FOR SALE IN AFRICA ONLY Investigates what literary strategies African writers adopt to convey the impact of climate transformation and environmental change. This special issue examines the ways fiction and poetry engage with environmental consciousness, and how African literary criticism addresses the implications of global environmental transformations. Does environmentalist literature offer new possibilities for critical thinking about the future? What constitutes environmentalist fiction and poetry? What kind of texts, themes and topics does climate writing include? Does any text in which the environment features become available to environmentalist criticism? In their engagement with the diverse genres, themes and frameworks through which contemporary African writers address topics including urbanisation, cross-species communication, nature and climate change, contributors to this special issue help to define African environmental writing. They look at the literary strategies adopted by creative writers to convey the impact of environmental transformationin narratives that are historically informed by a century of colonialism, nationalist political activism, urbanisation and postcolonial migration. How does environmental literature intervene in these histories? Can creative writers, with their powerfully post-human and cross-species imaginations, carry out the ethical work demanded by contemporary climate science? From Tanure Ojaide's and Helon Habila's attention to environmental decimation in the Niger Delta through to Nnedi Okorafor's and Kofi Anyidoho's imaginative cross-species encounters, the special issue asks how literature mediates the specificities of climate change in an era of global capitalism and technological transformation, and what the limits of creative writing and literary criticism are as tools for discussing environmental issues. Guest Editors: Cajetan Iheka (Associate Professor of English, Yale University) and Stephanie Newell (Professor of English, Yale University) Series Editor: Ernest N. Emenyonu (Professor of Africana Studies at the University of Michigan-Flint) Reviews Editor: Obi Nwakanma (Fellow, Department of English University of Central Florida)

Investigates what literary strategies African writers adopt to convey the impact of climate transformation and environmental change. This special issue examines the ways fiction and poetry engage with environmental consciousness, and how African literary criticism addresses the implications of global environmental transformations. Does environmentalist literature offer new possibilities for critical thinking about the future? What constitutes environmentalist fiction and poetry? What kind of texts, themes and topics does climate writing include? Does any text in which the environment features become available to environmentalist criticism? In their engagement with the diverse genres, themes and frameworks through which contemporary African writers address topics including urbanisation, cross-species communication, nature and climate change, contributors to this special issue help to define African environmental writing. They look at the literary strategies adopted by creative writers to convey the impact of environmental transformationin narratives that are historically informed by a century of colonialism, nationalist political activism, urbanisation and postcolonial migration. How does environmental literature intervene in these histories? Can creative writers, with their powerfully post-human and cross-species imaginations, carry out the ethical work demanded by contemporary climate science? From Tanure Ojaide's and Helon Habila's attention to environmental decimation in the Niger Delta through to Nnedi Okorafor's and Kofi Anyidoho's imaginative cross-species encounters, the special issue asks how literature mediates the specificities of climate change in an era of global capitalism and technological transformation, and what the limits of creative writing and literary criticism are as tools for discussing environmental issues. This volume also includes a Literary Supplement. Guest Editors: Cajetan Iheka (Associate Professor of English, Yale University) and Stephanie Newell (Professor of English, Yale University) Series Editor: Ernest N. Emenyonu (Professor of Africana Studies at the University of Michigan-Flint) Reviews Editor:Obi Nwakanma (Fellow, Department of English University of Central Florida)

Emerging Perspectives on Akachi Adimora-Ezeigbo is a collection of 15 critical essays that highlights the literary contributions of Akachi Adimora-Ezeigbo as one of Nigeria's leading female writers. The book includes a literary biography, professional profile, and an interview with professor Adimora-Ezeigbo that offers valuable insight into her life and works. Contributing scholars provide critical and theoretical perspectives on Adimora-Ezeigbo's ouvre that represents a postcolonial lens to interpret the African world. Emerging Perspectives contextualizes Adimora-Ezeigbo's works of fiction, poetry, and drama within African, Nigerian, and Women's literary tradition. This collection builds upon critical and theoretical scholarship on leading African writers whose works comprise a dynamic and compelling genre of African writing that spans the post-independence era into the 21st century. The essays examine themes from Adimora-Ezeigbo's writing such as patriarchy, feminism, war, cultural traditions, and contemporary issues in Nigerian society such as trafficking, and many of the social, economic, and political challenges to Nigeria's development as a modern nation state.

"Nowhere near famous but still infamous," Psalm One is a legend to rap nerds, scholars, and "heads," and has gone on to work with the brightest names in rap and have her work celebrated and taught around the globe. In Her Word Is Bond, Psalm One tells her own story, from growing up in Englewood, Chicago through her life as a chemist, teacher, and legendary rapper. Intrinsically feminist, this story is a celebration of the life and career of one artist who blazed the trail for women in hip hop.

"Nowhere near famous but still infamous," Psalm One is a legend to rap nerds, scholars, and "heads," and has gone on to work with the brightest names in rap and have her work celebrated and taught around the globe. In Her Word Is Bond, Psalm One tells her own story, from growing up in Englewood, Chicago through her life as a chemist, teacher, and legendary rapper. Intrinsically feminist, this story is a celebration of the life and career of one artist who blazed the trail for women in hip hop.