Hand-Made Television explores the ongoing enchantment of many of the much-loved stop-frame children's television programmes of 1960s and 1970s Britain. The first academic work to analyse programmes such as Pogles' Wood (1966), Clangers (1969), Bagpuss (1974) (Smallfilms) and Gordon Murray's Camberwick Green (1966), Trumpton (1967) and Chigley (1969), the book connects these series to their social and historical contexts while providing in-depth analyses of their themes and hand-made aesthetics. Hand-Made Television shows that the appeal of these programmes is rooted not only in their participatory address and evocation of a pastoral English past, but also in the connection of their stop-frame aesthetics to the actions of childhood play. This book makes a significant contribution to both Animation Studies and Television Studies; combining scholarly rigour with an accessible style, it is suitable for scholars as well as fans of these iconic British children's programmes.

Building applications for the Internet is a complex and fast-moving field which utilizes a variety of continually evolving technologies. Whether your perspective is from the client or server side, there are many languages to master - X(HTML), JavaScript, PHP, XML and CSS to name but a few. These languages have to work together cleanly, logically and in harmony with the systems they run on, and be compatible with any browsers with which they interact.

"Developing Web Applications" presents script writing and good programming practice but also allows students to see how the individual technologies fit together. It includes recent technical developments to provide a practical and modern introduction to building web applications.

Assuming no prior programming experience, this concise, accessible book ensures that essential concepts on the client side are quickly grasped, and goes on to examine the server environment and available languages, including discussion of dynamic, modern scripting languages such as PHP. Network and security issues are also discussed. The aim of this book is to deliver exactly what is needed to start producing working applications as soon as possible - and have fun along the way.

Ideal for course use or self-study, this book includes practical suggestions for mini-projects which encourage the reader to explore his or her own imaginative solutions, as well as more theoretical end-of-chapter questions. It can also easily be used as a reference work as each section is self-contained, amplifying the key aspects of its particular topic. Most software covered is freely available in the public domain and no particular development environments are required. Itis a direct, contemporary and extremely useful resource for anyone interested in learning how to program applications for the World Wide Web.

Fashioning Film Stars brings together work by established and emerging scholars in the field of film costume and star studies, to address the significance of the relationships between fashion, dress and star image. While studies of individual stars have often commented on the importance of style to the construction of their persona, such work has until now remained largely focused upon the female Hollywood, or occasionally European, star. This scholarly and readable volume redresses that balance, offering close analyses of the detail and significance of male and female star style in Hollywood. European, Asian and Latin American contexts. It brings together a range of theoretical and methodological frameworks from textual analysis, archival research and audience study to offer, for the first time, a detailed consideration of the importance of the fashioning of film stars. Fashioning Film Stars asks: how does dress operate in relation to stardom to articulate particular identities - gendered, national, classed, ethnic, sexual? How, precisely, does film costume operate, and how is it understood, semiotically, socially, culturally? Does star dress 'disappear' against the body as 'clothes', or speak out performatively as 'costume' or 'spectacle'? It answers them in an engaging and accessible volume which will be of interest to film scholars and film fans alike.