R. Buckminster Fuller (1895a "1983) was an architect, engineer, geometrician, cartographer, philosopher, futurist, inventor of the famous geodesic dome, and one of the most brilliant thinkers of his time. For more than five decades, he set forth his comprehensive perspective on the world's problems in numerous essays, which offer an illuminating insight into the intellectual universe of this "renaissance man." These texts remain surprisingly topical even today, decades after their initial publication.

While Fuller wrote the works in the 1960's and 1970's, they could not be more timely: like desperately needed time-capsules of wisdom for the critical moment he foresaw, and in which we find ourselves. Long out of print, they are now being published again, together with commentary by Jaime Snyder, the grandson of Buckminster Fuller. Designed for a new generation of readers, Snyder prepared these editions with supplementary material providing background on the texts, factual updates, and interpretation of his visionary ideas.

A biography of Buckminster Fuller's "thought development," Ideas and Integrities presents an intimate self-portrait of the experiences and discoveries behind his groundbreaking ideas and inventions. Through in-depth essays like "Total Thinking," "Design for Survival a " Plus," and "The Comprehensive Man," spanning the period from his earliest writings to the invention of the geodesic dome and his explosion onto the world stage, he delivers a powerful manifesto for the comprehensive design revolution he had championed: "To make man a success on earth.... we must design our way to positive effectiveness."

Buckminster Fuller's prophetic 1962 book Education Automation brilliantly anticipated the need to rethink learning in light of a dawning revolution in informational technology a " "upcoming major world industry." Along with other essays on education, including "Breaking the Shell of Permitted Ignorance," "Children: the True Scientists" and "Mistake Mystique" this volume presents a powerful approach for preparing ourselves to face epochal changes on spaceship earth: "whether we are going to make it or not... is really up to each one of us; it is not something we can delegate to the politicians a " what kind of world are you really going to have?"

Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood's influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood's insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today's hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include "the paleocybernetic age," "intermedia," the "artist as design scientist," the "artist as ecologist," "synaesthetics and kinesthetics," and "the technosphere: man/machine symbiosis." Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller-a perfectly cut gem of countercultural thinking in itself-places Youngblood's radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.

R. Buckminster Fuller is regarded as one of the most important figures of the 20th century, renowned for his achievements as an inventor, designer, architect, philosopher, mathematician, and dogged individualist. Perhaps best remembered for the Geodesic Dome and the term "Spaceship Earth," his work and his writings have had a profound impact on modern life and thought.

Critical Path is Fuller's master work—the summing up of a lifetime's thought and concern—as urgent and relevant as it was upon its first publication in 1981. Critical Path details how humanity found itself in its current situation—at the limits of the planet's natural resources and facing political, economic, environmental, and ethical crises.

The crowning achievement of an extraordinary career, Critical Path offers the reader the excitement of understanding the essential dilemmas of our time and how responsible citizens can rise to meet this ultimate challenge to our future.

Lyrical meditations on life, work and hopes for the future from the beloved architect and polymath Buckminster Fuller First published in 1976, issued in a new edition in 2008, and now back in print, And It Came to Pass--Not to Stay brings together a selection of Buckminster Fuller's (1895-1983) lyrical and philosophical best, including seven "essays" that address global crises and his predictions for the future--"to make the world work for 100% of humanity in the shortest possible time through spontaneous cooperation without ecological offence or the disadvantage of anyone." These essays, comprising "How Little I Know," "Complexion 1976," "What I Am Trying to Do," "A Definition of Evolution," "'And It Came to Pass' (Not to Stay)," "Soft Revolution" and "Ethics," pursue the task of ushering in a new era for humanity by "always starting with the universe." Each of the texts is written in Fuller's "ventilated prose," an essayistic poem form that breaks up his thinking into lines and stanzas.Though best known as a designer and design theorist, Fuller investigated and challenged assumptions about structure, function, materials, technology, aesthetics, services, distribution, mobility, communication, collaboration, information, recycling, politics, property and social norms. These essays present the great range and depth of Fuller's thought while elegantly weaving the personal, the playful, the simple and the profound.

