Setenta veces siete es una colección de histo­rias auténticas de hombres y mujeres como tú y yo, gente afectada por el racismo, la infidelidad matrimonial, la represión política, la brutalidad policial, el sufrimiento de la guerra, la muerte violenta de un ser querido. No se trata de una discusión abstracta o teórica. Al leer estos relatos, entramos en la vida de personas que han sufrido y han sabido perdonar (y de las que no han perdo­nado), de personas que descubrieron que el perdón tiene el poder de sanar aún las más profundas heridas (y de las que continúan en búsqueda de reconciliación).

Piri Thomas, who reached millions of readers with his bestselling autobiography, "Down These Mean Streets," now gives readers of all ages a vivid slice of the life in El Barrioa place where people face their problems with energy, ingenuity and love. He draws vivid stories from his past experiences and makes us feel what it means to be poor and proud and generous; to be streetwise and full of bravado but frightened, too; to struggle to go straight; to be ashamed of being ashamed; to dream. Speaking in the voice of the streets and from his heart, Piri captures the spirit, the laughter and the hope of his people.

Offers insights on Latino Caribbean writers born or raised in the United States who are at the vanguard of a literary movement that has captured both critical and popular interest.

In this groundbreaking study, William Luis analyzes the most salient and representative narrative and poetic works of the newest literary movement to emerge in Spanish American and U.S. literatures. The book is divided into three sections, each focused on representative Puerto Rican American, Cuban American, and Dominican American authors. Luis traces the writers' origins and influences from the nineteenth century to the present, focusing especially on the contemporary works of Oscar Hijuelos, Julia Alvarez, Cristina Garcia, and Piri Thomas, among others. While engaging in close readings of the texts, Luis places them in a broader social, historical, political, and racial perspective to expose the tension between text and context.

As a group, Latino Caribbeans write an ethnic literature in English that is born of their struggle to forge an identity separate from both the influences of their parents' culture and those of the United States. For these writers, their parents' country of origin is a distant memory. They have developed a culture of resistance and a language that mediates between their parents' identity and the culture that they themselves live in.

Latino Caribbeans are engaged in a metaphorical dance with Anglo Americans as the dominant culture. Just as that dance represents a coming together of separate influences to make a unique art form, so do both Hispanic and North American cultures combine to bring a new literature into being. This new body of literature helps us to understand not only the adjustments Latino Caribbean cultures have had to make within the larger U.S. environment but also how the dominant culture has been affected by their presence.