While Doris Lessing was composing The Golden Notebook , she was intimately involved with Clancy Sigal and their relationship influenced the literary methods of both writers. Focusing on literary transformations, Rubenstein offers compelling insights into the ethical implications of disguised autobiography and roman a clef .

In 1919, Virginia Woolf wrote, "The most inconclusive remarks upon modern English fiction can hardly avoid some mention of the Russian influence, and if the Russians are mentioned one runs the risk of feeling that to write of any fiction save theirs is a waste of time." In "Virginia Woolf and the Russian Point of View," Roberta Rubenstein examines Woolf's responses to Russian literature over two decades and across the range of her fiction, essays, and book reviews. She argues that the Russian writers significantly influenced Woolf's developing Modernist aesthetic and left lasting marks on her theory and practice of fiction. The book includes transcriptions of forty-eight pages of Woolf's previously unpublished reading notes on Dostoevsky, Tolstoy, and Turgenev, and an unpublished review in which Chekhov and the Russians figure centrally.

Published in 1962, Doris Lessing's The Golden Notebook merits fresh theoretical, geopolitical, autobiographical, and aesthetic approaches. Prompted by the novel's golden anniversary, the twelve essays collected in this volume provide fresh analyses along with appreciative memoirs for 21st century readers of this well-known masterpiece.

Despite its typically regressive associations with homesickness, nostalgia may also function progressively by imaginatively securing, and mending or repairing the past. Looking at fiction by British and American women writers of different generations and ethnicities, Rubenstein explores tensions between home and exile, insider and outsider, longing and belonging, loss and recovery, mourning and emotional resolution. She argues that nostalgia is a strategy for interrogating not only notions of home, homesickness, and homeland but also cultural or historical dislocation, aging, and moral responsibility. These narratives address a concern in contemporary women's experience: personal and/or cultural displacement are restored--imaginatively, at least--by a vision of healing and emotional repair.

While Doris Lessing was composing The Golden Notebook , she was intimately involved with Clancy Sigal and their relationship influenced the literary methods of both writers. Focusing on literary transformations, Rubenstein offers compelling insights into the ethical implications of disguised autobiography and roman a clef .

This book brings together Virginia Woolf's essays and book reviews on Russian literature; her unpublished reading notes on Tolstoy, Dostoevsky, Chekhov, and Turgenev; and new and insightful scholarly commentary concerning her response to each of the major Russian writers.

Darwin famously described special difficulties in explaining social evolution in insects. More than a century later, the evolution of sociality - defined broadly as cooperative group living - remains one of the most intriguing problems in biology. Providing a unique perspective on the study of social evolution, this volume synthesizes the features of animal social life across the principle taxonomic groups in which sociality has evolved. The chapters explore sociality in a range of species, from ants to primates, highlighting key natural and life history data and providing a comparative view across animal societies. In establishing a single framework for a common, trait-based approach towards social synthesis, this volume will enable graduate students and investigators new to the field to systematically compare taxonomic groups and reinvigorate comparative approaches to studying animal social evolution.

Published in 1962, Doris Lessing's The Golden Notebook merits fresh theoretical, geopolitical, autobiographical, and aesthetic approaches. Prompted by the novel's golden anniversary, the twelve essays collected in this volume provide fresh analyses along with appreciative memoirs for 21st century readers of this well-known masterpiece.

Despite its typically regressive associations with homesickness, the longing associated with nostalgia may also function progressively as a vehicle for imaginatively 'fixing' the past in two senses: securing and mending or repairing. Considering fiction by two British and six American women writers of different generations and ethnicities, this study explores tensions between home and exile, insider and outsider, longing and belonging, loss and recovery. Rubenstein argues that nostalgia functions narratively as a strategy for interrogating not only notions of home, homesickness, and homeland but also cultural historical dislocation, aging, and moral responsibility. These narratives re-frame a significant locus of concern in contemporary (female) experience: personal and/or cultural dis-placement and longing for home are ultimately transmuted - imaginatively, at least - by a restorative vision that enables healing and emotional repair.