Buckminster Fuller (1895a "1983) was an architect, engineer, geometrician, cartographer, philosopher, futurist, inventor of the famous geodesic dome, and one of the most brilliant thinkers of his time. For more than five decades, he set forth his comprehensive perspective on the worlda (TM)s problems in numerous essays, which offer an illuminating insight into the intellectual universe of this renaissance man. These texts remain surprisingly topical even today, decades after their initial publication.

While Fuller wrote the works in the 1960a (TM)s and 1970a (TM)s, they could not be more timely: like desperately needed time-capsules of wisdom for the critical moment he foresaw, and in which we find ourselves. Long out of print, they are now being published again, together with commentary by Jaime Snyder, the grandson of Buckminster Fuller. Designed for a new generation of readers, Snyder prepared these editions with supplementary material providing background on the texts, factual updates, and interpretation of his visionary ideas.

Initially published in 1969, and one of Fullera (TM)s most popular works, Operating Manual for Spaceship Earth is a brilliant synthesis of his world view. In this very accessible volume, Fuller investigates the great challenges facing humanity, and the principles for avoiding extinction and a oeexercising our option to make it.a How will humanity survive? How does automation influence individualization? How can we utilize our resources more effectively to realize our potential to end poverty in this generation? He questions the concept of specialization, calls for a design revolution of innovation, and offers advice on how to guide a oespaceship eartha toward a sustainable future.

And it Came to Pass a " Not to Stay brings together Buckminster Fullera (TM)s lyrical and philosophical best, including seven a oeessaysa in a form he called his a oeventilated prosea, and as always addressing the current global crisis and his predictions for the future. These essays, including a oeHow Little I Knowa, a oeWhat I am Trying to Doa oe, a oeSoft Revolutiona, and a oeEthicsa, put the task of ushering in a new era of humanity in the context of a oealways starting with the universe.a In rare form, Fuller elegantly weaves the personal, the playful, the simple, and the profound.

Utopia or Oblivion is a provocative blueprint for the future. This comprehensive volume is composed of essays derived from the lectures he gave all over the world during the 1960a (TM)s. Fullera (TM)s thesis is that humanity a " for the first time in its history a " has the opportunity to create a world where the needs of 100% of humanity are met. This is Fuller in his prime, relaying his urgent message for earthiansa (TM) critical moment and presenting pioneering solutions which reflect his commitment to the potential of innovative design to create technology that does a oemore with lessa and thereby improves human lives . . . a oeThis is what man tends to call utopia. Ita (TM)s a fairly small word, but inadequate to describe the extraordinary new freedom of man in a new relationship to universe - the alternative of which is oblivion.a Buckminster Fuller.

Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood's influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood's insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today's hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include "the paleocybernetic age," "intermedia," the "artist as design scientist," the "artist as ecologist," "synaesthetics and kinesthetics," and "the technosphere: man/machine symbiosis." Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller-a perfectly cut gem of countercultural thinking in itself-places Youngblood's radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.

A classic of utopian literature, more urgent than ever: Buckminster Fuller's provocative blueprint for the future Composed of lectures given by Buckminster Fuller throughout the world in the 1960s, Utopia or Oblivion presents the thesis that humanity, for the first time in its history, has the opportunity to create a world where the needs of 100% of humanity are met. Fuller's grandson, in the introduction, refers to this selection as "hardcore Bucky," as these essays display Fuller's investigations into mathematics, geometry and how they intersect with the arts, music and world peace. In Fuller's words, "This is what man tends to call utopia. It's a fairly small word, but inadequate to describe the extraordinary new freedom of man in a new relationship to universe--the alternative of which is oblivion. First published in 1969 and then reprinted by Lars Muller in 2008, Utopia or Oblivion also includes one of the earliest published discussions of Fuller's World Game, a revolutionary "game" that set as the goal for players, that the world "works" for 100% of humanity to nobody's disadvantage. It challenged players to overlook traditional world units such as nations, states and other political and economic divisions.

