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Preston Sturges was the great writer and director of Hollywood screwball comedies of the thirties and forties. Sullivan's Travels, The Miracle of Morgan's Creek, and The Great McGinty have become film classics, demonstrating brilliant, inventive writing and directing. At the height of his career, Sturges had not only won an Academy Award but was also one of the most highly paid executives in the country. The only account of his life in his own words, Preston Sturges by Preston Sturges unveils the source of his extraordinary creativity: a life that was every bit as antic and unconventional as his movies. From growing up in Europe with a mother whose best friend was Isadora Duncan to making his way among the beau monde of New York -- including a marriage to Barbara Hutton's cousin Eleanor -- Sturges drew on a wealth of madcap experiences to create films of unprecedented comic originality. Working with her husband's wonderfully descriptive journals, Sandy Sturges has woven a captivating narrative that reveals a man of remarkable intellect, energy, and warmth.
Here are five comic masterpieces by Preston Struges, who has been
called "Hollywood's greatest writer-director, with emphasis on the
former." The scripts are drawn from the great period between 1939
and 1944, which Andrew Sarris called "one of the most brilliant and
most bizarre bursts of creation in the history of cinema."
The publication by the University of California Press of Five Screenplays by Preston Sturges and Four More Screenplays by Preston Sturges has been applauded by cinephiles and admirers of the director's work, and recognized as a major contribution to the history of American cinema. In this third volume of scripts by one of Hollywood's wisest and wittiest filmmakers, the focus turns to those screenplays written but not directed by Sturges. Included in the new collection are "The Power and the Glory", which greatly influenced Orson Welles in the conception of "Citizen Kane", and the romantic comedies "Remember the Night and Easy Living". The scripts reveal Sturges in top form as a writer of dialogue and prove beyond any possible doubt his authorship of the films, which frequently appear indistinguishable on-screen from those he himself directed. Full of surprises and delights, these "Three More Screenplays" are essential reading for students of American cinema and admirers of Sturges. They cast new light on his collaborations with directors Mitchell Leisen and William K. Howard, and provide a rousing conclusion to the writings of this Hollywood master. In his substantial introduction to the volume, film historian and screenplay writer Andrew Horton analyzes the contributions of Sturges to the film comedy genre and to Hollywood film history.
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