Simon Hardman is an ex drug enforcement agent living a secluded life in a Florida tourist town called Destin. An email from his sister tells him about his high school girlfriend being shot down and is hanging on by a thread. She was in the process of prosecuting a brother of one the drug gangs in the area. It turns out he is associated with the number one drug cartel in the world. It takes all of Simon's years of training to take down the people responsible for the shooting, along with the help of close friends still with the agency. The twist in all of this is his girlfriend had twin daughters who are now teenagers and they are Simon's.

"Reading a wide range of well known postcolonial writers along with more recent authors, Spaces of Fiction / Fictions of Space implements a new theory of literary spatial marking derived from the linguistic theory of deixis, and made accessible via an analysis of Becketts 'semi-colonial' play Waiting for Godot"--Provided by publisher.

Simon Hardman is back in the sequel Old Tides. He finally feels like he has won life's lottery. With his home on the western tip of the Choctawhatchee everyday is just another day in paradise. His daughters are now living with him and their mother has accepted his marriage proposal. Paradise is interrupted when two of his closest friends are brutally murdered. It doesn't take Simon long to understand someone is out for revenge and that the past can never be hidden for long. The brother of a man Simon killed has tracked him to Fort Walton and wants revenge. It all comes to a head in the middle of a thunderstorm on a small island located in the middle of Biscayne Bay.

This work offers a timely alternative to theater criticism's neglect of the intensely spatial character of theatrical performance by showing that early modern audiences were highly aware of the spatial aspects of the stage. Jacobean dramatists used stage space to explore the spatial transformations of early modern society--social mobility, wandering populations, rural enclosure, sea travel, localized empirical thought.

Literary Representations of Dangerous Reading explores how selected American and European literary texts, from the classic to the contemporary, represent reading as a dangerous endeavor. It investigates how the texts being read or the conditions of reading may produce danger and considers the various qualities of the dangers depicted: literal or metaphorical, real or imagined, minor or mortal. Whereas readers can readily imagine being depressed or bored by a book, or even perhaps corrupted in some moral fashion, readers typically assume that the mere words on a page cannot directly affect their health. Nevertheless, literature can and does stage readings in which readers suffer actual harm from the magical or supernatural qualities of a given text. Such impossibly dangerous reading fascinates, the author argues, by exaggerating the dangers that may inhabit certain real experiences of reading.

John Stuart Mill's Utilitarianism continues to serve as a rich source of moral and theoretical insight. This collection of articles by top scholars offers fresh interpretations of Mill's ideas about happiness, moral obligation, justice, and rights. Applying contemporary philosophical insights, the articles challenge the conventional readings of Mill, and, in the process, contribute to a deeper understanding of utilitarian theory as well as the complexity of moral life.

Mill's "Utilitarianism" is one of the most important texts in the teaching of ethics. Utilitarianism as an ethical philosophy is one of the competing theories at the present time and Mill's "Utilitarianism" is the classic text in this area. As such, it is a hugely important and exciting, yet challenging piece of philosophical writing. In Mill's "'Utilitarianism': A Reader's Guide", Henry R. West offers a clear and thorough account of this key philosophical work. The book offers a detailed review of the key themes and a lucid commentary that will enable readers to rapidly navigate the text. Geared towards the specific requirements of students who need to reach a sound understanding of the text as a whole, the guide explores the complex and important ideas inherent in the text and provides a cogent survey of the reception and influence of Mill's seminal work. This is the ideal companion to study of this most influential of texts. "Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

The life of Malcolm 'Shorty' Jarvis, Malcolm X's best friend before his conversion to Islam, is the subject of this memoir. Through this book, Jarvis (who died in September 1998) and Paul D. Nichols tell Jarvis' story - to set the record straight about his personality and character, which they felt had been falsely portrayed in other books and films about Malcolm X. The relationship between Jarvis and Malcolm X began in a Roxbury pool hall in 1942. A main purpose of this book is to bring to light information about the life, spirituality, and philosophy of Malcolm 'Shorty' Jarvis, an accomplished jazz musician. It includes numerous photographs.

The word addiction these days is used to refer to a chronic condition where there is an unhealthily powerful motivation to engage in a particular behaviour. This can be driven by many different factors physiological, psychological, environmental and social. If we say that it is all about X, we miss V, W, Y and Z. So, some people think addicts are using drugs to escape from unhappy lives, feelings of anxiety and so on; many are. Some people think drugs become addictive because they alter the brain chemistry to create powerful urges; that is often true. Others think that drug taking is about seeking after pleasure; often it is. Some take the view that addiction is a choice addicts weigh up the pros and cons of doing what they do and decide the former outweigh the latter. Yet others believe that addicts suffer from poor impulse control; that is often true And so it goes on. When you look at the evidence, you see that all these positions capture important aspects of the problem but they are not complete explanations. Neuroscience can help us delve more deeply into some of these explanations, while the behavioural and social sciences are better at exploring others. We need a model that puts all this together in a way that can help us decide what to do in different cases. Should we prescribe a drug, give the person some tender loving care , put them in prison or what? Theory of Addiction provides this synthesis. The first edition was well received: Throughout the book the reader is exposed to a vast number of useful observations...The theoretical aims are timely, refreshing, ambitious and above all challenging. It opens up a new way of looking at addiction and has the potential to move the field of addiction a considerable leap forward. Thus we wholeheartedly would like to recommend the book for students as well as scholars. Read and learn! Nordic Studies on Alcohol and Drugs The book provides a comprehensive review of existing theories - over 30 in all - and this synthesis of theories constitutes an important contribution in and of itself...West is to be commended for his synthesis of addiction theories that span neurobiology, psychology and social science and for his insights into what remains unexplained. Addiction This new edition of Theory of Addiction builds on the first, including additional theories in the field, a more developed specification of PRIME theory and analysis of the expanding evidence base. With this important new information, Theory of Addiction will continue to be essential reading for all those working in addiction, from student to experienced practitioner as urged above, Read and learn!

Spatial Representations and the Jacobean Stage offers a timely alternative to theatre criticism's neglect of the intensely spatial character of theatrical performance. The book shows that early modern audiences were highly aware of the spatial aspects of the stage. West examines the ways Jacobean dramatists used stage space to explore the spatial transformations of early modern society - social mobility, wandering populations, rural enclosure, sea travel, localized empirical thought. Dramas by Shakespeare, Jonson, Middleton and Webster are scrutinized for their treatment of these controversial themes.