This series is designed to meet the needs of students and lecturers of the National Certificate Vocational. Features for the student include: Easy-to-understand language; Real-life examples; A key word feature for important subject terms; A dictionary feature for difficult words; A reflect-on-how-you-learn feature to explore personal learning styles; Workplace-oriented activities; and Chapter summaries that are useful for exam revision.

'Light is in us even if we have no eyes.' It is a rare man who can maintain a love of life through the infirmity of blindness, the terrors of war, and the horrors of a Nazi concentration camp. Such a man was Jacques Lusseyran, a French underground resistance leader during the Second World War. This book is his compelling and moving autobiography. Jacques Lusseyran lost his sight in an accident when he was eight years old. At the age of sixteen, he formed a resistance group with his schoolfriends in Nazi-occupied France. Gradually the small resistance circle of boys widened, cell by cell. In a fascinating scene, the author tells of interviewing prospective underground recruits, 'seeing' them by means of their voices, and in this way weeding out early the weak and the traitorous. Eventually Jacques and his comrades were betrayed to the Germans and interrogated by the Gestapo. After a fifteen month incarceration in Buchenwald, the author was one of thirty to survive from an initial shipment of two thousand.

The Future of Digital Data, Heritage and Curation critiques digital cultural heritage concepts and their application to data, developing new theories, curatorial practices and a more-than-human museology for a contemporary and future world. Presenting a diverse range of case examples from around the globe, Cameron offers a critical and philosophical reflection on the ways in which digital cultural heritage is currently framed as societal data worth passing on to future generations in two distinct forms: digitally born and digitizations. Demonstrating that most perceptions of digital cultural heritage are distinctly western in nature, the book also examines the complicity of such heritage in climate change, and environmental destruction and injustice. Going further still, the book theorizes the future of digital data, heritage, curation and the notion of the human in the context of the profusion of new types of societal data and production processes driven by the intensification of data economies and through the emergence of new technologies. In so doing, the book makes a case for the development of new types of heritage that comprise AI, automated systems, biological entities, infrastructures, minerals and chemicals - all of which have their own forms of agency, intelligence and cognition. The Future of Digital Data, Heritage and Curation is essential reading for academics and students engaged in the study of museums, archives, libraries, galleries, archaeology, cultural heritage management, information management, curatorial studies and digital humanities.

The Pathways series assists students in achieving the National Certificate (Vocational) qualification. Pathways not only equips students with the required knowledge, understanding and practical skills, but also empowers them to apply this learning with confidence in the classroom and ultimately in the workplace. Each Pathways Student Book is clearly structured and easy to use. Each topic covers every Subject Outcome, Learning Outcome and Assessment Standard. Accessible, easy-to-understand language makes learning easy. Concepts are clearly defined. A glossary at the beginning of each topic clearly explains important words and terminology. Informative artwork supports the text. This Student Book is accompanied by a Lecturer’s Guide.

This series is designed to meet the needs of students and lecturers of the National Certificate Vocational. Features for the student include: Easy-to-understand language; Real-life examples; A key word feature for important subject terms; A dictionary feature for difficult words; A reflect-on-how-you-learn feature to explore personal learning styles; Workplace-oriented activities; and Chapter summaries that are useful for exam revision.

The Future of Digital Data, Heritage and Curation critiques digital cultural heritage concepts and their application to data, developing new theories, curatorial practices and a more-than-human museology for a contemporary and future world. Presenting a diverse range of case examples from around the globe, Cameron offers a critical and philosophical reflection on the ways in which digital cultural heritage is currently framed as societal data worth passing on to future generations in two distinct forms: digitally born and digitizations. Demonstrating that most perceptions of digital cultural heritage are distinctly western in nature, the book also examines the complicity of such heritage in climate change, and environmental destruction and injustice. Going further still, the book theorizes the future of digital data, heritage, curation and the notion of the human in the context of the profusion of new types of societal data and production processes driven by the intensification of data economies and through the emergence of new technologies. In so doing, the book makes a case for the development of new types of heritage that comprise AI, automated systems, biological entities, infrastructures, minerals and chemicals - all of which have their own forms of agency, intelligence and cognition. The Future of Digital Data, Heritage and Curation is essential reading for academics and students engaged in the study of museums, archives, libraries, galleries, archaeology, cultural heritage management, information management, curatorial studies and digital humanities.

Is the nation state under siege? A common answer is that globalization poses two fundamental threats to state sovereignty. The first concerns the unleashing of centrifugal and centripetal forces - such as increasing market integration and the activities of institutions like the IMF, World Bank, and WTO - that imperil state sovereignty from 'outside' the nation state. The second threat emanates from self-determination movements that jeopardize state sovereignty from 'inside'. Rigorously analyzing popular hypotheses on globalization's effect on state sovereignty from a broad social sciences perspective, the authors use empirical evidence to suggest that globalization's multilevel threats to state sovereignty have been overestimated. In most instances globalization is likely to generate pressure for increased government spending while only one form of market integration - foreign direct investment by multinational enterprises - appears to increase any feeling of economic insecurity. This volume will be invaluable to course instructors at both graduate and undergraduate levels, policy makers and members of the general public who are concerned about the effects of globalization on the nation-state.

