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A fascinating look at the remarkable life of Barbara Taylor
Bradford, bestselling author of the unforgettable A Woman of
Substance From the cobbled streets of Yorkshire to the sweeping
avenues of Manhattan, Barbara's own story is as dramatic a tale as
any one of her bestsellers. Barbara Taylor Bradford's rise to fame
and fortune was a difficult one. But from an early age her mother
marked her out for glory - at any cost. The drive and ambition
instilled in Barbara were to reap huge rewards. From humble
beginnings in Yorkshire she took London's Fleet Street by storm.
And then, with the creation of Emma Harte, the unforgettable
heroine of her first novel A Woman of Substance, she inspired women
the world over - and became one of the world's bestselling authors.
This is the first time that Barbara Taylor Bradford has been
involved in a memoir of any kind and this unique collaboration has
produced an extraordinary story. For Emma Harte's rise from
Edwardian kitchen maid, single and pregnant, to one of the richest
women in the world uncannily mirrors Barbara's own family history -
something which was as much of a shock to Barbara as it will be to
her millions of fans... Don't miss this incredible story of
suffering, loss and triumph over adversity, a must-read for any A
Woman of Substance fan.
A fascinating insight into the life of one of the country's
bestselling and best-loved authors, marrying her work with her
extraordinary life, and looking at her rise to fame and fortune
against all the odds. 'Everything I have touched in my life figures
in my books. Every single book I write has something that has
happened yo me or my family or to my friends.' Josephine Cox was
born in Blackburn during its decline as the cotton-weaving capital
of the world. Life was hard but characterful, the joys and
tragedies of her youth later inspiring her multi-million selling
novels. One of ten children, Josephine knew poverty, hunger and
charity. Between births, her mother worked in the cotton mills, her
father on the roads. Sleeping up to six in a bed, her family lived
in the tightly packed, working-class terraces of Blackburn. But
Josephine never felt victimised or shamed. Transforming their
closed-in community into one that inspired 'another kind of love, a
deep sense of belonging' were the characters Josephine writes about
in her novels with such fondness and feeling. But alas reality was
not always so easy. Hand in hand with poverty came deprivation and
domestic difficulties. bus station one day and announced they were
leaving Blackburn. Josephine was fourteen years old. Not only did
she lose her friends, she also lost her brothers too who were left
behind. 'Belonging to a street, to a place, to a family, is the
most important thing.' Out of this tremendous loss, Josephine's
novels were born. CHILD OF THE NORTH, written with Josephine's
co-operation, unveils the world and story of Josephine Cox for the
very first time.
As everyone knows, taking a serpent by the tail is not a good idea.
But in the Little World of Don Camillo, where the Devil crops up in
many a guise to break the quiet rhythm of everyday life (and even
the village priest falls foul of him), hilarious and unearthly
things can happen to draw the poison from his bite... No. 7 in the
Don Camillo Series, this bumper volume of classic Tales from the
Lower Plain includes many never before translated into English.
Beloved of 23 million readers worldwide, their appeal is universal,
to readers aged from 10 to 100.'Inimitable, delicious, full of pure
fun.' The Observer 'Giovanni Guareschi's tales of Don Camillo, the
Italian priest with a hefty left hook, are absolutely delightful in
their satirical swipes at human weakness.' Paul Merton
Set against the post-war backdrop of a village in the
Emilia-Romagna, this is the second of the newly translated Don
Camillo series with sales of more than 23 million copies worldwide.
As ever, the townsfolk, divided by their respective allegiances to
the hot-headed Catholic priest and his equally pugnacious adversary
Peppone, the communist mayor, are relieved of their prejudices by
the gentle humour and insights emanating form the crucifix high
above the altar of the village church...
In Don Camillo's Little World, where eternal forces grapple with
the absurd drama of everyday life, hilarious and unearthly things
can happen. If you keep this in mind you will have no difficulty in
getting to know the village priest and his adversary, Peppone, the
communist mayor. Nor will you be surprised when a third person
watches the goings-on from a big cross in the village church and
not infrequently intervenes... These enchanting, wise and strangely
moving tales of life in Italy's Emilia-Romagna continue to enthral
millions of readers of all ages around the world. In this newly
translated volume, many are available in English for the very first
time.
The third in the Don Camillo series brings more timeless,
bittersweet stories of life in Italy's Lower Plain, many of them in
English for the first time. It begins as the second in the series
ended, with Don Camillo in exile in the mountains. But it isn't
long before this lightning conductor for human frailty draws
Peppone and all human nature to his door.
This, the fifth volume in the Don Camillo series, is the first
wholly new anthology to be translated into English for over forty
years. Against the background of the rise and fall of fascism and
post-war communism in rural Italy, Giovanni Guareschi looks down
with hawk's-eye vision into the lives of ordinary people and
delivers his message, as relevant today as ever, to allay prejudice
and political correctness and follow one's conscience, which is of
course the voice which speaks to Don Camillo with humour and
penetrating insight from the cross above the altar in the village
church.
Paul Worsley QC, for 10 years a judge at the Old Bailey, revisits
one of the most remarkable murder cases to be found in the annals
of the Criminal Courts of England. This is a vintage whodunit,
first in the Judge's Tales series and set at a crossroads in time
when for the first time the Media were co-opted to run a killer to
ground. The tale is told verbatim by witnesses as the author gets
inside the mind of the outspoken but irresolute judge in the case,
Mr Justice Grantham. The result is as compelling today as it is
definitive of the era in which the murder was committed.
