0
Your cart

Your cart is empty

Browse All Departments
  • All Departments
Price
  • R500 - R1,000 (1)
  • R1,000 - R2,500 (2)
  • R5,000 - R10,000 (1)
  • -
Status
Brand

Showing 1 - 4 of 4 matches in All Departments

Routledge Handbook of Interdisciplinary Research Methods (Paperback): Celia Lury, Rachel Fensham, Alexandra Heller-Nicholas,... Routledge Handbook of Interdisciplinary Research Methods (Paperback)
Celia Lury, Rachel Fensham, Alexandra Heller-Nicholas, Sybille Lammes, Angela Last, …
R1,398 Discovery Miles 13 980 Ships in 12 - 17 working days

The landscape of contemporary research is characterized by growing interdisciplinarity, and disciplinary boundaries are blurring faster than ever. Yet while interdisciplinary methods, and methodological innovation in general, are often presented as the ‘holy grail’ of research, there are few examples or discussions of their development and ‘behaviour’ in the field. This Routledge Handbook of Interdisciplinary Research presents a bold intervention by showcasing a diversity of stimulating approaches. Over 50 experienced researchers illustrate the challenges, but also the rewards of doing and representing interdisciplinary research through their own methodological developments. Featured projects cover a variety of scales and topics, from small art-science collaborations to the ‘big data’ of mass observations. Each section is dedicated to an aspect of data handling, from collection, classification, validation to communication to research audiences. Most importantly, Interdisciplinary Methods presents a distinctive approach through its focus on knowledge as process, defamiliarising and reworking familiar practices such as experimenting, archiving, observing, prototyping or translating.

Theory for Theatre Studies: Movement (Hardcover): Rachel Fensham Theory for Theatre Studies: Movement (Hardcover)
Rachel Fensham; Series edited by Kim Solga, Susan Bennett
R1,847 Discovery Miles 18 470 Ships in 12 - 17 working days

How do we define movement in performance? Who or what is being moved and how? And which movements are felt, observed, or studied, in theatre? Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Movement provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as vitality, plasticity, gesture, effort and rhythm, it opens up the study of theatrical production, live art, and intercultural performance to socio-political conceptions of movement as both practice and concept. It covers movement training systems and considers how they have been utilized in key works of the 20th and 21st centuries. The final section traces the convergence of movement in theatre with other media and digital technologies. A wide range of in-depth case studies helps to equip readers to explore new methodologies and approaches to movement as a performance concept. These include analysis of Satoshi Miyagi's production of Sophocles' Antigone (2017), Thomas Ostermeier's production of Ibsen’s Hedda Gabler (2008), the Berliner Ensemble’s Mother Courage (1949), The Constant Prince (1965) performed by Ryzsard Cieslak, and the National Theatre’s production of War Horse (2007). The final section considers a suite of concepts that shape postdramatic and intermedial theatre from China, Germany-Bangladesh, Australia, the United States, and United Kingdom. The volume is supported by further online resources including video material, questions, and exercises.

Routledge Handbook of Interdisciplinary Research Methods (Hardcover): Celia Lury, Rachel Fensham, Alexandra Heller-Nicholas,... Routledge Handbook of Interdisciplinary Research Methods (Hardcover)
Celia Lury, Rachel Fensham, Alexandra Heller-Nicholas, Sybille Lammes, Angela Last, …
R6,148 Discovery Miles 61 480 Ships in 12 - 17 working days

The landscape of contemporary research is characterized by growing interdisciplinarity, and disciplinary boundaries are blurring faster than ever. Yet while interdisciplinary methods, and methodological innovation in general, are often presented as the 'holy grail' of research, there are few examples or discussions of their development and 'behaviour' in the field. This Routledge Handbook of Interdisciplinary Research presents a bold intervention by showcasing a diversity of stimulating approaches. Over 50 experienced researchers illustrate the challenges, but also the rewards of doing and representing interdisciplinary research through their own methodological developments. Featured projects cover a variety of scales and topics, from small art-science collaborations to the 'big data' of mass observations. Each section is dedicated to an aspect of data handling, from collection, classification, validation to communication to research audiences. Most importantly, Interdisciplinary Methods presents a distinctive approach through its focus on knowledge as process, defamiliarising and reworking familiar practices such as experimenting, archiving, observing, prototyping or translating.

Theory for Theatre Studies: Movement (Paperback): Rachel Fensham Theory for Theatre Studies: Movement (Paperback)
Rachel Fensham; Series edited by Kim Solga, Susan Bennett
R579 Discovery Miles 5 790 Ships in 9 - 15 working days

How do we define movement in performance? Who or what is being moved and how? And which movements are felt, observed, or studied, in theatre? Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Movement provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as vitality, plasticity, gesture, effort and rhythm, it opens up the study of theatrical production, live art, and intercultural performance to socio-political conceptions of movement as both practice and concept. It covers movement training systems and considers how they have been utilized in key works of the 20th and 21st centuries. The final section traces the convergence of movement in theatre with other media and digital technologies. A wide range of in-depth case studies helps to equip readers to explore new methodologies and approaches to movement as a performance concept. These include analysis of Satoshi Miyagi's production of Sophocles' Antigone (2017), Thomas Ostermeier's production of Ibsen’s Hedda Gabler (2008), the Berliner Ensemble’s Mother Courage (1949), The Constant Prince (1965) performed by Ryzsard Cieslak, and the National Theatre’s production of War Horse (2007). The final section considers a suite of concepts that shape postdramatic and intermedial theatre from China, Germany-Bangladesh, Australia, the United States, and United Kingdom. The volume is supported by further online resources including video material, questions, and exercises.

Free Delivery
Pinterest Twitter Facebook Google+
You may like...
The Handmaid's Tale - Season 4
Elisabeth Moss, Yvonne Strahovski, … DVD R416 Discovery Miles 4 160
Vital Baby® HYGIENE™ Super Soft Hand…
R45 Discovery Miles 450
Wagworld Pet Blankie (Blue) - X Large…
R309 R159 Discovery Miles 1 590
Cable Guys Controller and Smartphone…
R399 R359 Discovery Miles 3 590
Fine Living Meta Office Chair (Black)
R599 R399 Discovery Miles 3 990
Zap! Air Dry Pottery Kit
Kit R250 R195 Discovery Miles 1 950
Bostik Glue Stick - Loose (25g)
R42 R22 Discovery Miles 220
Anamino Beef Protein (250g)
R289 R189 Discovery Miles 1 890
Clit Licking Stimulation Sucking G Spot…
R999 R699 Discovery Miles 6 990
Scottish Dances Vol 9
Legget Sandy, Scd Band CD R447 Discovery Miles 4 470

 

Partners