Is the nation state under siege? A common answer is that globalization poses two fundamental threats to state sovereignty. The first threat concerns the unleashing of centrifugal and centripetal forces such as increasing market integration and the activities of institutions like the IMF, World Bank, and WTO- that imperil state sovereignty from "outside" the nation state. The second threat emanates from self-determination movements that jeopardize state sovereignty from "inside" the nation state.
This book rigorously analyzes popular hypotheses regarding globalization's effect on state sovereignty from a broad social sciences perspective. Using empirical evidence the authors suggest that globalization's multilevel threats to state sovereignty have been overestimated. In most instances globalization is likely to generate pressure for increased government spending while only one form of market integration - foreign direct investment by multinational enterprises - appears to increase any feeling of economic insecurity.
Also contrary to popular perception, the net effect of IMF conditionality may be positive, limits on state sovereignty by multilateral development banks are not inevitable, and the WTO is not necessarily a threat to state sovereignty. Furthermore, globalization is likely to increase the risk of secessionism only in very specific conditions and while some self-determination movements may find globalization useful, on the whole countries with more open economies appear less likely to house self determination movements and are more likely to implement policies of fiscal centralization.

Why has the war on terror been so pervasive in Western democracies? How is it that the war on terror became such a potent organising principle after September 11, 2001? The answers to these questions go beyond the nature of 9/11 as an event and the subsequent counter-terrorism responses. A vital part of the answer is the embedding of norms and stereotypes of foreign policy in everyday practices of security and social regulation. Mass media communication and popular culture representations of 9/11 have given rise to the social redeployment of foreign policy against domestic identities that are deemed a threat to Western nations.
This book argues that the war on terror is a paradigmatic foreign policy that has had profound effects on domestic social order. Cameron develops an original framework that inverts the traditional analysis of foreign policy in order to interpret its impact on domestic subject formation. Foreign policy facilitates the regulation of domestic populations by linking individual and group identity to issues of national security. Since September 11, 2001 there has been a wholesale reorganisation of foreign policy priorities, resulting in the valorisation of certain social stereotypes and the criminalisation of others.

This book argues that the war on terror is a paradigmatic foreign policy that has had profound effects on domestic social order. Cameron develops an original framework which inverts the traditional analysis of foreign policy in order to interpret its impact upon subject formation through everyday practises of security and social regulation.

This open access book explores the multiple forms of curatorial agencies that develop when museum collection digitisations, narratives and new research findings circulate online. Focusing on Viking Age objects, it tracks the effects of antagonistic debates on discussion forums and the consequences of search engines, personalisation, and machine learning on American-based online platforms. Furthermore, it considers eco-systemic processes comprising computation, rare-earth minerals, electrical currents and data centres and cables as novel forms of curatorial actions. Thus, it explores curatorial agency as social constructivist, semiotic, algorithmic, and material. This book is of interest to scholars and students in the fields of museum studies, cultural heritage and media studies. It also appeals to museum practitioners concerned with curatorial innovation at the intersection of humanist interpretations and new materialist and more-than-human frameworks.

This open access book explores the multiple forms of curatorial agencies that develop when museum collection digitisations, narratives and new research findings circulate online. Focusing on Viking Age objects, it tracks the effects of antagonistic debates on discussion forums and the consequences of search engines, personalisation, and machine learning on American-based online platforms. Furthermore, it considers eco-systemic processes comprising computation, rare-earth minerals, electrical currents and data centres and cables as novel forms of curatorial actions. Thus, it explores curatorial agency as social constructivist, semiotic, algorithmic, and material. This book is of interest to scholars and students in the fields of museum studies, cultural heritage and media studies. It also appeals to museum practitioners concerned with curatorial innovation at the intersection of humanist interpretations and new materialist and more-than-human frameworks.

This book critiques modern museologies and curatorial practices that have been complicit in emerging existential crises. It confidently presents novel, more-than-human curatorial visions, methods, frameworks, policies, and museologies radically refiguring the epistemological foundations of curatorial, museological thinking and practice for a habitable planet. Modern curatorial and museological practices, are dominated by modern humanism in which capital growth, social, technological advancement, hubris, extraction, speciest logics and colonial domination predominate, often without reflection. While history, science and technology museums and their engagement with non-human worlds have always been ecological as an empirical reality, the human-centred frameworks and forms of human agency that institutions deploy tend to be non-cognizant of this reality. Museum Practices and the Posthumanities reveals how these practices are ill-equipped to deal with the contemporary world of rapid digital transformations, post-Covid living, climate change and its impacts among other societal changes, and it shows how museums might best meet these challenges by thinking with and in more-than-human worlds. This book is aimed at museological scholars and museum professionals, and it will provide them with the inspiration to conduct research on and curate from a different ecological reference point to promote a world good enough for all things to thrive in radical co-existence.

Adventure icon Hannah Lyndsey Brown was a throw back, a kind of human time capsule who embodied the morality and values of a different era. She'd spent years crossing oceans, solo, on her own sailboat, away from urban society and her home country. She came home to new rules. Now she was about to go on a journey she'd never signed up for . . . one that would be a masterclass that would change her forever. "When Pigs and Horses Fly", is a novel that shares adventure icon Hannah Lyndsey Brown's memoir of an incredible journey/adventure that takes her across a raw, uncensored America, and then on a wild voyage up to Alaska's Prince William Sound, and, finally, an accidental sojourn in a mysterious, secret place hidden in plain sight in the Hawaiian archipelago. There are warnings, too, in this book that the reader dare not ignore; under the new rules people don't fuss over your serious injury or death at the hands of those you trust most.