This book discusses the ethical dimension of the interpretation of texts and events. Its purpose is not to address the neutrality or ideological biases of interpreters, but rather to discuss the underlying issue of the intervention of interpreters into the process of interpretation. The author calls this intervention the "ethical" aspect of interpretation and argues that interpreters are neither neutral nor necessarily activists. He examines three models of interpretation, all of which recognize the role that interpreters play in the process of interpretation. In these models, the question of the truth or validity of interpretation is dependent upon the attitude of interpreters. These three models are: (1) the principle of charity in interpretation in the two different versions defended by Hans-Georg Gadamer and Donald Davidson; (2) the production of truth, as developed by Paul Ricoeur and Michel Foucault; and (3) the regulative principle in interpretation as formal validity claims-as presented by Karl-Otto Apel and Jurgen Habermas-and as benevolence or love as an epistemic virtue-as defended by Friedrich Schlegel and Friedrich Schleiermacher. The critical discussion of these three models, which brings to the fore the different manners in which interpreters intervene in the process of interpretation as persons, lays the foundations for an ethics of interpretation. The Ethics of Interpretation will be of interest to scholars and advanced students working in hermeneutics, 19th- and 20th-century philosophy, literary theory, and cultural theory.

While there are many books on the romantics, and many books on Heidegger, there has been no book exploring the connection between the two. Pol Vandevelde's new study forges this important link. Vandevelde begins by analyzing two models that have addressed the interaction between literature and philosophy: early German romanticism (especially Schlegel and Novalis), and Heidegger's work with poetry in the 1930s. Both models offer an alternative to the paradigm of mimesis, as exemplified by Aristotle's and Plato's discussion of poetry, and both German romanticism and Heidegger owe a deep debt to Plato. The study goes on to defend the view that Heidegger was influenced by romanticism. The author's project is thus both historical, showing the specificity of the romantic and Heideggerean works, and systematic, defending aspects of their alternative mode of thinking while also pointing to their weaknesses.

While there are many books on the romantics, and many books on Heidegger, there has been no book exploring the connection between the two. Pol Vandevelde's new study forges this important link. Vandevelde begins by analyzing two models that have addressed the interaction between literature and philosophy: early German romanticism (especially Schlegel and Novalis), and Heidegger's work with poetry in the 1930s. Both models offer an alternative to the paradigm of mimesis, as exemplified by Aristotle's and Plato's discussion of poetry, and both German romanticism and Heidegger owe a deep debt to Plato. The study goes on to defend the view that Heidegger was influenced by romanticism. The author's project is thus both historical, showing the specificity of the romantic and Heideggerean works, and systematic, defending aspects of their alternative mode of thinking while also pointing to their weaknesses.

Ethics, Aesthetics and the Historical Dimension of Language collects together Gadamer's most important untranslated writings on ethics, aesthetics and language. With a substantial introduction by the editors exploring Gadamer's ethical project and providing an overview of his aesthetic work, this book collects Gadamer's writings on ancient ethics, including the moral philosophy of Aristotle, and on practical philosophy (first section). In the second section, Gadamer's writings on art are collected, including his examination of poetry, opera and painting among other art forms. The third section comprises Gadamer's essays on language in its historical dimension. This important collection is a useful resource for scholars in philosophy, studying hermeneutics, continental, 20th-century and German philosophy.

Hermeneutics between History and Philosophy collects together Gadamer's remaining important untranslated writings on the problem of history and the major philosophical traditions of the 20th century from the standpoint of hermeneutics. In these writings, Gadamer examines important thinkers such as Husserl, Heidegger, Sartre, Bourdieu and Habermas and their ongoing legacies. This volume includes a preface by the editors and translators, presenting the structure of the volume, and a substantial introduction situating Gadamer's particular project and examining the place of hermeneutics in relation to the disciplines of history and philosophy in the 20th century. The translation is followed by a glossary of German terms and Greek and Latin expressions, as well as a bibliography of all the works cited and alluded to by Gadamer. Together, the essays and critical apparatus provide an overarching account of Gadamer's understanding of human life as embedded within history.

Bringing together leading scholars from across the world, this is a comprehensive survey of the latest phenomenological research into the perennial philosophical problem of truth. Starting with an historical introduction chronicling the variations on truth at play in the Phenomenological tradition, the book explores how Husserls methodology equips us with the tools to thoroughly explore notions of truth, reality and knowledge. From these foundations, the book goes on to explore and extend the range of approaches that contemporary phenomenological research opens up in the face of the most profound ontological and epistemological questions raised by the tradition. In the final section, the authors go further still and explore how phenomenology relates to other variations on truth offered up by hermeneutic, deconstructive and narrative approaches.Across the 12 essays collected in this volume, Variations on Truth explores and maps a comprehensive and rigorous alternative to mainstream analytic discussions of truth, reality and understanding.