R. Buckminster Fuller (1895a "1983) was an architect, engineer, geometrician, cartographer, philosopher, futurist, inventor of the famous geodesic dome, and one of the most brilliant thinkers of his time. For more than five decades, he set forth his comprehensive perspective on the world's problems in numerous essays, which offer an illuminating insight into the intellectual universe of this "renaissance man." These texts remain surprisingly topical even today, decades after their initial publication.

While Fuller wrote the works in the 1960's and 1970's, they could not be more timely: like desperately needed time-capsules of wisdom for the critical moment he foresaw, and in which we find ourselves. Long out of print, they are now being published again, together with commentary by Jaime Snyder, the grandson of Buckminster Fuller. Designed for a new generation of readers, Snyder prepared these editions with supplementary material providing background on the texts, factual updates, and interpretation of his visionary ideas.

A biography of Buckminster Fuller's "thought development," Ideas and Integrities presents an intimate self-portrait of the experiences and discoveries behind his groundbreaking ideas and inventions. Through in-depth essays like "Total Thinking," "Design for Survival a " Plus," and "The Comprehensive Man," spanning the period from his earliest writings to the invention of the geodesic dome and his explosion onto the world stage, he delivers a powerful manifesto for the comprehensive design revolution he had championed: "To make man a success on earth.... we must design our way to positive effectiveness."

Buckminster Fuller's prophetic 1962 book Education Automation brilliantly anticipated the need to rethink learning in light of a dawning revolution in informational technology a " "upcoming major world industry." Along with other essays on education, including "Breaking the Shell of Permitted Ignorance," "Children: the True Scientists" and "Mistake Mystique," this volume presents a powerful approach for preparing ourselves to face epochal changes on spaceship earth: "whether we are going to make it or not... is really up to each one of us; it is not something we can delegate to the politicians a " what kind of world are you really going to have?"

A source book for American culture in the 1960s and 1970s: "suggested reading" from the Last Whole Earth Catalog, from Thoreau to James Baldwin. The Whole Earth Catalog was a cultural touchstone of the 1960s and 1970s. The iconic cover image of the Earth viewed from space made it one of the most recognizable books on bookstore shelves. Between 1968 and 1971, almost two million copies of its various editions were sold, and not just to commune-dwellers and hippies. Millions of mainstream readers turned to the Whole Earth Catalog for practical advice and intellectual stimulation, finding everything from a review of Buckminster Fuller to recommendations for juicers. This book offers selections from eighty texts from the nearly 1,000 items of "suggested reading" in the Last Whole Earth Catalog. After an introduction that provides background information on the catalog and its founder, Stewart Brand (interesting fact: Brand got his organizational skills from a stint in the Army), the book presents the texts arranged in nine sections that echo the sections of the Whole Earth Catalog itself. Enlightening juxtapositions abound. For example, "Understanding Whole Systems" maps the holistic terrain with writings by authors from Aldo Leopold to Herbert Simon; "Land Use" features selections from Thoreau's Walden and a report from the United Nations on new energy sources; "Craft" offers excerpts from The Book of Tea and The Illustrated Hassle-Free Make Your Own Clothes Book; "Community" includes Margaret Mead and James Baldwin's odd-couple collaboration, A Rap on Race. Together, these texts offer a sourcebook for the Whole Earth culture of the 1960s and 1970s in all its infinite variety.

Triton was a concept for an anchored floating city for 100,000 people that would be located just offshore and connected with bridges to the mainland. When President Johnson left office he took the model with him and installed it in his Presidential Library in Texas. This is the complete design report prepared by R. Buckminster Fuller (1895-1983) and his Triton Foundation staff for the U. S. Department of Housing and Urban Development.