For Latinx people living in the United States, Trumpism represented a new phase in the old struggle to achieve a sense of belonging and full citizenship. Throughout their history in the United States, people of Mexican descent have been made to face the question of how they do or do not belong to the American social fabric and polity. Structural inequality, dispossession, and marginalized citizenship make up an old story for Mexican Americans, and this story is a foundational one. This volume situates a new phase of presidential politics in relation to what went before and asks what new political possibilities emerged from this dramatic chapter in our history. What role did anti-Mexicanism and attacks on Latinx people and their communities play in Trump's political rise and presidential practices? Driven by the overwhelming political urgency of the moment, the contributors to this volume seek to frame Trumpism's origins and political effects.

Politica offers a stunning revisionist understanding of the early political incorporation of Mexican-origin peoples into the U.S. body politic in the nineteenth century. Historical sociologist Phillip B. Gonzales reexamines the fundamental issue in New Mexico's history, namely, the dramatic shift in national identities initiated by Nuevomexicanos when their province became ruled by the United States. Gonzales provides an insightful, rigorous, and controversial interpretation of how Nuevomexicano political competition was woven into the Democratic and Republican two-party system that emerged in the United States between the 1850s and 1912, when New Mexico became a state. Drawing on newly discovered archival and primary sources, he explores how Nuevomexicanos relied on a long tradition of political engagement and a preexisting republican disposition and practice to elaborate a dual-party political system mirroring the contours of U.S. national politics. Politica is a tour de force of political history in the nineteenth-century U.S.-Mexico borderlands that reinterprets colonization, reconstructs Euro-American and Nuevomexicano relations, and recasts the prevailing historical narrative of territorial expansion and incorporation in North American imperial history. Gonzales provides critical insights into several discrete historical processes, such as U.S. racialization and citizenship, integration and marginalization, accommodation and resistance, internal colonialism, and the long struggle for political inclusion in the borderlands, shedding light on debates taking place today over Latinos and U.S. citizenship.

Impresiones de un Surumato en Nuevo México by Manuel Sariñana represents a remarkable literary recovery. For the first time, the novella is presented in its original Spanish and in English, painstakingly translated and annotated by Phillip B. Gonzales. Manuel Sariñana came to the New Mexico territory from Mexico to work as a Spanish-language journalist. While covering politics, he wrote and published Impresiones de un Surumato en Nuevo México as a picaresque work, a common genre in Mexico that uses satire to narrate a drama based on concrete social issues in the author's immediate vicinity. In his preface, Sariñana makes his intent clear: to address the unseemly manner in which New Mexico's Democratic Party attempts to gain leverage in elections. But, in a caricature of two immigrant peons, he surreptitiously takes to task how nuevomexicanos look down on people from Mexico. Gonzales provides a critical introduction, an interpretation of Sariñana's piece, and a historical framework to contextualize the author's experiences and the events alluded to in the novella. The result brings this important work of fiction to a new generation of readers.

The culture of the Nuevomexicanos, forged by Spanish-speaking residents of New Mexico over the course of many centuries, is known for its richness and diversity. Expressing New Mexico contributes to a present-day renaissance of research on Nuevomexicano culture by assembling eleven original and noteworthy essays. They are grouped under two broad headings: "expressing culture" and "expressing place." Expressing culture derives from the notion of "expressive culture," referring to "fine art" productions, such as music, painting, sculpture, drawing, dance, drama, and film, but it is expanded here to include folklore, religious ritual, community commemoration, ethnopolitical identity, and the pragmatics of ritualized response to the difficult problems of everyday life. Intertwined with the concept of expressive culture is that of "place" in relation to New Mexico itself. Place is addressed directly by four of the authors in this anthology and is present in some way and in varying degrees among the rest. Place figures prominently in Nuevomexicano "character," contributors argue. They assert that Nuevomexicanos and Nuevomexicanas construct and develop a sense of self that is shaped by the geography and culture of the state as well as by their heritage. Many of the articles deal with recent events or with recent reverberations of important historical events, which imbues the collection with a sense of immediacy. Rituals, traditions, community commemorations, self-concepts, and historical revisionism all play key roles. Contributors include both prominent and emerging scholars united by their interest in, and fascination with, the distinctiveness of Nuevomexicano culture.