Ethics, Aesthetics and the Historical Dimension of Language collects together Gadamer's most important untranslated writings on ethics, aesthetics and language. With a substantial introduction by the editors exploring Gadamer's ethical project and providing an overview of his aesthetic work, this book collects Gadamer's writings on ancient ethics, including the moral philosophy of Aristotle, and on practical philosophy (first section). In the second section, Gadamer's writings on art are collected, including his examination of poetry, opera and painting among other art forms. The third section comprises Gadamer’s essays on language in its historical dimension. This important collection is a useful resource for scholars in philosophy, studying hermeneutics, continental, 20th-century and German philosophy.

The Task of the Interpreter offers a new approach to what it means to interpret a text, and reconciles the possibility of multiple interpretations with the need to consider the author's intention. Vandevelde argues that interpretation is both an act and an event: It is an act in that interpreters, through the statements they make, implicitly commit themselves to justifying their positions, if prompted. It is an event in that interpreters are situated in a cultural and historical framework and come to a text with questions, concerns, and methods of which they are not fully conscious. These two aspects make interpretation a negotiation of meaning. The Task of the Interpreter provides an interdisciplinary investigation of textual interpretation including biblical hermeneutics (Gregory the Great's Homilies on Ezekiel), translation (Homer's The Odyssey), and literary fictions (Grass's Dog Years and Sabato's On Heroes and Tombs). Vandevelde's philosophical discussion will appeal to theorists of both continental and analytical/pragmatic traditions.

Bringing together leading scholars from across the world, this is a comprehensive survey of the latest phenomenological research into the perennial philosophical problem of 'truth'. Starting with an historical introduction chronicling the variations on truth at play in the Phenomenological tradition, the book explores how Husserl's methodology equips us with the tools to thoroughly explore notions of truth, reality and knowledge. From these foundations, the book goes on to explore and extend the range of approaches that contemporary phenomenological research opens up in the face of the most profound ontological and epistemological questions raised by the tradition. In the final section, the authors go further still and explore how phenomenology relates to other variations on truth offered up by hermeneutic, deconstructive and narrative approaches. Across the 12 essays collected in this volume, Variations on Truth explores and maps a comprehensive and rigorous alternative to mainstream analytic discussions of truth, reality and understanding.

"Epistemology, Archaeology, Ethics: Current Investigations of Husserl's Corpus" presents fifteen original essays by an international team of expert contributors that together represent a cross-section of Husserl Studies today. The collection manifests the extent to which single themes in Husserl's corpus cannot be isolated, but must be considered in relation to their overlap with each other.
Many of the accepted views of Husserl's philosophy are currently in a state of flux, with positions that once seemed incontestable now finding themselves relegated to the status of one particular school of thought among several. Among all the new trends and approaches, this volume offers a representative sample of how Husserlian research should be conducted given the current state of the corpus. The book is divided into four parts, each dedicated to an area of Husserl Studies that is currently gaining prominence: Husserlian epistemology; his views on intentionality; the archaeology of constitution; and ethics, a relatively recent field of study in phenomenology.

Exploring the latest research in Husserl Studies, this collection presents fifteen new essays on key topics in the field from an international team of writers. "Epistemology, Archaeology, Ethics: Current Investigations of Husserl's Corpus" presents fifteen original essays by an international team of expert contributors that together represent a cross-section of Husserl Studies today. The collection manifests the extent to which single themes in Husserl's corpus cannot be isolated, but must be considered in relation to their overlap with each other. Many of the accepted views of Husserl's philosophy are currently in a state of flux, with positions that once seemed incontestable now finding themselves relegated to the status of one particular school of thought among several. Among all the new trends and approaches, this volume offers a representative sample of how Husserlian research should be conducted given the current state of the corpus. The book is divided into four parts, each dedicated to an area of Husserl Studies that is currently gaining prominence: Husserlian epistemology; his views on intentionality; the archaeology of constitution; and, ethics, a relatively recent field of study in phenomenology.

This volume is the third of Pierre Rousselot's Philosophical Works. It includes seven essays written between 1908 and 1914, one year before his death (two were published posthumously: "A Theory of Concepts by Functional Unity" and "Idealism and Thomism"). These essays offer a complement to Rousselot's views on epistemology, which he presented in Intelligence and constitute the core of his Neo-thomistic philosophy. However, besides making his views more clear and specific, these essays also go further than what we had in Intelligence. It is an effort to offer a systematic view on knowledge as the fusion of the knower and the known. These views go significantly beyond St Thomas' doctrine and some of them are rather daring, like Rousselot's notion of an Angel-humanity. The common thread of these essays is the role of love in knowledge. Rousselot's expands St. Thomas' view on knowledge on the mode of nature (per modum naturae) or connaturality and understands love both as an attitude of the knower, who must be in a certain disposition toward the object, and a characterization of the relationship between knower and known. From the introduction by Pol Vandevelde.