'Why do I know a few more things? Why am I so clever altogether?' Self-celebrating and self-mocking autobiographical writings from Ecce Homo, the last work iconoclastic German philosopher Nietzsche wrote before his descent into madness. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. The gift of a handsomely decorated, enigmatic nutcracker sets the stage for a Christmas like no other: there will be legends of ancient curses, battles with the dreaded Mouse King, and a visit to the wonderful Kingdom of Dolls. The inspiration for the classic ballet, E. T. A. Hoffmann's irresistible tale of magic and mystery continues to be the perfect encapsulation of a child's wonder at Christmas.

The four early essays in Untimely Meditations are key documents for understanding the development of Nietzsche's thought and clearly anticipate many of his later writings. They deal with such broad topics as the relationship between popular and genuine culture, strategies for cultural reform, the task of philosophy, the nature of education, and the relationship among art, science and life. This new edition presents R. J. Hollingdale's translation of the essays and a new introduction by Daniel Breazeale, who places them in their historical context and discusses their significance for Nietzsche's philosophy.

‘That which is done out of love always takes place beyond good and evil’

Beyond Good and Evil confirmed Nietzsche’s position as the towering European philosopher of his age. The work dramatically rejects the tradition of Western thought with its notions of truth and God, good and evil. Nietzsche demonstrates that the Christian world is steeped in a false piety and infected with a ‘slave morality’. With wit and energy, he turns from this critique to a philosophy that celebrates the present and demands that the individual imposes their own ‘will to power’ upon the world.

This edition includes a commentary on the text by the translator and Michael Tanner’s introduction, which explains some of the more abstract passages in Beyond Good and Evil.

The theme of this book is the conflict which arose in the early nineteenth century between the literary and the scientific intellectuals of Europe, as they competed for recognition as the chief analysts of the new industrial society in which they lived. This conflict was epitomizd in the confrontation between Matthew Arnold and T.H.Huxley, and later in that between F.R.Leavis and C.P.Snow. Sociology was born as the third major discipline, though in many ways a hybrid of the literary and the scientific traditions. The author chronicles the rise of the new discipline by discussing the lives and work of the most prominent thinkers at the time, in England, France and Germany. These include John Stuart Mill, H.G.Wells, Beatrice and Sidney Webb, T.S.Eliot, Charles Pegny, Emile Durkheim, Auguste Comte, Stefan George, Thomas Mann, Max Weber and Karl Mannheim. At stake was the right to formulate a philosophy of life for contemporary society, and to predict and pre-empt the worst consequences of industrialization. The book presents a penetrating study of idealists grappling with reality, when industrial society was in its infancy.

‘Yes! I am Zarathustra the Godless!’

Nietzsche was one of the most revolutionary and subversive thinkers in Western philosophy, and Thus Spoke Zarathustra remains his most famous and influential work. It describes how the ancient Persian prophet Zarathustra descends from his solitude in the mountains to tell the world that God is dead and that the Superman, the human embodiment of divinity, is his successor. With blazing intensity and poetic brilliance, Nietzsche argues that the meaning of existence is not to be found in religious pieties or meek submission, but in an all-powerful life force: passionate, chaotic and free.

R. J. Hollingdale’s vibrant translation captures the dramatic force of Nietzsche’s writing. His introduction offers a comprehensive chapter-by-chapter survey of the work, and there are also explanatory notes.

This volume presents Nietzsche's remarkable collection of almost 1400 aphorisms in R. J. Hollingdale's distinguished translation, together with a new historical introduction by Richard Schacht. Subtitled "A Book for Free Spirits," Human, All Too Human marked for Nietzsche a new "positivism" and skepticism with which he challenged his previous metaphysical and psychological assumptions. Nearly all the themes of his later work are displayed here with characteristic perceptiveness and honesty--not to say suspicion and irony--in language of great brio. It remains one of the fundamental works for an understanding of his thought.

