foreword by Pierre Vidal-Naquet The acclaimed French classicist Marcel Detienne's first book traces the odyssey of "truth," aletheia, from mytho-religious concept to philosophical thought in archaic Greece. Detienne begins by examining how truth in Greek literature first emerges as an enigma. He then looks at the movement from a religious to a secular thinking about truth in the speech of the sophists and orators. His study culminates with an original interpretation of Parmenides' poem on Being.

Assassins of Memory is a passionate and painstaking look at one of the more curious realities of recent French cultural life: the prominence accorded to the phenomenon of revisionism. An attempt on the part of a tiny group of fanatics, often masquerading as scholars and researchers, to deny the existence of the gas chambers and horrors of Hitler's genocidal policies, revisionism is quietly gaining adherents.

This is the history of the development through the ages of Plato's "Atlantis" story - the imperialist island state that disappeared in a cataclysm, leaving Athens to survive it...Instead of simply focusing on the various attempts to 'find' Atlantis - all of which are futile for the very good reason that Plato made the island up - the author re-examines the very different uses made of the myth in different contexts and periods. He shows how Plato's myth was reinterpreted in the medieval period and after through conflation with the search for the lost tribes of Israel; how it became involved with the debate about whether Europe should look back to its origins in the Classical or Biblical worlds; how the myth was reinterpreted with a more geographical emphasis following Columbus' discovery of America; and how it was used in the "Enlightenment" to add colour to nationalist attempts to claim antiquity by finding unrecognised origins. Written in a clear and interesting way, Pierre Vidal-Naquet's original ideas rest on deep knowledge supported by primary references and illustrations.

"No one can fail to admire the brilliance of the connections Vidal-Naquet suggests ...Audacity has been characteristic of Vidal-Naquet's career from the start; it marked his activities as a historian engage in the political struggle; it is visible at work in every page of this book."-Bernard Knox, from the Foreword The black hunter travels through the mountains and forests of Greek mythology, living on the frontier of the city-state, of adulthood, of class, of ethics, of sexuality. Taking its title from this figure, The Black Hunter approaches the Greek world from its margins and charts the elaborate system of oppositions that pervaded Greek culture and society: cultivated and wild, citizen and foreigner, real and imaginary, god and man. Organizing his discussions around four principle themes-space and time; youth and warriors; women, slaves, and artisans; and the city of vision and of reality-Pierre Vidal-Naquet focuses on the congruence of the textual and the actual, on the patterns that link literary, philosophical, and historical works with such social activities as war, slavery, education, and commemoration. The Black Hunter probes the interplay of world view, language, and social practice "to bring into dialogue that which does not naturally communicate according to the usual criteria of historical judgement." "A brilliant demonstration of structural analysis and its usefulness in illuminating well-known texts and providing fresh insights ...What strikes the reader of this book is its daring, innovative interpretations. This is not a book that merely collects new information or synthesizes old views. It bursts into the heart of important themes and floods them with bright light."-Modern Greek Studies Yearbook "One of the liveliest intellects in the field ...There is a wealth of learning in this book; specialists ...will wish to consult individual articles while the general reader will not only learn but enjoy its contents and tenor."-Classical World "Excellent ...Vidal-Naquet's book is a gem. It will stimulate further thoughts, discussions and writings on the Greek politeia and politikon. It should be read by all those who are involved in classical and comparative studies. It puts into circulation a structuralist reading which is provocative and simultaneously rings true."-V. Y. Mudimbe, Journal of Ritual Studies

Pierre Vidal-Naquet, internationally celebrated author of Assassins of Memory: Essays on the Denial of the Holocaust, here takes readers on a fascinating journey through key phases of Jewish history over more than two millennia. Drawing on a vast reservoir of historical knowledge, Vidal-Naquet unravels a series of myths and ideologies that have become entangled with Jewish history over the centuries. The Jews covers subjects as deep in the past as the Jewish encounter with Hellenization in the second century B.C.E., and as current as modern-day Israeli-Palestinian relations. The Jews opens in the classical period, looking in particular at the work of Flavius Josephus, who wrote the original account of the events at Masada. Resisting the powerful currents of ideological orthodoxy, Vidal-Naquet examines what he views as Israeli nationalist distortions of the historical and archaeological record at Masada. In the promotion of an ideal of Jewish unity in the ancient world, he contends, some have chosen to ignore evidence of pluralism, civil strife, and the power of the Diaspora experience in the Jewish past. The book continues with an engaging discussion of the era of Jewish emancipation in Europe, during the French Revolution and thereafter, in which Vidal-Naquet explores the complex meanings of emancipation and assimilation. Employing previously unexamined material written by Alfred Dreyfus himself, he continues with a reevaluation of the Dreyfus affair, the episode of anti-Semitism and betrayal that shook France at the turn of the century. The Jews explores books, films, and eyewitness accounts of the Holocaust, including works by Arno Mayer, Claude Lanzmann, and Primo Levi. The booklooks also at a recently published wartime journal by Vidal-Naquet's father, written in the years before he was deported. Vidal-Naquet is equally concerned with the disturbing phenomenon of Holocaust denial, pointing to the question of the gas chambers as central to refuting revisionist claims. The book closes with a personal account of growing up in Vichy France: integrating the tools of historiography with his own vivid memories of the war years, Vidal-Naquet recounts in moving detail the Occupation and the fateful day the Gestapo arrived at his home to take away his parents.