2014 Reprint of 1940 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. One of Collingwood's finest works, "Essay on Metaphysics" considers the nature of philosophy, and puts forward Collingwood's original and influential theories of causation, presuppositions, and the logic of question and answer. From the mid-thirties onwards Collingwood's work increasingly engaged in a dialogue with the newly emerging school of analytic philosophy. In this work he attacked the neo-empiricist assumptions prevalent in early analytic philosophy and advocated a logical/epistemological transformation of metaphysics from a study of being or ontology to a study of the absolute presuppositions or heuristic principles which govern different forms of enquiry. Collingwood thus occupies a distinctive position in the history of British philosophy in the first half of the 20th century. He rejects equally the neo-empiricist assumptions that prevailed in early analytic philosophy and the kind of metaphysics that the analytical school sought to overthrow.

2014 Reprint of 1942 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. R. G. Collingwood (1889-1943) was a British philosopher and practicing archaeologist best known for his work in aesthetics and the philosophy of history. "The New Leviathan," originally published in 1942, a few months before the author's death, is the book which R. G. Collingwood chose to write in preference to completing his life's work on the philosophy of history. It was a reaction to the Second World War and the threat which Nazism and Fascism constituted to civilization. The book draws upon many years of work in moral and political philosophy and attempts to establish the multiple and complex connections between the levels of consciousness, society, civilization, and barbarism. Collingwood argues that traditional social contract theory has failed to account for the continuing existence of the non-social community and its relation to the social community in the body politic. He is also critical of the tendency within ethics to confound right and duty.

This early work by Robin G. Collingwood was originally published in 1923 and we are now republishing it with a brand new introductory biography. 'Can the New Idealism Dispense with Mysticism?' is an academic inquiry in the field of philosophy. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. He was the son of author, artist, and academic, W. G. Collingwood. He was greatly influenced by the Italian Idealists Croce, Gentile, and Guido de Ruggiero. Another important influence was his father, a professor of fine art and a student of Ruskin. He published many works of philosophy, such as Speculum Mentis (1924), An Essay on Philosophic Method (1933), and An Essay on Metaphysics (1940).

This early work by R. G. Collingwood was originally published in 1937 and we are now republishing it with a brand new introductory biography. 'Roman Britain and the English Settlements' is an informative work on Roman Britain and includes chapters on 'The Frontier After Hadrian', 'Caesar's Invasion', 'The Claudian Invasion', and much more. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. He was the son of author, artist, and academic, W. G. Collingwood. He was greatly influenced by the Italian Idealists Croce, Gentile, and Guido de Ruggiero. Another important influence was his father, a professor of fine art and a student of Ruskin. He published many works of philosophy, such as Speculum Mentis (1924), An Essay on Philosophic Method (1933), and An Essay on Metaphysics (1940).

2014 Reprint of 1938 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. R. G. Collingwood (1889-1943) was primarily a general philosopher and philosopher of history, and considered his work in aesthetics-the principal work being his The Principles of Art (1938)-as secondary. But the work in aesthetics has enjoyed a persistent readership that continues into the present. In the years after WWII he was probably the most widely read and influential aesthetician to have written in English since Addison, Hutcheson and Hume (not counting Ruskin as an aesthetician), and to this day continues to make his way into anthologies as a principal proponent of the expressive theory of art. In the field of the philosophy of history, Collingwood famously held the doctrine of 'Re-enactment': since the subject is human beings in action, the historian cannot achieve understanding by describing what happened from an external point of view, but must elicit in the reader's own mind the thoughts that were taking place in the principal actors involved in historical events. Similarly, the aesthetic procedure is one whereby the artist and spectator jointly come to realize, to come to know, certain mental states. Art is fundamentally expression. Collingwood saw two main obstacles to general understanding and acceptance of this: First, the word 'art' has surreptitiously acquired multiple meanings among ordinary folk which should be disentangled; second, a philosophical theory of the phenomenon of expression is needed to show that it is an essential part of the life of the mind, not just a special activity that poets go in for.

This early work by R. G. Collingwood was originally published in 1922 and we are now republishing it with a brand new introductory biography. 'Roman Britain' is an informative work on Roman Britain and includes chapters on 'Town and Country Life', 'Art and Language', 'Religion', and much more. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. He was the son of author, artist, and academic, W. G. Collingwood. He was greatly influenced by the Italian Idealists Croce, Gentile, and Guido de Ruggiero. Another important influence was his father, a professor of fine art and a student of Ruskin. He published many works of philosophy, such as Speculum Mentis (1924), An Essay on Philosophic Method (1933), and An Essay on Metaphysics (1940).

