Blaine Barrow is writing a biography of his late grandfather, Jake Barrow, a famous movie director from the 1940's through the 1960's. In the process of conducting research for the book, Blaine discovers some disturbing information: In 1953 his grandfather was involved in a sensational murder case in which blonde boys were abducted, raped and killed. When the case broke, Jake Barrow was directing Death Song, starring Marilyn Monroe. The studio never released the film-indeed, at the time they issued a press release simply stating that the film negative had been destroyed. In Hollywood lore, Death Song soon became known as 'The Lost Monroe." Why was the film destroyed? How was it connected to the murder case? Newspaper clippings from the time tell part of the story but not all of it. To try to get at the truth about his grandfather and the case of the blonde boys, Blaine visits a nursing home to interview Death Song's only surviving star, Carmen Calais. Flattered by the young man's attention and amused by her own cynicism, the eighty-year old Carmen decides to tell him what she has never told anyone else-the full story of 'The Lost Monroe." In the process, she takes him and the reader back to the world of Hollywood in 1953. There they meet characters both real and fictional-a talented but insecure Marilyn Monroe, a carefree but conflicted Rock Hudson, a savvy and demanding mogul, Lew Wasserman, and a Los Angeles missing persons detective, Lefty Bouchard, whose search for five lost boys leads to the discovery of a serial murderer in Tinsel Town. The Lost Monroe employs suspense and humor against the historical backdrop of Hollywood in its heyday to tell a story of the price people pay to survive in a world where perception matters more than truth.

Charles Waddell Chesnutt (1858-1932) was an African American writer, essayist, Civil Rights activist, legal-stenography businessman, and lawyer whose novels and short stories explore race, racism, and the problematic contours of African Americans' social and cultural identities in post-Civil War South. He was the first African American to be published by a major American publishing house and served as a beacon-point for future African American writers. The Colonel's Dream, written in 1905, is a compelling tale of the post-Civil War South's degeneration into a region awash with virulent racist practices against African Americans: segregation, lynchings, disenfranchisement, convict-labor exploitation, and endemic violent repression. The events in this novel are powerfully depicted from the point of view of a philanthropic but unreliable southern white colonel. Upon his return to the South, the colonel learns to abhor this southern world, as a tale of vicious racism unfolds. Throughout this narrative, Chesnutt confronts the deteriorating position of African Americans in an increasingly hostile South. Upon its publication The Colonel's Dream was considered too controversial and unpalatable because of its bitter criticisms of southern white prejudice and northern indifference, and so this groundbreaking story failed to gain public attention and acclaim. This is the first scholarly edition of The Colonel's Dream. It includes an introduction and notes by R. J. Ellis and works to reestablish this great novel's reputation.

Currently one of the hottest topics in biochemistry, the concept of molecular chaperones has challenged the paradigm of protein self-assembly. Key figures in many disciplines review all aspects of molecular chaperones in this volume, which arises from a Royal Society discussion meeting. Overview chapters discuss the significance of chaperones in biochemistry, molecular genetics and cell biology. Each chapter is well referenced providing access to the literature.

Generally recognized as the first African American novel published in the United States, "Our Nig "offers a harrowing portrait of the sadistic maltreatment of Alfrado, a young, African American female working as a bond servant.

Charles Waddell Chesnutt (1858-1932) was an African American writer, essayist, Civil Rights activist, legal-stenography businessman, and lawyer whose novels and short stories explore race, racism, and the problematic contours of African Americans' social and cultural identities in post-Civil War South. He was the first African American to be published by a major American publishing house and served as a beacon-point for future African American writers. The Colonel's Dream, written in 1905, is a compelling tale of the post-Civil War South's degeneration into a region awash with virulent racist practices against African Americans: segregation, lynchings, disenfranchisement, convict-labor exploitation, and endemic violent repression. The events in this novel are powerfully depicted from the point of view of a philanthropic but unreliable southern white colonel. Upon his return to the South, the colonel learns to abhor this southern world, as a tale of vicious racism unfolds. Throughout this narrative, Chesnutt confronts the deteriorating position of African Americans in an increasingly hostile South. Upon its publication The Colonel's Dream was considered too controversial and unpalatable because of its bitter criticisms of southern white prejudice and northern indifference, and so this groundbreaking story failed to gain public attention and acclaim. This is the first scholarly edition of The Colonel's Dream. It includes an introduction and notes by R. J. Ellis and works to reestablish this great novel's reputation.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Blaine Barrow is writing a biography of his late grandfather, Jake Barrow, a famous movie director from the 1940's through the 1960's. In the process of conducting research for the book, Blaine discovers some disturbing information: In 1953 his grandfather was involved in a sensational murder case in which blonde boys were abducted, raped and killed. When the case broke, Jake Barrow was directing Death Song, starring Marilyn Monroe. The studio never released the film-indeed, at the time they issued a press release simply stating that the film negative had been destroyed. In Hollywood lore, Death Song soon became known as 'The Lost Monroe." Why was the film destroyed? How was it connected to the murder case? Newspaper clippings from the time tell part of the story but not all of it. To try to get at the truth about his grandfather and the case of the blonde boys, Blaine visits a nursing home to interview Death Song's only surviving star, Carmen Calais. Flattered by the young man's attention and amused by her own cynicism, the eighty-year old Carmen decides to tell him what she has never told anyone else-the full story of 'The Lost Monroe." In the process, she takes him and the reader back to the world of Hollywood in 1953. There they meet characters both real and fictional-a talented but insecure Marilyn Monroe, a carefree but conflicted Rock Hudson, a savvy and demanding mogul, Lew Wasserman, and a Los Angeles missing persons detective, Lefty Bouchard, whose search for five lost boys leads to the discovery of a serial murderer in Tinsel Town. The Lost Monroe employs suspense and humor against the historical backdrop of Hollywood in its heyday to tell a story of the price people pay to survive in a world where perception matters more than truth.

'The degradations, the wrongs, the vices, that grow out of slavery, are more than I can describe.' Harriet Jacobs was born a slave in the American South and went on to write one of the most extraordinary slave narratives. First published pseudonymously in 1861, Incidents in the Life of a Slave Girl describes Jacobs's treatment at the hands of her owners, her eventual escape to the North, and her perilous existence evading recapture as a fugitive slave. To save herself from sexual assault and protect her children she is forced to hide for seven years in a tiny attic space, suffering terrible psychological and physical pain. Written to expose the appalling treatment of slaves in the South and the racism of the free North, and to advance the abolitionist cause, Incidents is notable for its careful construction and literary effects. Jacobs's story of self-emancipation and a growing feminist consciousness is the tale of an individual and a searing indictment of slavery's inhumanity. This edition includes the short memoir by Jacobs's brother, John S. Jacobs, 'A True Tale of Slavery'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A study of Jack Kerouac's fiction, this text devotes an individual chapter to each of his novels. On the Road, Visions of Cody and The Subteranneans are re-read in depth, as are his other innovative writings. Neglected works, such as Tristessa and Big Sur, are also analysed.