This beautiful, giftable collection celebrates both the wisdom and tenacity of courageous women who defied society’s expectations and gifted the world with literary treasures through unparalleled fiction and poetry. We know many of their names--Austen and Alcott, Brontë and Browning, Wheatley, and Woolf--though some may be less familiar. They are here, waiting to introduce themselves.  They wrote against all odds. Some wrote defiantly; some wrote desperately. Some wrote while trapped within the confines of status and wealth. Some wrote hand-to-mouth in abject poverty. Some wrote trapped in a room of their father’s house, and some went in search of a room of their own. They had lovers and families. They were sometimes lonely. Many wrote anonymously or under a pseudonym for a world not yet ready for their genius and talent. The Women Who Wrote softcover edition offers: Stories from Jane Austen, Katherine Mansfield, Willa Cather, Louisa May Alcott, Edith Wharton, Zora Neale Hurston, and Virginia Woolf. Poems from Emily Dickinson, Gertrude Stein, Charlotte Brontë, Emily Brontë, Frances Ellen Watkins Harper, Edna St. Vincent Millay, Elizabeth Barrett Browning, Dorothy Parker, and Phillis Wheatley. These women wrote to change the world. They marched through the world one by one or in small sisterhoods, speaking to one another and to us over distances of place and time. Pushing back against the boundaries meant to keep us in our place, they carved enough space for themselves to write. They made space for us to follow. Here they are gathered together, an army of women who wrote an arsenal of words to inspire us. They walk with us as we forge our own paths forward.

In 1773, Poems on Various Subjects, Religious and Moral became the first book of poetry by an African-American author to be published. At the tender age of seven, Phillis had been brought to Massachusetts as a slave and sold to the well-to-do Wheatley family. There, she threw herself into education, and soon she was devouring the classics and writing verse with whatever she had to hand - odes in chalk on the walls of the house. Once her talent became known, there was uproar, and in 1772 she was interrogated by a panel of 'the most respectable characters in Boston' and forced to defend the ownership of her own words, since many believed that it was an impossible that she, an African-American slave, could write poetry of such high quality. As related in the 1834 memoir by an outspoken proponent of antislavery, B.B. Thatcher, also included in this volume, the road to publication was not straight, and while it became clear that such a volume could not be published in America at the time, Phillis was recommended to a London publisher, who brought out the book - albeit with an attestation as to her authorship, as well as a 'letter from her master' and a short preface asking the reader's indulgence. This edition includes the attestation, the 'letter from her master' and notes from the original publishers as an appendix, so that the twenty-first-century reader can discover Phillis Wheatley as she should have been read - as a poet, not property.

This moving collection of poems by Phillis Wheatley is intended to inspire Christians and tribute various believers who had recently been deceased. Published in 1773, this collection brings together many of Wheatley's finest writings addressed to figures of the day. She writes evocative verse to academic establishments, military officers and even the King of England, with other verses discussing various subjects in verse form, offering condolences and verse commemorating recent events, or the death of a recent loved one. Recognized as one of the first black poets to be widely appreciated in the Western world, Phillis Wheatley was a devoted Christian whose talent with the English language impressed and awed her peers. Wheatley took plenty of influence from past works of poetry, such as Ovid's Metamorphosis. Several of the poems in this collection mention or allude to such masterpieces, the voracious absorption of which helped Phillis Wheatley to learn and hone her creative abilities.

In 1761, a young girl arrived in Boston on a slave ship, sold to the Wheatley family, and given the name Phillis Wheatley. Struck by Phillis' extraordinary precociousness, the Wheatleys provided her with an education that was unusual for a woman of the time and astonishing for a slave. After studying English and classical literature, geography, the Bible, and Latin, Phillis published her first poem in 1767 at the age of 14, winning much public attention and considerable fame. When Boston publishers who doubted its authenticity rejected an initial collection of her poetry, Wheatley sailed to London in 1773 and found a publisher there for Poems on Various Subjects, Religious and Moral.

This volume collects both Wheatley's letters and her poetry: hymns, elegies, translations, philosophical poems, tales, and epyllions-including a poignant plea to the Earl of Dartmouth urging freedom for America and comparing the country's condition to her own. With her contemplative elegies and her use of the poetic imagination to escape an unsatisfactory world, Wheatley anticipated the Romantic Movement of the following century. The appendices to this edition include poems of Wheatley's contemporary African-American poets: Lucy Terry, Jupiter Harmon, and Francis Williams.

Poems on Various Subjects, Religious and Moral (1773) is the first book of poetry published by an African American author. Written while Wheatley was a slave in Boston, the collection was published in England. Regarded for her mastery of classical poetic form, Phillis Wheatley earned praise from Voltaire and George Washington. Poems on Various Subjects, Religious and Moral has long been the subject of scholarly work on the history of African American literature, with some critics arguing that Wheatley's poems proved detrimental to the struggle of enslaved African Americans. Whether Wheatley made excuses for slavery or, as some have argued, included subtle critiques of the institution in her writing, her talent and importance to the history of African American literature remain undisputed. Despite her status as a slave, Phillis Wheatley seems to have viewed herself as a blessed individual, a woman for whom life itself was a sign of God's grace, and in whom talent arose in the form of a foreign language. Many of her poems-elegies, odes, and monologues-are aimed at others. Whether in mourning, in praise, or in warning, Wheatley frequently offers her own voice to university students, royalty, God, the muses, and deceased infants. When she does offer glimpses of herself, for instance, in her poem "On Being Brought from Africa to America," she provides a complex perspective on her status as a slave: "'Twas mercy brought me from my Pagan land, / Taught my benighted soul to understand / That there's a God, that there's a Saviour too." While her words may seem strange to our modern view of the American institution of slavery, they provide an important historical lens onto the adoption of Christianity by African American slaves, who developed a faith grounded in resistance, hope, and redemption. With a beautifully designed cover and professionally typeset manuscript, this edition of Phillis Wheatley's Poems on Various Subjects, Religious and Moral is a classic of African American literature reimagined for modern readers.