In the sixth book in the Don Camillo series all is peaceful in the
village we know so well. The people are cheerful and friendly and
exercise their famous sense of humour, but then the elections are
upon us, a storm breaks, and the village priest discovers that the
last straw can break even a Camillo's back...
A gang of Hells Angels rips through the village bringing mayhem and
a generational shift to traditional enmities between Don Camillo
and Peppone. The year is 1966, a time ripe for rebellion, for
overturning conventions - a time, above all, to be young.
Meanwhile, beset by the third young progressive leftwing priest
with a mandate to steer him into the modern world, Don Camillo digs
in and finds a surprise ally in Peppone as he fights to save the
three-metre high figure of il Cristo through which he conducts his
famous conversations with God. ; 'Guareschi's was one of the most
prescient and perceptive voices of the twentieth century.' Tobias
Jones, author of The Dark Heart of Italy. ; 'Guareschi's tales are
absolutely delightful in their satirical swipes at human weakness.'
Paul Merton
An extraordinary book about the imagination -- and the astonishing
force of its creative power . . . for evil as well as good.
Captivated is a true story of genius and possession. The central
character is the creator of Peter Pan, the novelist and playwright
J.M. Barrie, a man tormented by inner demons since childhood.
Barrie developed a consuming interest in the family of George du
Maurier, author of Trilby, a bestselling novel featuring his
creation Svengali. Barrie made his move on the du Maurier family
immediately after George's death, assuming George's mantel. Soon
Barrie was "Uncle Jim" to George du Maurier's eight grandchildren,
playing romping games of adventure and make-believe and inviting
the children into the transcendental world of Neverland. Four of
the boys (the "lost boys" of Peter Pan) and one of the girls (the
imaginative tomboy Daphne) were captivated.
This fascinating book delves deep, makes links and yields up
secrets. It tells how Barrie's victims -- whom he would have not
grow up -- were lost to breakdown, suicide or early death. Daphne
du Maurier, author of Rebecca emerges as the lost boys' companion
and the enigmatic chronicler of their fate. Captivated is about
writing and the world of the imagination: it is a singular example
of art being used not only to imitate life, but darkly to transform
it.
"From the Hardcover edition."
In No. 4 of the newly translated Don Camillo series, Peppone loses
out on a matter of conscience and must accept the presence of Don
Camillo among a group of communist activists on a trip he is
organising to Mother Russia. Travelling incognito, the battling
priest becomes the life and soul of the Party and picks off his
totalitarian comrades one-by-one in a hilarious riot of shrewd
manipulation.
In his revelatory Neverland, Piers Dudgeon tells the tragic story
of J. M. Barrie and the Du Maurier family. Driven by a need to fill
the vacuum left by sexual impotence, Barrie sought out George du
Maurier, Daphne du Maurier s grandfather (author of the famed
Trilby), who specialized in hypnosis. Barrie s fascination and
obsession with the Du Maurier family is a shocking study of greed
and psychological abuse, as we observe Barrie as he applies these
lessons in mind control to captivate George s daughter Sylvia, his
son Gerald, as well as their children who became the inspiration
for the Darling family in Barrie s immortal Peter Pan. Barrie later
altered Sylvia s will after her death so that he could become the
boys legal guardian, while pushing several members of the family to
nervous breakdown and suicide. Barrie s compulsion to dominate was
so apparent to those around him that D. H. Lawrence once wrote: J.
M Barrie has a fatal touch for those he loves. They die."
"Our Liverpool" is an oral history about the real Liverpool--about
the city before its slick transformation to European City of
Culture and about the spirit that remains at its heart. Here, at
last, is Liverpool's grievous and glorious past. And here, through
the people's voices, we find old Liverpool, without the gift-wrap.
Its stories pulsate with the rhythms of an alternately funny,
flippant, belligerent, stubborn, and warm heart, and they broadcast
the values of a community, which are the city's true legacy to the
modern world. Piers Dudgeon has listened to dozens of people who
remember the city as it was, and who have lived through its many
changes. They talk of childhood and education, of work and
entertainment, of family, community values, health, politics,
religion, and music. Their stories will make you laugh and cry. It
is people's own memories that make history real and this engrossing
book captures them vividly.
This oral history of London's East End spans the period after World
War I to the upsurge of prosperity at the beginning of the 1960s--a
time period which saw fresh waves of immigrants in the area, the
Fascist marches of the 1930s, and its spirited recovery after
virtual obliteration during the Blitz. Piers Dudgeon has listened
to dozens of people who remember this fiercely proud quarter to
record their real-life experiences of what it was like before it
was fashionable to buy a home in the Docklands. They talk of
childhood and education, of work and entertainment, of family,
community values, health, politics, religion, and music. Their
stories will make you laugh and cry. It is people's own memories
that make history real and this engrossing book captures them
vividly.
This oral history of Glasgow spans most of the last century--a time
of economic downturn and eventual renewal, in which the many
communities making up the city experienced upheavals that tore some
apart and brought others closer together. It tells of the beating
heart of no mean city in the words of the people who made it what
it is. Piers Dudgeon has listened to dozens of people who remember
the city as it was, and who have lived through its many changes.
They talk of childhood and education, of work and entertainment, of
family, community values, health, politics, religion, and music.
Their stories will make you laugh and cry. It is people's own
memories that make history real and this engrossing book captures
them vividly.
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