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One of the most significant photographers of our time, Stephen
Shore has often been considered alongside other artists who rose to
prominence in the 1970s by capturing the mundane aspects of
American popular culture in straightforward, unglamorous images.
But Shore has worked with many forms of photography, switching from
cheap automatic cameras to large-format cameras in the 1970s,
pioneering the use of colour before returning to black and white in
the 1990s, and in the 2000s taking up the opportunities of digital
photography, digital printing and social media. Stephen Shore
encompasses the entirety of the artist's work of the last five
decades, during which he has conducted a continual, restless
interrogation of image making, from the gelatin silver prints he
made as a teenager to his current engagement with digital
platforms. Published to accompany the major exhibition at The
Museum of Modern Art, New York, the book allows for a fuller
understanding of Shore's work, and demonstrates his singular vision
- defined by an interest in daily life, a taste for serial and
often systematic approaches, a strong intellectual underpinning, a
restrained style, sly humour and visual casualness - and
uncompromising pursuit of photography's possibilities.
This body of work is a visual investigation of a series of
objects, photographs, and memorabilia found in the house of an
unknown Milanese chemist. The collection and the biographical notes
of Giulia C., the enigmatic figure at the origin of this work,
allow Italian photographer Andrea Ferrari to ponder the topic of a
visual alphabet.
Combining documentaries and rearrangements, the photographic
quest turns the assumed physical space of Giulia C.'s house into a
mental one. Through collecting, objects gain a sort of camouflage
and acquire an aura of enigma. Hidden meanings gain the upper hand
over the actual objects.
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Stephen Shore (Hardcover)
Stephen Shore; Edited by Quentin Bajac; Text written by Quentin Bajac, David Campany, Kristen Gaylord, …
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R2,154
R1,718
Discovery Miles 17 180
Save R436 (20%)
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Ships in 10 - 15 working days
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TXT IMG (Paperback)
Katharina Gaenssler; Designed by Christian Lange, Bernd Kuchenbeiser; Text written by Quentin Bajac, Hans Dickel, …
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R2,107
Discovery Miles 21 070
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Ships in 12 - 17 working days
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Photographer Philippe Chancel (born 1959) has mined the terrain
between art, documentary and journalism for over 20 years. Between
2007 and 2009, Chancel made several visits to the United Arab
Emirates, and found a country overwhelming in its architectural
giganticism and astounding in its determination to domesticate a
hostile environment. The resultant feeling of artifice is
ubiquitous: the desert grows green, seawater is desalinated and new
islands rise out of the sea. Moving from one air-conditioned space
to another, from apartment to limousine, from limousine to shopping
mall, from shopping mall to theme park, Chancel found irresistible
pictures to take at every turn. Under his gaze, the United Arab
Emirates is laid bare as the realization of the consumer society
ideal, in which humans exist in a wholly manmade domain. With his
characteristic frontal, distanced framing, devoid of judgment and
emotion, Chancel portrays a country that is at once baffling and
fascinating.
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