landscape of the Drome area of northern Provence, where Jaccottet made his home from 1953 until the end of his life. Tim Dooley's translation, 'In Winter Light', is the product of a long relationship with the original, which he first read at the time of its publication. His English version mirrors the tentative, scrupulous exploration of being he finds in Jaccottet's French, both its hesitancies and circular movements and, finally, its 'unblinking eyes'.

The last works of the last great classic European poet now available in English. In his 96th and final year, and with the help of the poet Jose-Flore Tappy, celebrated Swiss poet Philippe Jaccottet finished two manuscripts-in-progress, one in prose and one in poetry, both of which are presented in this volume in John Taylor's sensitive translation. The first work, "La Clarte Notre-Dame," takes off from the "pure, weightless, fragile, yet crystal-clear tinkling" of a monastery bell heard during a walk with friends. With this thought-provoking sound as a leitmotiv, Jaccottet looks back on a life of writing, reading, and scrutinizing humankind's existential and spiritual aspirations. He sets these concerns against his equally lifelong preoccupation with "the rise of evil in today's world," notably in Syria. Composed in a baroque style, the verse poems collected in "The Last Book of Madrigals" explore love. Jaccottet returns in spirit to Italy, the country which for him symbolizes happiness and sensuality. As he evokes amorous attraction, he conjures up Monteverdi's madrigals, one of Dante's little-known rhymes, and Giuseppe Ungaretti's last poem. Reinventing and commenting on these works, Jaccottet meditates on old age, approaching death, despair, and the persistence of love. Together, both works grapple with devastating darkness, but as Tappy observes in her afterword, however, Jaccottet's "greatest force" was "his perpetually renewed desire, during the most terrifying night, to head for the light."

Philippe Jaccottet's newest work follows in some ways the approach of Seedtime, his recent two-volume collection of notebooks. Similarly comprising on-the-spot jottings, philosophical reflections, literary commentary, dream narratives and sundry "notes," this book nonetheless differs from the preceding volumes in that the Swiss poet includes more personal material than ever before. Drawing on unpublished notebooks from the years 1952-2005, Jacottet offers here passages about his family, the death of his father-in-law and of his mother, his encounters with other major poets-such as Rene Char, Francis Ponge, Jean Tardieu, and his friends Yves Bonnefoy and Andre du Bouchet-and his trips abroad, as well as, characteristically, his walks in the countryside around the village of Grignan, in the south of France, where he has lived since 1953. For a poet who has been notoriously discreet about his life, this book offers unexpected glimpses of the private man. Above all, the entries in this notebook show how one of the greatest European poets grapples with the discouraging elements of existence, counterbalancing them by recording fleeting perceptions in which "something else," almost like a threshold, seems present.

In these times of heartbreaking violence, clashing religions, and a seemingly never-ending narrative of dichotomy between East and West, wonder at the religion and culture of the Middle East can be in short supply. However, the lyrical and philosophical travel writing in Swiss poet Philippe Jaccottet’s Calm Fire rekindles it, lifting us out of our ordinary locales and stories of violent conflict in the Middle East. Jaccottet’s poetic descriptions explore the rich cultural worlds of Syria, Lebanon, Egypt, and Israel, giving us uncommon glimpses into countries so often associated with turmoil, death and destruction. Expressing a poet’s admiration for the ecstasies of faith and a philosopher’s skepticism of these seemingly transformative feelings, Jaccottet dives deep into the religious cultures of the places he visits. ​ Ultimately, whether in his native Swiss Alps or among the cedars of Lebanon, the same question pervades Philippe Jaccottet’s work: How should we live? More than a simple palliative to a depressing news cycle, Calm Fire captures a true sense of place by celebrating and pondering ways of life through the immersive experience of travel.

Philippe Jaccottet's poetry is meditative, immediate and sensuous. It is rooted in the Drome region of south-east France, which gives it a rich sense of place. This book brings together his reflections on landscape in the prose pieces of Beauregard (1980) and in the poems of Under Clouded Skies (1983), two thematically linked collections which are remarkable for their lyrical restraint and quiet power. Jaccottet's poetry is largely grounded in landscape and the visual world, pursuing an anxious and persistent questioning of natural signs, meticulously conveyed in a syntax of great inventiveness. His work is animated by a fascination with the visible world from which he translates visual objects into verbal images and ultimately into figures of language. His poems are highly attentive, pushing the eye beyond what it sees, enacting a rich hesitation between meaning conferred and meaning withheld. Poetry Book Society Recommended Translation. French-English bilingual edition.

