The first part of this manual, first published in 1725, discusses the performance of various steps including demi coupe, bouree, chasse, and pirouette. Through the use of text and tables, Rameau also provides discussion on an improved and simplified version of Feuillet notation, the eighteenth-century system of recording dances. The second part of the text consists of notations for twelve duets choreographed by French dancer and choreographer, Guillaume-Louis Pecour. The text is entirely in French, with many examples in Feuillet notation.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT125444A reissue of the 1728 edition with new initial bifolium containing recommendatory notices on the verso of the first leaf. In this issue most of the plates are signed: "G: Alsop delin: " or "G: A: delin."London: printed, and sold by him i.e. J. Essex] at his house in Rood-Lane; and J. Brotherton, 1731. 4], iii-xxxii,160p., plates; 4

Pierre Rameau's Le Maitre a Danser is the standard work on the technique of eighteenth century dancing. It was first published in Paris in 1725, and bore the printed recommendation of the celebrated dancer and maitre de ballet Louis Pecour. As a guide to contemporary social etiquette in the ballroom, the dances that were in vogue, the various steps and arm movements that were in use and how they were executed, Rameau's book is an invaluable source of information. For although the eighteenth century saw the publication of a number of books on dancing which record the steps and arm movements used in contemporary dances, they do not explain how the steps were to be carried out, and this information was first made available in Le Maitre a Danser. This edition is a facsimile of the translation made by the great dance scholar and historian Cyril Beaumont, and first published by him in book form in 1931.