Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

""Every day is a surprise. In the total scheme of our lives, however, the moments are mostly minor personal tragedies and adventures so we just keep on keepin' on ..."" Most surprises in life can be managed, but sometimes events conspire to radically alter our existence. "The Moment It All Changed" explores this theme in, a collection of intriguing short stories filled with dynamic characters caught in mid-flight through adventures they never expected. A brave young girl leads twenty men out of Castro's brutal grip. A young engineer finds himself swimming under the ice of the Wind River, desperately searching for an air pocket. A young mother is paralyzed in a fall from the roof and fears dying alone. Author Steven R. Roberts introduces these unique individuals and the ways in which they discover their inner strengths and weaknesses-how they stood, accidently or on purpose, in the path of a speeding train of circumstances and faced the moment. Wrapping life-changing events within the mantle of humor, adventure, and spiritual awakening, "The Moment It All Changed" is an anthology to be savored.

Each year, about 33 percent of all women and 3 percent of all men murdered in the United States, are killed by a so-called intimate, a spouse, partner, or lover. Nationwide, murder by an intimate is the number one cause of death for pregnant women. And murder by an intimate is not just an American problem. A European task force recently found domestic violence accounts for 25 percent of all homicides in London, and 35 percent across England and Wales. In this timely book, van Wormer and Roberts describe the problem, and what they have seen and heard on the front lines with both women and men who have escaped domestic violence that was escalating toward deadly levels. The text examines not only the psychology of the batterer but of domestic murder, and domestic murder-suicide. Drawn from the experience and insights of these two widely-known social workers, the text includes a safety plan for those at risk and a chapter providing narratives of women in prison for killing their abusive husband or partner.

Drawing on the experience and insights of these two widely-known social workers, "Death by Domestic Violence" separates domestic violence myths and facts, explains the traumatic bonding that occurs between batterer and victim, and details how one facet of the solution could be school-based interventions and education. The book culminates with recommendations for further reduction of harm and a safety plan for those at risk.