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This book brings together selected revised papers representing a
multidisciplinary approach to language and literature. The
collection presents studies performed using the methods of
computational linguistics in accordance with the traditions of
Russian linguistic and literary studies, primarily in line with the
Leningrad (Petersburg) philological school. The book comprises the
papers allocated into 2 sections discussing the study of corpora in
language, translation, and literary studies and the use of
computing in language teaching and translation and in emotional
text processing. A unique feature of the presented collection is
that the papers, compiled in one volume, allow readers to get an
understanding of a wide range of research conducted in Saint
Petersburg State University and other Russian leading scientific
institutions. Both the classical tradition of Saint Petersburg
philology and the results obtained with the help of new computer
technologies as a sample of the symbiosis of technologies and
traditions, which bring research to a qualitatively new level,
arouse interest.
This book brings together selected revised papers representing a
multidisciplinary approach to language, music, and gesture, as well
as their interaction. Among the number of multidisciplinary and
comparative studies of the structure and organization of language
and music, the presented book broadens the scope with the inclusion
of gesture problems in the analyzed spectrum. A unique feature of
the presented collection is that the papers, compiled in one
volume, allow readers to see similarities and differences in
gesture as an element of non-verbal communication and gesture as
the main element of dance. In addition to enhancing the analysis,
the data on the perception and comprehension of speech, music, and
dance in regard to both their functioning in a natural situation
and their reflection in various forms of performing arts makes this
collection extremely useful for those who are interested in human
cognitive abilities and performing skills. The book begins with a
philosophical overview of recent neurophysiological studies
reflecting the complexity of higher cognitive functions, which
references the idea of the baroque style in art being neither
linear nor stable. The following papers are allocated into 5
sections. The papers of the section "Language-Music-Gesture As
Semiotic Systems" discuss the issues of symbolic and semiotic
aspects of language, music, and gesture, including from the
perspective of their notation. This is followed by the issues of
"Language-Music-Gesture Onstage" and interaction within the idea of
the "World as a Text." The papers of "Teaching Language and Music"
present new teaching methods that take into account the interaction
of all the cognitive systems examined. The papers of the last two
sections focus on issues related primarily to language: The section
"Verbalization Of Music And Gesture" considers the problem of
describing musical text and non-verbal behavior with language, and
papers in the final section "Emotions In Linguistics And
Ai-Communication Systems" analyze the ways of expressing emotions
in speech and the problems of organizing emotional communication
with computer agents.
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Language, Music, and Computing - First International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015, Revised Selected Papers (Paperback, 1st ed. 2015)
Polina Eismont, Natalia Konstantinova
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R2,096
Discovery Miles 20 960
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Ships in 10 - 15 working days
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This book constitutes the proceedings of the First International
Workshop on Language, Music and Computing, LMAC 2015, held in St.
Petersburg, Russia, in April 2015. The 13 papers presented in this
volume were carefully reviewed and selected from 38 submissions.
They were organized in topical sections on music and language in
education; corpus studies of language and music; problems of
notation; and linguistic studies of music.
This book brings together selected revised papers representing a
multidisciplinary approach to language, music, and gesture, as well
as their interaction. Among the number of multidisciplinary and
comparative studies of the structure and organization of language
and music, the presented book broadens the scope with the inclusion
of gesture problems in the analyzed spectrum. A unique feature of
the presented collection is that the papers, compiled in one
volume, allow readers to see similarities and differences in
gesture as an element of non-verbal communication and gesture as
the main element of dance. In addition to enhancing the analysis,
the data on the perception and comprehension of speech, music, and
dance in regard to both their functioning in a natural situation
and their reflection in various forms of performing arts makes this
collection extremely useful for those who are interested in human
cognitive abilities and performing skills. The book begins with a
philosophical overview of recent neurophysiological studies
reflecting the complexity of higher cognitive functions, which
references the idea of the baroque style in art being neither
linear nor stable. The following papers are allocated into 5
sections. The papers of the section "Language-Music-Gesture As
Semiotic Systems" discuss the issues of symbolic and semiotic
aspects of language, music, and gesture, including from the
perspective of their notation. This is followed by the issues of
"Language-Music-Gesture Onstage" and interaction within the idea of
the "World as a Text." The papers of "Teaching Language and Music"
present new teaching methods that take into account the interaction
of all the cognitive systems examined. The papers of the last two
sections focus on issues related primarily to language: The section
"Verbalization Of Music And Gesture" considers the problem of
describing musical text and non-verbal behavior with language, and
papers in the final section "Emotions In Linguistics And
Ai-Communication Systems" analyze the ways of expressing emotions
in speech and the problems of organizing emotional communication
with computer agents.
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Language, Music and Computing - Second International Workshop, LMAC 2017, St. Petersburg, Russia, April 17-19, 2017, Revised Selected Papers (Paperback, 1st ed. 2019)
Polina Eismont, Olga Mitrenina, Asya Pereltsvaig
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R1,557
Discovery Miles 15 570
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Ships in 10 - 15 working days
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This book constitutes the proceedings of the First International
Workshop on Language, Music and Computing, LMAC 2017, held in St.
Petersburg, Russia, in April 2017. The 18 papers presented in this
volume were carefully reviewed and selected from 52 submissions.
They were organized in topical sections on the universal grammar of
music, the surface of music and singing, language as music, music
computing, formalization of the informality.
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