Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This translation and commentary is based on the Critical Text and Indices of Proclus: Commentary on the First Alcibiades of Plato, Amsterdam 1954, by L. G. Westerink. Index II has been of great help in the translation, and the commentary is much indebted to the critical apparatus. Dr. Westerink has also been kind enough to forward his views on the relatively few problems which the Greek text has presented. A further debt is owed to the review of Dr. Westerink's text by Prof. E. R. Dodds in GNOMON 1955 p. 164-1, chiefly for some references and some emendations to the Greek text. W. R. M. Lamb's Loeb translation of Alcibiades I has helped considerably in construing the lemmata, which Signor Antonio Carlini has found to have been inserted by a later hand from a Plato MSS. of the W family. Evidence for this is their discrepancy with the text as read in the main body of the commentary (d. Studi Classici e Orientali, vol. x, Pisa 1961). On the personal side, the whole work has received the benefit of constant advice from Prof. A. H. Armstrong. It was he who first suggested the undertaking, and he has been kind enough to read through the translation and commentary, making many corrections and helpful suggestions. In particular lowe him the parallels with Plotinus and thanks for a Socratic patience in my more obtuse moments.

This is the first English translation of Proclus' commentary on Plato's Parmenides. Glenn Morrow's death occurred while he was less than halfway through the translation, which was completed by John Dillon. A major work of the great Neoplatonist philosopher, the commentary is an intellectual tour de force that greatly influenced later medieval and Renaissance thought. As the notes and introductory summaries explain, it comprises a full account of Proclus' own metaphysical system, disguised, as is so much Neoplatonic philosophy, in the form of a commentary.