Reading Rivers is the first book in a new series: Roman Studies: Interdisciplinary Approaches. Author Prudence Jones examines rivers as a literary phenomenon, particularly in the poetry of Vergil. The point of such an investigation is twofold: an examination of Vergil s poetry elucidates particularly clearly a point about rivers: that their inclusion functions almost as a literary device, and an examination of rivers makes a point about Vergil: that rivers are essential to understanding the trajectory of his works, in particular the structure of the Aeneid. This study depends primarily on the close analysis of the poetry of Vergil and of other relevant authors. In Part I Jones examines the Greco-Roman understanding of the river in its primary symbolic roles: cosmological, ritual and ethnographical. Part II analyzes the river as a literary device, with particular attention to the works of Vergil, and argues that descriptions of rivers in Roman poetry are, in many cases, a form of authorial comment on the progress or structure of a narrative. Jones gives scholars in the classics, and literary critics who focus specifically on Roman antiquity a special prism through which to view the works of Vergil as well as other significant authors. This book is also for those working in the fields of cultural studies, cultural geography, and ancient philosophy."

Reading Rivers is the first book in a new series: Roman Studies: Interdisciplinary Approaches. Author Prudence Jones examines rivers as a literary phenomenon, particularly in the poetry of Vergil. The point of such an investigation is twofold: an examination of VergilOs poetry elucidates particularly clearly a point about rivers: that their inclusion functions almost as a literary device, and an examination of rivers makes a point about Vergil: that rivers are essential to understanding the trajectory of his works, in particular the structure of the Aeneid. This study depends primarily on the close analysis of the poetry of Vergil and of other relevant authors. In Part I Jones examines the Greco-Roman understanding of the river in its primary symbolic roles: cosmological, ritual and ethnographical. Part II analyzes the river as a literary device, with particular attention to the works of Vergil, and argues that descriptions of rivers in Roman poetry are, in many cases, a form of authorial comment on the progress or structure of a narrative. Jones gives scholars in the classics, and literary critics who focus specifically on Roman antiquity a special prism through which to view the works of Vergil as well as other significant authors. This book is also for those working in the fields of cultural studies, cultural geography, and ancient philosophy.

Between Magic and Religion represents a radical rethinking of traditional distinctions involving the term 'religion' in the ancient Greek world and beyond, through late antiquity to the seventeenth century. The title indicates the fluidity of such concepts as religion and magic, highlighting the wide variety of meanings evoked by these shifting terms from ancient to modern times. The contributors put these meanings to the test, applying a wide range of methods in exploring the many varieties of available historical, archaeological, iconographical, and literary evidence. No reader will ever think of magic and religion the same way after reading through the findings presented in this book. Both terms emerge in a new light, with broader applications and deeper meanings.

Who was Cleopatra? Who is Cleopatra? Viewed as both goddess and monster even in her own lifetime, she has become through the ages saint and sinner, heroine and victim, femme fatale and star-crossed lover, black and white. A protean figure, Cleopatra defies categorization.

Cleopatra's life story, gleaned from contemporary sources, is powerfully intriguing: Married four times, she seduced two of the most powerful men in Rome (Julius Caesar and Marc Antony), became the sole ruler of Egypt, gained legendary status for her lavish banquets, and chose to die rather than endure disgrace as the prisoner of Octavian, Caesar's heir.

This fascinating sourcebook documents what we know of the historical figure and also shows how she has evolved through the lens of interpretation. Arranged both chronologically and thematically, the volume consists of a series of readings about Cleopatra--historical, literary, and documentary--extending from ancient times to the twentieth century, from the European Romantics to the Afro centrists, and from Middle English to modern Arabic.

In her introductions to the readings, Prudence J. Jones provides helpful information about the sources, placing them in historical and cultural context. She includes passages both familiar and unfamiliar, some not easily found in translation. Suitable for classroom use, "Cleopatra: A Sourcebook" reveals a multitude of Cleopatras, raising as many questions as it answers about one of history's most captivating figures.