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This book is part of the TREDITION CLASSICS series. The creators of
this series are united by passion for literature and driven by the
intention of making all public domain books available in printed
format again - worldwide. At tredition we believe that a great book
never goes out of style. Several mostly non-profit literature
projects provide content to tredition. To support their good work,
tredition donates a portion of the proceeds from each sold copy. As
a reader of a TREDITION CLASSICS book, you support our mission to
save many of the amazing works of world literature from oblivion.
This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone
This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.The
eighteenth-century fascination with Greek and Roman antiquity
followed the systematic excavation of the ruins at Pompeii and
Herculaneum in southern Italy; and after 1750 a neoclassical style
dominated all artistic fields. The titles here trace developments
in mostly English-language works on painting, sculpture,
architecture, music, theater, and other disciplines. Instructional
works on musical instruments, catalogs of art objects, comic
operas, and more are also included. ++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: ++++British LibraryT113965London:
printed for J. Wilcox, 1743. xviii, 2],184p., VIplates: engr.music;
12
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.The
eighteenth-century fascination with Greek and Roman antiquity
followed the systematic excavation of the ruins at Pompeii and
Herculaneum in southern Italy; and after 1750 a neoclassical style
dominated all artistic fields. The titles here trace developments
in mostly English-language works on painting, sculpture,
architecture, music, theater, and other disciplines. Instructional
works on musical instruments, catalogs of art objects, comic
operas, and more are also included. ++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: ++++British LibraryT116492London:
printed for J. Wilcox, 1742. xviii, 2],184p., plates: engr.music;
12
Facsimile reprint of the 1743 English translation. Printed with two
pages of original per page of this facsimile. Original facsimile
text - i.e. no editorial changes.
"Anleitung zur Singkunst. Aus dem Itali nischen des Herrn Peter
Franz Tosi, Mitglieds der philarmonischen Akademie mit Erl
uterungen und Zus tzen von Johann Friedrich Agricola, K nigl Preu .
Hofcomponisten." Faksimile 1757. [Translation into German of the
Art of Singing "Opinioni de' Cantori Antichi, e Moderni" of Pier
Francesco Tosi].
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