The three women flinch: feel something pass outside. A reek of singed fur, scorching damp. Flaming eyes. A creature. It knows these women. They feel its wanting. From the river it comes. To the river it always returns.

Alex is trying to hold her growing family together with a husband who is becoming more and more difficult to keep happy. Lauren hopes that the new man in her life might present a fresh start for her and her two boys. And Nancy's son has moved her into a care home where she feels entirely out of place, longing for her lost dog while dreaming of her own escape.

But there is something else at play here. Something lurking in the water or at the end of an unlit street; a shadow in a bag of strangers' clothing; a chorus of voices calling in the distance.

As each woman's world spirals from her grasp, they feel it getting closer, revealing the truth of what binds them together, and what must be done to set each of them free . . .

This book examines the striking resurgence of the literary letter at the end of the long twentieth century. It explores how authors returned to epistolary conventions to create dialogue across national, linguistic and cultural borders and repositions a range of contemporary and postcolonial authors never considered together before, including Monica Ali, John Berger, Amitav Ghosh, Michael Ondaatje and Alice Walker. Through a series of situated readings, the book shows how the return to epistolarity is underpinned by ideals relating to dialogue and human connection. Several of the works use letters to present non-anglophone material to the anglophone reader. Others use letters to challenge policed borders: the prison, occupied territory, the nation state. Elsewhere, letters are used to connect correspondents in different cultural and linguistic contexts. Common to all of the works considered in this book is the appeal that they make to us, as readers, and the responsibility they place on us to respond to this address. By taking the epistle as its starting point and pursuing Auerbach's speculative ideal of weltliteratur, this book turns away from the dominant trend of 'distant reading' in world literature, and shows that it is in the close situated analysis of form and composition that the concept of world literature emerges most clearly. This study seeks to re-think the ways in which we read world literature and shows how the literary letter, in old and new forms, speaks powerfully again in this period.

This book constitutes the thoroughly refereed joint post-workshop proceedings of two co-located events: the Second International Workshop on Classification of Events, Activities and Relationships, CLEAR 2007, and the 5th Rich Transcription 2007 Meeting Recognition evaluation, RT 2007, held in succession in Baltimore, MD, USA, in May 2007.

The workshops had complementary evaluation efforts; CLEAR for the evaluation of human activities, events, and relationships in multiple multimodal data domains; and RT for the evaluation of speech transcription-related technologies from meeting room audio collections. The 35 revised full papers presented from CLEAR 2007 cover 3D person tracking, 2D face detection and tracking, person and vehicle tracking on surveillance data, vehicle and person tracking aerial videos, person identification, head pose estimation, and acoustic event detection. The 15 revised full papers presented from RT 2007 are organized in topical sections on speech-to-text, and speaker diarization.

Rachel Bower's accomplished debut collection seeks to recover the lived experiences of women who have often appeared only fleetingly in official histories. The poems push towards a more expansive concept of motherhood, including our collective responsibilities for lives, environments and natural worlds. With heartfelt lyricism, Bower weaves stories of labour and love. In moments of fear and determination for survival, this collection is a hymn to the people and places which shape us. "In Rachel Bower's powerful new collection, you will find mothers displaced, mothers deceived, mothers labouring to stay sane and alive. But woven amongst any vulnerability is a fierce celebration of the mother-body, opened up to prove the unique and complex stories each one holds. I am grateful to Bower for finding these women - historical, biblical, autobiographical - and offering me such inventive, arresting poems, brim-full with blistering truths." - Rebecca Goss, Poet "Powerful, compelling and exquisitely crafted, These Mothers of Gods is a tour-de-force of female-focussed storytelling." - Teika Marija Smits, Writer and Editor "Rachel Bower's poems show us mothering as we've never seen it before, through time, history, and mythology. The collection centres the voice of the other, while conveying poignant experiences of joy, elation, triumph and hardness. These image-rich verses are poems of intense curiosity and beauty." - Jason Allen-Paisant