Hollingdale's biography remains the single best account of the life and works for the student or nonspecialist. This classic biography of Nietzsche was first published in the 1960s and was enthusiastically reviewed at the time. Long out of print, it is now reissued with its text updated in the light of recent research. The biography chronicles Nietzsche's intellectual evolution and discusses his friendship and breach with Wagner, his attitude toward Schopenhauer, and his indebtedness to Darwin and the Greeks. It follows the years of his maturity and his mental collapse in 1889. The final part of the book considers the development of the Nietzsche legend during his years of madness. R. J. Hollingdale, one of the preeminent translators of Nietzsche, allows Nietzsche to speak for himself in a translation that transmits the vividness and virtuosity of Nietzsche's many styles. This is the ideal book for anyone interested in Nietzsche's life and work who wishes to learn why he is such a significant figure for the development of modern thought. R. J. Hollingdale has translated and edited several of Nietzsche's texts, as well as other prestigious German thinkers. Mr. Hollingdale worked in the editorial department of the Guardian for over twenty years and has written book reviews for the Guardian and the Times Literary Supplement.

Hollingdale's biography remains the single best account of the life and works for the student or nonspecialist. This classic biography of Nietzsche was first published in the 1960s and was enthusiastically reviewed at the time. Long out of print, it is now reissued with its text updated in the light of recent research. The biography chronicles Nietzsche's intellectual evolution and discusses his friendship and breach with Wagner, his attitude toward Schopenhauer, and his indebtedness to Darwin and the Greeks. It follows the years of his maturity and his mental collapse in 1889. The final part of the book considers the development of the Nietzsche legend during his years of madness. R. J. Hollingdale, one of the preeminent translators of Nietzsche, allows Nietzsche to speak for himself in a translation that transmits the vividness and virtuosity of Nietzsche's many styles. This is the ideal book for anyone interested in Nietzsche's life and work who wishes to learn why he is such a significant figure for the development of modern thought. R. J. Hollingdale has translated and edited several of Nietzsche's texts, as well as other prestigious German thinkers. Mr. Hollingdale worked in the editorial department of the Guardian for over twenty years and has written book reviews for the Guardian and the Times Literary Supplement.

‘One must be superior to mankind in force, in loftiness of soul – in contempt’

In these two devastating works, Nietzsche offers a sustained and often vitriolic attack on the morality and the beliefs of his time, in particular those of Hegel, Kant and Schopenhaur. Twilight of the Idols is a ‘grand declaration of war’ on reason, psychology and theology that combines highly charged personal attacks on his contemporaries with a lightning tour of his own philosophy. It also paves the way for The Anti-Christ, Nietzche’s final assault on institutional Christianity, in which he identifies himself with the ‘Dionysian’ artist and confronts Christ; the only opponent he feels worthy of him.

In his introduction Michael Tanner discussed the themes of Nietzche’s argument and places the works in their historical and philosophical context.

This selection of thoughts on religion, ethics, politics, women, suicide, books, and much more is taken from Schopenhauer's last work, Parerga and Paralipo-mena, published in 1851.

The four early essays in Untimely Meditations are key documents for understanding the development of Nietzsche's thought and clearly anticipate many of his later writings. They deal with such broad topics as the relationship between popular and genuine culture, strategies for cultural reform, the task of philosophy, the nature of education, and the relationship among art, science and life. This new edition presents R. J. Hollingdale's translation of the essays and a new introduction by Daniel Breazeale, who places them in their historical context and discusses their significance for Nietzsche's philosophy.

This strange and moving autobiography of Nietzsche was begun in late 1888, weeks before his final psychological breakdown.

Designed to give an overview of Nietzsche's thought, of his approach to the conventional problems of Western philosophy, and of his own philosophy of "the will to power," this anthology includes 240 thematically arranged passages from his major philosophical works.

Condemned as immoral when it was first published, this novel reflects the conflict Goethe felt between his respect for the conventions of marriage and the possibility of spontaneous passion.

Eight of Hoffmann’s best and best-known tales are retold in this collection —among them "Mademoiselle de Scudery,’’ "Doge and Dogeressa," and "The Sandman," which forms the basis for the first half of Offenbach’s opera.