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This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon.
This lively and provocative study offers a radical reappraisal of a
century of Shakespearean theatre. Topics addressed include
modernist Shakespearean performance's relation with psychoanalysis,
the hidden gender dynamics of the open stage movement, and the
appropriation of Shakespeare himself as a dramatic fiction and
theatrical icon.
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