This ambitious three-volume biography on Gissing examines both his life and writing chronologically and in close detail. Part I covers Gissing's early life up until his establishment as a writer of moderate critical success.

This ambitious three-volume biography on Gissing examines both his life and writing both chronologically and in close detail. Part II assesses the period of Gissing's greatest authorial triumphs. His most critically acclaimed works, The Nether World (1889), New Grub Street (1891) and The Odd Women (1893) date from this time.

This ambitious three-volume biography on Gissing examines both his life and writing both chronologically and in close detail. This final volume in Coustillas's prodigious biography examines the turbulent last years of the author's life and his literary afterlife.

First Published in 1968. In the English literary production of the eighteen eighties and nineties, George Gissing stands as an important figure. The rising interest in him since the centenary of his birth in 1957 is efficiently consolidating his very substantial claim to be reckoned as a significant novelist of the late Victorian period. In this selection of essays, stress has been laid almost exclusively on criticism, but biographical clues are frequently given in the pieces reprinted. This title aims to bring new students into touch with the novelist's works.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read the material themselves.

George Gissing (1857-1903) lived a life worthy of the plot from one of his own novels. An exceptionally gifted man, born into relatively genteel comfort, he nonetheless managed to enter into two disastrous marriages with working-class women, got thrown out of university for stealing, spent a month doing hard labour in prison and died before the age of fifty. It is all the more surprising then, that he still managed to write twenty-three novels and over a hundred short stories, as well as works of literary criticism and a travelogue. This ambitious three-volume biography examines both his life and writing chronologically and in close detail. Coustillas's exhaustive research is based on all the known surviving Gissing correspondence, Gissing's works and every piece of literary criticism on Gissing from 1880 onwards. Press archives from England, America, the former Colonies, France and Germany have all been consulted. This approach, by the foremost authority on Gissing, allows new insights into his life and work. This final volume in Coustillas's prodigious biography examines the turbulent last years of the author's life and his literary afterlife. After the break-up of his second marriage, Gissing's health began to decline and he was diagnosed with emphysema, precipitating his permanent move abroad. In contrast to his personal problems, his literary reputation soared and he formed new friendships with other writers of the day, including Henry James and H G Wells. He wrote Charles Dickens: A Critical Study (1898), travelled to Rome in the same year and produced By the Ionian Sea (1901) about his 'rambles' in Calabria. The last of Gissing's books to be published in his lifetime was The Private Papers of Henry Ryecroft (1903). The most autobiographical of his works, it was also his favourite, and the most widely-read in the years after his death. He died in France on 28th December 1903.

This ambitious three-volume biography on Gissing examines both his life and writing both chronologically and in close detail. Part II assesses the period of Gissing's greatest authorial triumphs. His most critically acclaimed works, The Nether World (1889), New Grub Street (1891) and The Odd Women (1893) date from this time.

This ambitious three-volume biography on Gissing examines both his life and writing chronologically and in close detail. Part I covers Gissing's early life up until his establishment as a writer of moderate critical success.

This series gathers together a body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.

First Published in 1968. In the English literary production of the eighteen eighties and nineties, George Gissing stands as an important figure. The rising interest in him since the centenary of his birth in 1957 is efficiently consolidating his very substantial claim to be reckoned as a significant novelist of the late Victorian period. In this selection of essays, stress has been laid almost exclusively on criticism, but biographical clues are frequently given in the pieces reprinted. This title aims to bring new students into touch with the novelist's works.

Originally published in 1887, Gissing intended 'Thryza' to 'contain the very spirit of London working-class life'. His story tells of Walter Egremont, an Oxford-trained idealist who gives lectures on literature to the workers in his father's Lambeth factory. Thryza Trent, a young hat-trimmer, attends the lectures and falls in love with Walter, forsaking Gilbert Grail, an intelligent working man.

Gissing's career, which spanned the period of about 1877 to his death in 1903, was characterized by prodigious output (almost a novel a year in the early days), modest recognition, and modest income. He wrote of poverty, socialism, class differences, social reform, and later on, about the problems of women and industrialization. His best known works are "New Grub Street" (1891) and "Private Papers of Henry Ryecroft" (1903), rich sources of social commentary that reflect a literary transition from the Victorian to the modern period.
For many years, the only Gissing letters available to the public were those in the modest selection of letters to his family published in 1927. Now the editors have culled widely scattered sources--private and public collections, journals, newspapers, memoirs, biographies, and sales catalogs -- to gather and organize Gissing's correspondence, including letters to him, and to provide an editorial context.
The years 1892-1895 saw an increase in the bulk and scope of Gissing's literary production, coinciding with his new and cordial association with publishers Bullen and Lawrence. During this period, the partners published "Denzil Quarrier," "The Odd Women," "In the Year of Jubilee," and "Eve's Ransom," while A. and C. Black brought out Born in Exile. Gissing's correspondence with his publishers, some of which is printed here for the first time, is matched in significance by his letters to his literary agent William Morris Colles and to editors such as Clement Shorter, who were instrumental in turning Gissing to the short story. His domestic life remained grim: his unfortunate marriage ruled out the possibility of satisfactory social relationships, and his anxiety over the care of his son Walter was eased only by sending the infant away to stay with strangers. New friends, especially Clara Collet and Edward Clodd, were a precious asset -- in their presence he could be his better self, a highly cultured, joy-loving individual whose work was finding greater favor with the public.

In 1897 the Victorian novelist George Gissing undertook a brief but eventful journey in southern Italy. His itinerary took him from Naples to Reggio di Calabria, via Paola, Cosenza, Crotone and Squillace, through the area once known as Magna Graecia. Meditating on the vestiges of Greco-Roman civilization, Gissing visited tombs and temples, museums and cathedrals, in search of the imprint of antiquity and "that old world which was the imaginative delight of my boyhood." The result was By the Ionian Sea, first published in 1901. Gissing's journey by boat, train, and carriage revealed not just the ruined glories of a classical past, but also the hardships of rural life in turn-of-the-century rural Italy. Meeting poverty-stricken peasants and corrupt local officials, he endured discomfort, danger and illness in a remote and little visited corner of Europe. Yet throughout he appreciated the warmth and generosity shown to him by local people, curious about this solitary stranger. By turns lyrical and melancholic, Gissing's masterpiece of travel writing alternates between light and dark, life and death, Paganism and Christianity. Looking at Italy in both its classical and contemporary dimensions, By the Ionian Sea celebrates Calabria's rich cultural past and beautiful landscapes while providing a candid account of the region's hardship and poverty. More than a century after its first publication, this is the first critical edition of the book in English.