2014 Reprint of 1945 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. The first part deals with Greek cosmology and is the longest, the most elaborate and, on the whole, the liveliest part of a book which never deviates into dullness. The dominant thought in Greek cosmology, Collingwood holds, was the microcosm-macrocosm analogy, nature being the substance of something ensouled where "soul" meant the self-moving. Part II is "The Renaissance View of Nature ." Collingwood describes the rise and decline of the deists' view of Nature as a machine designed by the Great Contriver who, having turned it out, watches it go. Part III, "The Modern View of Nature," deals with very recent or contemporary philosophy and science, discerning in it a radical evolutionism first in biology and later in cosmology. Remains to this day a classic text in the history of ideas.

2014 Reprint of 1933 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. R. G. Collingwood (1889-1943) was a British philosopher and practicing archaeologist best known for his work in aesthetics and the philosophy of history. Collingwood is the author of one of the most important treatises in meta-philosophy written in the first half of the twentieth century, "An Essay on Philosophical Method" (1933), which is a sustained attempt to explain why philosophy is an autonomous discipline with a distinctive method and subject matter that differ from those of the natural and the exact sciences.

This early work by R. G. Collingwood was originally published in the early 20th century and we are now republishing it with a brand new introductory biography. 'A Guide to the Roman Wall' is an informative essay on the history and use of Hadrian's Wall. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. He was the son of author, artist, and academic, W. G. Collingwood. He was greatly influenced by the Italian Idealists Croce, Gentile, and Guido de Ruggiero. Another important influence was his father, a professor of fine art and a student of Ruskin. He published many works of philosophy, such as Speculum Mentis (1924), An Essay on Philosophic Method (1933), and An Essay on Metaphysics (1940).

This early work by Robin G. Collingwood was originally published in 1924 and we are now republishing it with a brand new introductory biography. 'Speculum Mentis' is an academic work on the subject of philosophy. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. He was the son of author, artist, and academic, W. G. Collingwood. He was greatly influenced by the Italian Idealists Croce, Gentile, and Guido de Ruggiero. Another important influence was his father, a professor of fine art and a student of Ruskin. He published many works of philosophy, such as Speculum Mentis (1924), An Essay on Philosophic Method (1933), and An Essay on Metaphysics (1940).

This early work by Robin G. Collingwood was originally published in 1942 and we are now republishing it with a brand new introductory biography. 'The New Leviathan' is an academic work on the subject of philosophy. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. He was the son of author, artist, and academic, W. G. Collingwood. He was greatly influenced by the Italian Idealists Croce, Gentile, and Guido de Ruggiero. Another important influence was his father, a professor of fine art and a student of Ruskin. He published many works of philosophy, such as Speculum Mentis (1924), An Essay on Philosophic Method (1933), and An Essay on Metaphysics (1940).

2014 Reprint of 1946 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. R. C. Collingwood (1889-1943) was an English philosopher and historian. Collingwood is most famous for his book "The Idea of History." The book came to be a major inspiration for philosophy of history in the English-speaking world. It is extensively cited. According to Collingwood, the science which is dedicated to the study of mind is history. Collingwood's philosophy of mind and action is thus to be found in his philosophy of history, primarily in "The Idea of History" (1946). The claim that history is the study of mind is prima facie counter-intuitive because many of us tend to think of history as a descriptive science of the past rather than as a normative science of thought. Collingwood's claim that history is the study of mind is in line with the distinction between the Naturwissenschaften and Geisteswissenschaften that is found in continental philosophy of social science.

This early work by Robin G. Collingwood was originally published in 1940 and we are now republishing it with a brand new introductory biography. 'An Essay on Metaphysics' is an academic inquiry in the field of philosophy. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. He was the son of author, artist, and academic, W. G. Collingwood. He was greatly influenced by the Italian Idealists Croce, Gentile, and Guido de Ruggiero. Another important influence was his father, a professor of fine art and a student of Ruskin. He published many works of philosophy, such as Speculum Mentis (1924), An Essay on Philosophic Method (1933), and An Essay on Metaphysics (1940).

This early work by R. G. Collingwood was originally published in the early 20th century and we are now republishing it with a brand new introductory biography. 'The Archaeology of Roman Britain' is an informative work on Roman Britain and includes chapters on 'Fortresses and Forts', 'Towns', 'Frontier Works', and much more. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. He was the son of author, artist, and academic, W. G. Collingwood. He was greatly influenced by the Italian Idealists Croce, Gentile, and Guido de Ruggiero. Another important influence was his father, a professor of fine art and a student of Ruskin. He published many works of philosophy, such as Speculum Mentis (1924), An Essay on Philosophic Method (1933), and An Essay on Metaphysics (1940).