Most people believe India's struggle for independence to have begun with Mahatma Gandhi. Little credit goes to the proof that this call for a mass movement did not arise out of a void. For the past century and more, historians have overlooked the phase of twenty-five years of intense creative endeavour preceding and preparing for the Mahatma's advent. The reason for this systematic omission has been the fundamentally radical nature of the revolutionary programme put to practice by Indian leaders of late nineteenth and early twentieth centuries. Jugantar was diametrically distinct from the dream of non-violence floated by the Mahatma and the Congress. Very well documented with inputs from Indian, European and American archives, the present study carefully straightenes out the origins - philosophical, historical and religious and intellectual, so to say - of Indian nationalism. From Rammohun to Sri Aurobindo, passing through Marx and Tagore, the full set of ideological views has been analysed here. Unknown up to this day, the sustained focus in this volume on the outlook and the activities of these revolutionaries inside India and abroad brings home the 'very sophisticated understanding of the contemporary political reality' that made their leader Jatindranath Mukherjee, the 'right hand man' of Sri Aurobindo, the very emblem of an epoch and its aspirations. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka

Jean-Pierre Guillaume is a French orientalist known as Pauthier. He is the author of important writings and studies on the East. Without discussing the greatness of the Mahabharata from where he has extracted this episode of Savitri, Pauthier humbly stresses that it "offers the most wonderful manners of a nation, a more complete picture, the largest, and a most wonderful time of the world." He does not hesitate to proclaim that compositions like the Iliad and the Odyssey, Virgil's Aeneid, " while admirable as they are, are fading before the great Indian epics like the Pindos and Seven Hills to the Himalayas." Sri Aurobindo, poet of Savitri A Legend and a Symbol, says the following about the tale of Savitri: "The tale of Satyavan and Savitri is recited in the Mahabharata as a story of conjugal love conquering death. But this legend is, as shown by many features of the human tale, one of the many symbolic myths of the Vedic cycle. Satyavan is the soul carrying the divine truth of being within itself but descended into the grip of death and ignorance; Savitri is the Divine Word, daughter of the Sun, goddess of the supreme Truth who comes down and is born to save; Aswapati, the Lord of the Horse, her human father, is the Lord of Tapasya, the concentrated energy of spiritual endeavour that helps us to rise from the mortal to the immortal planes; Dyumatsena, Lord of the Shining Hosts, father of Satyavan, is the Divine Mind here fallen blind, losing its celestial kingdom of vision, and through that loss its kingdom of glory. Still this is not a mere allegory, the characters are not personified qualities, but incarnations or emanations of living and conscious Forces with whom we can enter into concrete touch and they take human bodies in order to help man and show him the way from his mortal state to a divine consciousness and immortal life."