"Welcome and impressive."--American Literature

Meet the women who wrote. They wrote against all odds. Some wrote defiantly; some wrote desperately. Some wrote while trapped within the confines of status and wealth. Some wrote hand-to-mouth in abject poverty. Some wrote trapped in a room of their father's house, and some went in search of a room of their own. They had lovers and families. They were sometimes lonely. Many wrote anonymously or under a pseudonym for a world not yet ready for their genius and talent. We know many of their names-Austen and Alcott, Bronte and Browning, Wheatley and Woolf-though some may be less familiar. They are here, waiting to introduce themselves. They marched through the world one by one or in small sisterhoods, speaking to each other and to us over distances of place and time. Pushing back against the boundaries meant to keep us in our place, they carved enough space for themselves to write. They made space for us to follow. Here they are gathered together, an army of women who wrote and an arsenal of words to inspire us. They walk with us as we forge our own paths forward. These women wrote to change the world. The perfect keepsake gift for the reader in your life Anthology of stories and poems Book length: approximately 90,000 words

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Born in Africa in 1753, Phillis Wheatley was kidnapped at the age of seven and sold into slavery. At nineteen, she became the first black American poet to publish a book, "Poems on Various Subjects: Religious and Moral, " on which this volume is based. Wheatley's poetry created a sensation throughout the English-speaking world, and the young poet read her work in aristocratic drawing rooms on both sides of the Atlantic. The "London Chronicle "went so far as to declare her "perhaps one of the greatest instances of pure, unassisted genius that the world ever produced."
Wheatley's elegies and odes offer fascinating glimpses into the origins of African-American literary traditions. Most of the poems express the effects of her religious and classical New England education, consisting of elegies for the departed and odes to Christian salvation. This edition of Wheatley's historic works includes letters and a biographical note written by one of the poet's descendants. Includes a selection from the Common Core State Standards Initiative: "On Being Brought from Africa to America."

The past two decades have seen a dramatic resurgence of interest in black women writers, as authors such as Alice Walker and Toni Morrison have come to dominate the larger Afro-American literary landscape. Yet the works of the writers who founded and nurtured the black women's literary tradition--nineteenth-century Afro-American women--have remained buried in research libraries or in expensive hard-to-find reprints, often inaccessible to twentieth-century readers.
Oxford University Press, in collaboration with the Schomburg Center for Research in Black Culture, a research unit of The New York Public Library, rescued the voice of an entire segment of the black tradition by offering thirty volumes of these compelling and rare works of fiction, poetry, autobiography, biography, essays, and journalism. Responding to the wide recognition this series has received, Oxford now presents four of these volumes in paperback. Each book contains an introduction written by an expert in the field, as well as an overview by Henry Louis Gates, Jr., the General Editor.
Individually, each of these four works now in paperback--including The Journals of Charlotte Forten Grimke, Elizabeth Keckley's Behind the Scenes: Or, Thirty Years a Slave, and Four Years in the White House, Six Women's Slave Narratives, and The Collected Works of Phillis Wheatley--stands as a unique literary contribution in its own right. Collectively providing a rich sampling of the range of works written by black women over the course of more than a century, they pay tribute (now long overdue) to an extraordinary and influential group of Afro-American women. These new editions will enable teachers, students, and general readers of American literature, history, Afro-American culture, and women's studies to hear at last, and learn from, the lost voice of the nineteenth-century black woman writer."

In 1773, Poems on Various Subjects, Religious and Moral became the first book of poetry by an African-American author to be published. At the tender age of seven, Phillis had been brought to Massachusetts as a slave and sold to the well-to-do Wheatley family. There, she threw herself into education, and soon she was devouring the classics and writing verse with whatever she had to hand - odes in chalk on the walls of the house. Once her talent became known, there was uproar, and in 1772 she was interrogated by a panel of 'the most respectable characters in Boston' and forced to defend the ownership of her own words, since many believed that it was an impossible that she, an African-American slave, could write poetry of such high quality. As related in the 1834 memoir by an outspoken proponent of antislavery, B.B. Thatcher, also included in this volume, the road to publication was not straight, and while it became clear that such a volume could not be published in America at the time, Phillis was recommended to a London publisher, who brought out the book - albeit with an attestation as to her authorship, as well as a 'letter from her master' and a short preface asking the reader's indulgence. This edition includes the attestation, the 'letter from her master' and notes from the original publishers as an appendix, so that the twenty-first-century reader can discover Phillis Wheatley as she should have been read - as a poet, not property.