Since his first collection of poetry appeared in 1953, Philippe Jaccottet has sought to express the ineffable that lies at the heart of our material world in his essential, elemental poetry. As one of Switzerland's most prominent and prolific men of letters, Jaccottet has published more than a dozen books of poetry and criticism. One of Europe's finest contemporary poets, Jaccottet is a writer of exacting attention. Through keen observations of the natural world, of art, literature, music, and reflections on the human condition, Jaccottet opens his readers' eyes to the transcendent in everyday life. The Second Seedtime is a collection of "things seen, things read, and things dreamed." The volume continues the project Jaccottet began three decades earlier in his first volume of notebooks, Seedtime. Here, again, he gathers flashes of beauty dispersed around him like seeds that may blossom into poems or moments of inspiration. He returns, insistently, to such literary touchstones as Dante, Montaigne, Gongora, Goethe, Kierkegaard, Holderlin, Michaux, Hopkins, Bronte, and Dickinson, as well as musical greats including Bach, Monteverdi, Purcell, and Schubert. The Second Seedtime is the vivid chronicle of one man's passionate engagement with the life of the mind, the spirit, and the natural world.

The story of an intense encounter between two men who were once very close and now must grapple with the fractured ideals that separate them. After several years abroad, a young man returns to his hometown to seek the man he calls master. This master, a brilliant philosopher, had made the young man into a disciple before sending him out into the world to put his teachings into practice. Returning three years later, the disciple finds his master has abandoned his wife and child and moved into a squalid one-room flat, cutting himself off completely from his former life. Disillusioned and reeling from the discovery, the young man spends an entire night listening to his master's bitter denunciation of the ideals they once shared. Written in 1960 during Jaccottet's period of poetic paralysis, the novel seeks to harmonize the best and worst of human nature-reconciling despair, falsehood, and lethargy of spirit with the need to remain open to beauty, truth, and the essential goodness of humankind. Translated by Tess Lewis, Obscurity is Jaccottet's only work of fiction, one that will introduce new readers to the multifaceted skills of this major poet.

After several years abroad, a young man returns to his hometown to seek the man he calls master. This master, a brilliant philosopher, had made the young man into a disciple before sending him out into the world to put his teachings into practice. Returning three years later, the disciple finds his master has abandoned his wife and child and moved into a squalid one-room flat, cutting himself off completely from his former life. Disillusioned and reeling from the discovery, the young man spends an entire night listening to his master's bitter denunciation of the ideals they once shared. Obscurity, by noted thinker Philippe Jaccottet, is the story of this intense encounter between two men who were once very close and now must grapple with the fractured ideals that separate them. Written in 1960 during Jaccottet's period of poetic paralysis, the novel seeks to harmonize the best and worst of human nature-reconciling despair, falsehood, and lethargy of spirit with the need to remain open to beauty, truth, and the essential goodness of humankind. Translated by Tess Lewis, Obscurity is Jaccottet's only work of fiction, one that will introduce new readers to the multifaceted skills of this major poet. Praise for the French edition "In its haggard sobriety, the account of this tormented soul's monologue is staggering ...a beautiful narrative, written in a resounding, solemn style."-La Table Ronde

Since his first collection of poetry appeared in 1953, Philippe Jaccottet has sought to express the ineffable that lies at the heart of our material world in his essential, elemental poetry. As one of Switzerland's most prominent and prolific men of letters, Jaccottet has published more than a dozen books of poetry and criticism, but none are widely available in English. Seedtime - Jaccottet's notebooks - is an especially good introduction to this leading francophone Swiss author, containing the poet's observations of the natural world and his reflections on literature, art, music, and the human condition. In these explorations, he returns again and again to the fundamental, focusing his prodigious talents on describing the exact shade of light on a meadow, the sound of running water, the color of cherry and almond blossoms, or the cry of a bird in the stillness before dawn. In this translation by Tess Lewis, English readers will finally be able to join this poet as we follow in his footsteps of fifty years ago and find the still-viable seeds of his delicate and tenacious verse.