This affordably-priced collection presents masterpieces of short fiction from 52 of the greatest story writers of all time. From Sherwood Anderson to Virginia Woolf, this anthology encompasses a rich global and historical mix of the very best works of short fiction and presents them in a way students will find accessible, engaging, and relevant. The book's unique integration of biographical and critical background gives students a more intimate understanding of the works and their authors.

With his trademark wit, formal dexterity, and polymorphic interest in the world, R.S. Gwynn writes of an America of malapropisms and bad taste and a literary past ripe for recycling. Whether he conjures contractors and insurance agents suffering in a satire of Dante's Inferno, fashions a sonnet taken from TV-listing reductions of Shakespeare, or pays tribute (and more satire) to the living and the dead in a moving set of elegies, his mastery of the old masters and of his art is sincere and irreverent, as he knows the masters too must have been to their readers. Gwynn is a Juvenal for our age, pointing out our follies; yet his demonic, demotic energy has an elegiac timor mortis about it that reminds us nothing is more serious than a joke. In that sense, Gwynn is a poet for everyone, and the guiding spirit in this collection is at once elegiac and wry.

Lewis Turco, Professor Emeritus of English Writing Arts, is perhaps the most widely respected poet-scholar in the United States. He took his B.A. from the University of Connecticut in 1959 and his M.A. from the University of Iowa in 1962. In 2000 he received an honorary degree, Doctor of Humane Letters, from Ashland University. Lewis Turco's classic THE BOOK OF FORMS: A HANDBOOK OF POETICS has been called "the poet's Bible" since its original publication in 1968. Turco has won many awards, including the Melville Cane Award of the Poetry Society of America in 1986 and the John Ciardi Award for lifetime achievement in poetry. This volume is a collection of essays by some this nation's leading poets, presented in honor of Dr. Turco's retirement in 1996. Tributes from students are also included in this Festschrift.

Four diverse Texas poets are presented in the anthology.

Glamorgan has a rich and diverse flora with over 80% of the vascular plant flora of Wales being recorded in the county. This is the first account for 86 years of the flora of the old county of Glamorgan and the first to treat fully its lower plants. It draws together information on the ecology, abundance and distribution of higher plants, mosses, liverworts and lichens that has, up to now, been largely inaccessible. Maps are provided for all but the rarest of plants and attention is drawn to notable sites worthy of conservation. A novel feature is the inclusion of details of floral biology, including insect visitors, for many species. The flora, as well as being of interest to the naturalist, is of considerable value to conservation organisations and local authorities in formulating conservation strategies and offering advice on all matters concerning the wild and naturalised flora of Glamorgan. This book is a digital reprint of ISBN 0-11-310046-9 (1994).

Like no other period in American history, the twentieth century has produced a great flourishing of critics who not only wrote poetry, but also published criticism dealing directly with the text and aesthetics of poems. Beginning with John Crowe Ransom's "Wanted: An Ontological Critic" and closing with John Ciardi's "How Does a Poem Mean?", R. S. Gwynn has assembled many of the pivotal essays written by these poet-critics over the last fifty years, some long out of print. From the pens of a dozen authors, such as Robert Penn Warren, Louise Bogan, Allen Tate, Delmore Schwartz, and Randall Jarrell, the essays were written in an atmosphere of practicality. It was a time when critical readings of poetry elucidated the poem rather than the external ideologies and theories of the critic, when criticism was accessible to the educated, common reader.