First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Eisenstein's reputation has long been secure as creator of the Soviet cinema's earliest and most enduring classics, and as a pioneer theorist and teacher. Yet the English-speaking world has not kept pace with a rising tide of Eisenstein scholarship further enriched by new publications emerging from the former Soviet Union.
"Eisenstein Rediscovered" presents the first true East-West symposium on Eisenstein with an unparalleled diversity of views and methodologies. Scholars from ten countries examine the vast legacy he bequeathed, and offer important new perspectives for reinterpreting Russian culture of the Soviet period. They explore how much Eisenstein owed to the Symbolist culture of his youth; how his involvement in theatre has been undervalued; what role he played in both the artistic and philosophical avant-gardes of the '20s; and how both Pushkin and the English Elizabethans shaped his later concept of tragedy. Including two newly discovered texts by Eisenstein which are translated for the first time, this collection makes extensive use of material only recently available. The new' Eisenstein that emerges is a far more eclectic and engaging figure than is traditionally perceived.

In Eisenstein Rediscovered Ian Christie and Richard Taylor present the first true East-West symposium on Eisenstein with an unparalleled diversity of views and methodologies. Two newly discovered texts by Eisenstein are here translated fro the first time, and all the contributors make extensive use of material only recently available - variant scripts, drawings, diaries and other writings - to probe behind the familiar facade. The `new' Eisenstein that emerges is in all respects a more engaging and contemporary figure than is traditionally perceived, his wit, eroticism and exlectic passions defining a distinctively modern sensibility whose rediscovey is long overdue.

"European Integration and Disintegration" deals with the principle problems and challenges confronting Europe in the aftermath of the Cold War and the collapse of European communism. While endeavouring to strike a balance between East, West, North and South, the volume is more concerned with the changing political, economic and cultural morphology of Europe, and of the relations within it, than with the formal institutional arrangements of the European Community and its successor, the European Union.
The contributors show that the study of European integration should be taken in the round, avoiding a narrow and self-centered concern with the development of the "lesser Europe" of the EC/EU. It demonstrates that integration should be seen as neither an inexorable predetermined process, nor as an automatic consequence of high levels of economic interdependence, but rather as somethng that proceeds in fits and starts and sometimes suffers reverses.

"European Integration and Disintegration" deals with the principle problems and challenges confronting Europe in the aftermath of the Cold War and the collapse of European communism. While endeavouring to strike a balance between East, West, North and South, the volume is more concerned with the changing political, economic and cultural morphology of Europe, and of the relations within it, than with the formal institutional arrangements of the European Community and its successor, the European Union.
The contributors show that the study of European integration should be taken in the round, avoiding a narrow and self-centered concern with the development of the "lesser Europe" of the EC/EU. It demonstrates that integration should be seen as neither an inexorable predetermined process, nor as an automatic consequence of high levels of economic interdependence, but rather as somethng that proceeds in fits and starts and sometimes suffers reverses.

eBook available with sample pages: HB:0415049512

This is the first collection to be inspired and informed by the new films and archival material that glasnost and perestroika have revealed, and the new methodological approaches that are developing in tandem. Film critics and historians from Britain, America, France and the USSR attempt the vital task of scrutinising Soviet film, and re-examining the Cold War assumptions of traditional historiography. Whereas most books on Soviet giants have glorified the directorial giants of the "golden age" of the 1920s, "Inside the Film Factory" also recognises the achievements of popular cinema from the pre-revolutionary period through to the 1930s and beyond. It also evaluates the impact of Western cinema on the early experimenters of montage, Russian science fiction's influence on film-making, and the long-suppressed history of Soviet Yiddish productions. Alongside the new perspectives and source material on the much-mythologised figures of Kuleshov and Medvedkin, the book provides extended accounts in English of the important but neglected careers of directors Yakov Protazanov and Boris Barnet. This book should be of interest to students and teachers of film studies and Soviet studies.

`This superbly illustrated, readable and authoritative work is a major step in the revision of Soviet film history and will be an indispensible staring point for anyone seeking to understand that history.' - TLS