Since 753 BC, ancient Rome has been the center of the Roman Empire. The powerful civilization has made advances in engineering, art, and architecture. Its citizens, especially the wealthy ones, enjoy many freedoms. Will you: Choose between politics and business as a wealthy Roman man? Explore your options as a young woman of Rome? Experience the siege of Rome as a Roman peasant?

You re in the middle of one of the most unpredictable natural disasters an earthquake. No place is safe as the ground shudders, shakes, and splits. How will you survive as the world crashes around you? Will you: Experience an earthquake far from civilization in rural Alaska? Be trapped in a large U.S. city during an earthquake? Fight to survive during an earthquake in Japan and the tsunami that follows it?"

The mystery of how an ordinary Minnesota girl came to be, briefly, one of the most wanted domestic terrorists in the United States Behind every act of domestic terrorism there is someone's child, an average American whose life took a radical turn for reasons that often remain mysterious. Camilla Hall is a case in point: a pastor's daughter from small-town Minnesota who eventually joined the ranks of radicals like Sara Jane Olson (aka Kathleen Soliah) in the notorious Symbionese Liberation Army before dying in a shootout with Los Angeles Police in May 1974. How could a "good girl" like Camilla become one of the most wanted domestic terrorists in the United States? Rachael Hanel tells her story here, revealing both the deep humanity and the extraordinary circumstances of Camilla Hall's life. Camilla's childhood in a tight-knit religious family was marred by loss and grief as, one after another, her three siblings died. Her path from her Minnesota home to her final, radical SLA family featured years as an artist and activist-in welfare offices, political campaigns, union organizing, culminating in a love affair that would be her introduction to the SLA. Through in-depth research and extensive interviews, Hanel pieces together Camilla's bewildering transformation from a "gentle, zaftig, arty, otherworldy" young woman (as one observer remarked), working for social change within the system, into a gun-wielding criminal involved in the kidnapping of Patty Hearst. During this time of mounting unrest and violence, Camilla Hall's story is of urgent interest for what it reveals about the forces of radicalization. But as Hanel ventures ever further into Camilla's past, searching out the critical points where character and cause might intersect, her book becomes an intriguing, disturbing, and ultimately deeply moving journey into the dark side of America's promise.

Rachael Hanel's name was inscribed on a gravestone when she was eleven years old. Yet this wasn't at all unusual in her world: her father was a gravedigger in the small Minnesota town of Waseca, and death was her family's business. Her parents were forty-two years old and in good health when they erected their gravestone--Rachael's name was simply a branch on the sprawling family tree etched on the back of the stone. As she puts it: "I grew up in cemeteries.
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And you don't grow up in cemeteries--surrounded by headstones and stories, questions, curiosity--without becoming an adept and sensitive observer of death and loss as experienced by the people in this small town. For Rachael Hanel, wandering among tombstones, reading the names, and wondering about the townsfolk and their lives, death was, in many ways, beautiful and mysterious. Death and mourning: these she understood. But when Rachael's father--Digger O'Dell--passes away suddenly when she is fifteen, she and her family are abruptly and harshly transformed from bystanders to participants. And for the first time, Rachael realizes that death and grief are very different.

At times heartbreaking and at others gently humorous and uplifting, "We'll Be the Last Ones to Let You Down" presents the unique, moving perspective of a gravedigger's daughter and her lifelong relationship with death and grief. But it is also a masterful meditation on the living elements of our cemeteries: our neighbors, friends, and families--the very histories of our towns and cities--and how these things come together in the eyes of a young girl whose childhood is suffused with both death and the wonder of the living.